June 9, 2010 · 12:46 am
June 8th, 2010
“Life only really has one beginning and one end – the rest is just a whole lot of middle.”
In his attempts to inspire his Glee Club to achieve despite the nearly insurmountable odds placed before them at the upcoming Regional championships, Will Schuester makes the above remarks. And while I don’t think this was intentional, there’s a wonderful meta-commentary about the show itself in this statement: sure, the fragmented nature of the first season means that there were really two beginnings and two endings, but at the end of the day everything else was just a whole lot of middle that was more middling than I would have desired.
But if the back nine of Glee’s first season saw the series flipping and flailing wildly as it flew through the air, “Journey” demonstrates that this series knows how to stick a landing; in fact, I’d go so far as to say that the show would be amongst television’s best if they did two-episode seasons made up entirely of premieres and finales. Sure, the episode more or less feels like “Sectionals 2: Electric Bugaloo,” following the same patterns as the fall finale, but there is an unabashed sincerity to its storytelling which remains grounded without having to be undercut at every turn. It makes the show feel like it has earned this blanket sentimentality, that it truly has taken these characters on a journey which has changed their lives.
Matt Zoller Seitz wrote a great essay earlier today about Glee’s radical sincerity, but when I think about it nothing about “Journey” felt radical: so embodying the resiliency of the series’ spirit, and unapologetically engaging in theatrics we might have rolled our eyes at just a year ago, Glee proves that even considering all of the hype and success there remains a confident, passionate, absolutely entertaining series about a glee club that, gosh darn it, refuses to stop believing in itself.
And while I’m still going to dock the series some points for its poor form in the air during its back nine, I’m willing to throw up a good 9.5 or so for its landing, as “Journey” is unquestionably a series high point.
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Tagged as Analysis, Any Way You Want It, Artie, Aural Intensity, Beth, Birth, Bohemian Rhapsody, Brad Falchuk, Brittany, Carl Howell, Dianna Agron, Don't Stop Believin', Emma, Emmys, Episode 22, Faithfully, Finale, Finn, FOX, Idina Menzel, Jane Lynch, Jayma Mays, Jesse St. James, Jonathan Groff, Josh Groban, Journey, Kurt, Lea Michele, Lovin' Touchin' Squeezin', Mark Salling, Matthew Morrison, Mercedes, Music, New Directions, Olivia Newton-John, Over the Rainbow, Puck, Rachel, Review, Rod Remington, Ryan Murphy, Santana, Season 1, Season Finale, Shelby, Sue Sylvester, Television, Tina, To Sir With Love, TV, Vocal Adrenaline, Will Schuester
May 5, 2010 · 2:02 am
May 4th, 2010
It’s never good for a show about high school to raise comparisons to Freaks and Geeks, but by choosing “Bad Reputation” as the title for this episode Glee entered into that dangerous territory. Joan Jett and the Blackhearts’ “Bad Reputation” was the theme song to that show, and it has to be said that there was an element of irony in its use. Deep down, all of the characters on that show cared about their reputations, but what set the show apart was that they cared about them for realistic and dynamic reasons that felt true to life. The show never felt like it needed to sensationalize high school to create conflict, and as a result is one of the best shows of the past decade.
I understand that the “point” of Glee is to sensationalize, but the show can’t have it both ways. The problem with “Bad Reputation” is that it wants to come to saccharine and emotional conclusions but it wants to get there through the sort of bombastic, over the top chaos the show enjoys so much. And while a few of the musical numbers nicely encapsulate the way the characters are feeling, the storylines the episode uses to crystallize and set up those qualities are so far off the mark that I never once believed what was happening on screen.
While the message of the episode seemed to be that people shouldn’t worry so much about their reputations in high school, I think we’re at the point where Glee should be worried about its own reputation as it heads into its second season.
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Tagged as Bad Reputation, Brittany, Emma, Emmys, Episode 17, Finn, FOX, Glist, Ian Brennan, Ice Ice Baby, Jane Lynch, Jesse St. James, Lea Michele, MC Hammer, Molly Shannon, Music, Olivia Newton-John, Physical, Puck, Puckleberry, Quinn, Rachel Berry, Rapping, Run Joey Run, Season 1, Stephen Tobolowsky, TV, Vanilla Ice, Will Schuester