“Parents Weekend – Part Two”
August 30th, 2010
In case you haven’t been paying attention, Huge has been my show of the summer: the show embodies the potential for programming aimed at teenagers which doesn’t speak down to its audience, mining the complexities of adolescence instead of exaggerating its most dramatic moments. Staying true to its observational camera angles (reminiscent of Friday Night Lights, soon to be part of the ABC Family…family), the show has allowed characters to develop independent of earth-shattering revelations, just as interested in silence as in outbursts or monologues.
I’ve seen some criticism of the show for being too close to various cliches, a criticism which I don’t think is entirely unfair: there is no question that Huge has hewed fairly close to the traditional expectations of summer camp fiction, and there have been moments (see: “Spirit Quest”) which lost the series’ focus on investigating the life-changing moments, both big and small, which have nothing (and everything) to do with the central mission of Camp Victory. However, when the show was at its best, this focus transcended the tropes it has played with, and the show is certainly flirting with my Top 10 for the year thus far.
The second part of “Parents Weekend,” scripted by series co-creator Savannah Dooley, does nothing to change my love for the show, as the episode perfectly sums up the ways in which the nuances and subtleties of these stories defies the predictability of its log lines; it’s a strong end to a damn strong half a season, and all we can hope now is that ABC Family is as interested to see the other half as we are.
“Live Action Role Play”
July 12th, 2010
“I was myself…sort of.”
It says a lot about the current trajectory of Huge that “Live Action Role Play” is both the most “ABC Family-esque” episode of the series thus far as well as the episode which I think shows the most signs of future growth. After last week’s fairly heavy glimpse into those letters we can’t write, and those anxieties which overcome us without some form of an outlet to express them, this week’s focus on LARPing has considerably less subtlety, playing the exact notes regarding identity and performance which speak to the heart of the show’s central message that you’d expect from such a story.
However, what surprised me about the episode was how this storyline stretched our current definitions of these characters, continuing to develop and complicate existing character relationships while creating some new ones which successfully expand the series’ perspective. Where the show seems to resist notions of what I’d consider to be teen drama formula is how successfully characters move from the periphery to the margins, and how a character introduced in one context can quite successfully float into another – this isn’t to say that the show is radically reinventing itself each week, but rather that it seems comfortable with documenting the flow of life at Camp Victory rather than the moments of dramatic or comic interest within that environment.
This doesn’t mean the show is successful across the board at this stage, but it means that it collects more than enough goodwill over the course of an episode for its occasional cliches to feel earned, and often puts those cliches to good use.
July 5th, 2010
Huge is definitively a dramatic series, a quality which sets it apart from the rest of ABC Family’s lineup in a pretty substantial fashion. While Greek is an hour-long comedy with dramatic elements, and shows like Secret Life of the American Teenager, Make it or Break It, and Pretty Little Liars fall pretty comfortably into the teen soap opera category, Huge is a series about the “real” life of a subsection of American teenagers. While the title implies a satirical glimpse into the lives of those who struggle with their weight, the show itself is a deconstruction of words like “Huge,” providing a multi-generational portrait of the challenges facing those labeled “obese” or “overweight” in our society. It takes ownership of the word, just as Wil (our central protagonist) takes ownership of her fat, and the result is a really compelling television series.
I wrote a piece for Jive TV discussing my basic response to the series, but since I quite enjoyed “Letters Home” (the second episode of the series), and because I know that there are some who find the series completely uninteresting, I thought I’d expand on those thoughts a bit. What “Letters Home” does so well is how it manages to create character development out of one-way communication, and how that theme extends from the basic letter writing to the personal interactions involved in the episode. While it continues to peddle in cliches, it treats those cliches with a great deal of respect, and looks at them from enough different angles that the show never feels like it is about the cliche but rather about the reality of those who are swept up in those stories.
In the process, it’s becoming the Friday Night Lights of summer camp cliches, which isn’t a bad spot to be in.