“Parents Weekend – Part Two”
August 30th, 2010
In case you haven’t been paying attention, Huge has been my show of the summer: the show embodies the potential for programming aimed at teenagers which doesn’t speak down to its audience, mining the complexities of adolescence instead of exaggerating its most dramatic moments. Staying true to its observational camera angles (reminiscent of Friday Night Lights, soon to be part of the ABC Family…family), the show has allowed characters to develop independent of earth-shattering revelations, just as interested in silence as in outbursts or monologues.
I’ve seen some criticism of the show for being too close to various cliches, a criticism which I don’t think is entirely unfair: there is no question that Huge has hewed fairly close to the traditional expectations of summer camp fiction, and there have been moments (see: “Spirit Quest”) which lost the series’ focus on investigating the life-changing moments, both big and small, which have nothing (and everything) to do with the central mission of Camp Victory. However, when the show was at its best, this focus transcended the tropes it has played with, and the show is certainly flirting with my Top 10 for the year thus far.
The second part of “Parents Weekend,” scripted by series co-creator Savannah Dooley, does nothing to change my love for the show, as the episode perfectly sums up the ways in which the nuances and subtleties of these stories defies the predictability of its log lines; it’s a strong end to a damn strong half a season, and all we can hope now is that ABC Family is as interested to see the other half as we are.
“Parents Weekend – Part One”
August 23rd, 2010
In “Letters Home,” which was, like “Parents Weekend – Part One,” scripted by Gayle Abrams, we ‘met’ the parents.
Sure, we only met each camper’s parents through letters they wrote to them, but we got a sense of how each of them related with their parents. Trent, instead of writing to his father, writes to his deceased mother, while Will writes a scathing letter to her parents which she promptly rips up when she realizes it’s too honest for her standards. We didn’t actually meet their parents, but we saw enough to understand that family relationships play an enormous role in the larger psychological issues at play in the series.
Over the weekend, I watched the pilot to Winnie Holzman’s My So-Called Life, which is available on Hulu and which was pretty fantastic. That series was similarly interested in the relationship between teenagers and their parents, but what sets Huge apart for me is how many diverse scenarios its camp setting allows it to present. Whereas more dramas would be content to follow a few pairings, the sheer depth of this cast means that there are a good half dozen parental scenarios which unfold in the span of the episode, each connecting to the same basic themes while presenting an entirely different set of circumstances.
It doesn’t exactly have as much of a cliffhanger as it thinks it has, and treads water in a few too many areas, but there’s some really great subtlety here which continues the series’ trend towards greatness.
August 2nd, 2010
Thus far, Huge has largely (oy, that was unintentional) stuck to a pretty simple formula: take a basic summer camp activity, and then explore how it would impact ongoing character relationships and identity struggles amongst Camp Victory’s overweight campers. In fact, part of what has made the series so successful is that it resists highly melodramatic scenarios, choosing instead to highlight how normal camp life is integrated into a larger narrative of life itself.
“Spirit Quest” is ostensibly a continuation of this trend, although I think it’s a more problematic example than the past couple of episodes. There is something about spirit quests which invites skepticism, which needs to be handled carefully in order to preserve each character’s individual perspective; however, there is also the temptation to have the campers to actually experience something approaching a spirit vision, which threatens to take the series into hokey territory that it would be better off resisting.
In the end, there are many parts of “Spirit Quest” which end up sitting comfortable in the middle ground, but there are a few moments where they push themselves to the edges of the story and do a slight disservice to a few of their characters.