Monthly Archives: May 2007

Reviewing the Finales: Scrubs – “My Rabbit / My Point of No Return”

Scrubs has ended its sixth season with a cliffhanger that would have been a terrible, terrible end to the series, should it have not been renewed earlier this week. And yet, still, it wasn’t really much of a season finale either. The show has been asking us to accept something at the end of this season, and without it the entire thing falls apart. Scrubs is asking its audience to accept that J.D. and Elliot are mean to be together…and I don’t think they are, and I don’t think the show can convince me of it. But, try they did within “My Rabbit /My Point of No Return.”

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Filed under NBC, Scrubs, Television

Network Upfronts Extravaganza – ‘House’ Goes to the Super Bowl

Well, FOX is currently giving its upfront presentation [Full Schedule can be found here], and it looks like the network will be using the plum post-Super Bowl spot in February to showcase…a Fourth-season drama which already nets tens of millions of viewers per week.

From TVGuide.com’s Michael Ausiello:

4:18: Liguori breaks news, announcing that House has landed the plum post-Super Bowl slot on Feb. 3!

Now, FOX, I’ve discussed post-Super Bowl programming way back when this blog began, and I believe that the slot is best used to take an up and coming show that needs an extra boost. I have news for you: House does not need a boost. Just this week it actually BUILT from its American Idol lead-in amongst younger viewers. This show does not NEED the rub you’re giving it, it already has all the success it needs. I know you want people to stick around after the Super Bowl, and I know that David Shore and company will be able to put together a great episode…but they don’t need it. They get millions of viewers as it is.

Now, you might be wondering what exactly I’d suggest go there instead; FOX is certainly not swimming in shows that fit my description. Well, they have one of them, and it’s one that is going to need its help to continue to thrive. That show?

Bones.

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Filed under Bones, FOX, House, Television, Upfronts

Network Upfronts Extravaganza – ‘Veronica Mars’ Canceled [For Real]

Well folks, we all knew this day would come. Final word out of New York, from The CW’s own Dawn Ostroff has basically confirmed it: Veronica Mars has (finally) been canceled.

From Michael Ausiello at TV Guide.com:

12;29 OK, here it is in a nutshell, per dawn ostroff. Veronica Mars is dead. But, and there is a but, she says she’s “talking to Rob and Kristen” about doing something else. She’s not calling it a spin-off, and wouldn’t say whether it would feature the character of Veronica. Translation; I’m as confused as ever!

12:33 I will try and get more clarification on this. Please stand by…

12:36 OK, a reporter just asked a VM follow-up — and Dawn continues to dodge. She says they’re discussing “an idea,” but adds, “I don’t think it’s going to happen.”

12;47 The press conference is over. I tackle dawn just as she tries to escape and I ask her to level with me. Is Veronica dead? “Veronica Mars is over, but we’re talking about something else. I don’t know if it’s going to be anything. I’m being honest with you. It could come back in some form, but I don’t know what form that would be.” She confirmed that the deadline to make a decision is “somewhere around” the June 15 date i referred to previously. Long story short: mystery still not solved!

And then, the heartbreaking conclusion, from creator Rob Thomas himself…

“No one has talked to me about a new, non-Veronica project. All my writer’s have been offered jobs elsewhere, and I believe they will now all accept these jobs. Very, very, very sad day around the VM offices.

I assume that anything Dawn would be talking about in the realm of a Rob-Kristen project would involve a new from-scratch pilot as they don’t have me in a deal, and they’ll lose Kristen in a couple of weeks.”

Bottom line: It’s over.

I think we all saw this coming, perhaps, but it will take a while for it to sink in. I’ll have my final thoughts on the series’ three-season run ahead of its Series Finale on Tuesday. Until then, let’s have a moment of silence.

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Filed under Television, The CW, Upfronts, Veronica Mars

Network Upfronts Extravaganza – ‘FOX’ 2007-2008 Schedule

FOX always needed to be different, and this year they’ve certainly accomplished that. It’s perhaps their most epic full-year schedule to date, with three of their pickups being held over until the Spring and being replaced by a glutton of new reality shows. What does this mean for holdovers like Bones or House? And what are these new shows all about? For all the details continue onto the epicness that is the FOX Full Year 2007/2008 Schedule.

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Filed under 'Til Death, American Idol, Bones, FOX, Reality TV, Sarah Connor Chronicles, Television, Upfronts

‘Lost’: Recap Show Tonight at 10pm EST, CTV Finale Scheduling

Although we’re still in the middle of Cultural Learnings’ Upfronts Extravaganza, that doesn’t mean that there isn’t other news to worry about. For example, today brings news regarding the upcoming finale of Lost that I figure people should be made aware of:

Lost: “The Answers” [10pm ABC]

– Tonight (May 17th) at 10pm on ABC, after the Grey’s Anatomy finale, ABC is going out of its way to try to pull back some viewers who have strayed from their other hit drama: Lost. In preparation for its finale next week, Lost airs a new recap show which will fill everyone in on what’s gone down in the island since they abandoned it in the Fall. For those who fall into this category: you’re in for a wild ride. There’s been only a few lukewarm hours since the show returned in February, and we’re heading towards a wild finale.

CTV Schedules the Lost Finale

For us Canadians, we’re often a bit spoiled with Lost. We usually get to see it two hours earlier than Americans thanks to CTV airing both it and American Idol. However, as much as we’ve enjoyed this in the past, it looks like we’re about to pay for it.

Thanks to NeoGAF user Olivier for alerting me to the fact that CTV is, for the Eastern and Western Time Zones, splitting the Lost finale into two halves and airing American Idol between them. Yes, that’s right: Lost begins at 7pm EST, American Idol airs from 8pm to 10pm, and then Lost returns to finish its finale. I swear, it’s right out of Alice in Wonderland, but “Through the Looking Glass” will be torn apart for its CTV airing in those timezones (And, therefore, in High Definition). For people in the Atlantic or Central Time Zones, the show will air uninterrupted (by other shows, anyways) from 7pm to 9pm.

This is an unsurprising move (Otherwise, it would have had to have been on at 6pm EST), but it’s still very frustrating because I’ll have to choose one of three options:

– Watch in Standard Def in Atlantic time zone.

– Watch in High-Definition split up

– Watch in High-Definition starting at 10 on ABC, and missing Idol’s 2nd hour to watch the unbroken version.

I’ll cross that bridge when I come to it. For now, anticipation takes over.

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Filed under ABC, American Idol, CTV, Grey's Anatomy, Lost, Television

Network Upfronts Extravaganza – ‘The CW’ Announces 2007/2008 Fall Schedule

It’s official: via Variety, The CW announces its full 2007/2008 Fall Schedule. It’s not overly risky, really, but it’s got some potential. What is the fate of your favourite shows like Supernatural, Veronica Mars, One Tree Hill or newcomers like Gossip Girl and Reaper? Read on to find out.

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Filed under Gossip Girl, One Tree Hill, Reaper, Supernatural, Television, The CW, Upfronts, Veronica Mars

Network Upfronts Extravaganza: Thursday Preview

Well, it’s officially the last manic day of the Network Upfronts, and yesterday pretty much brought all the news you’d expect from The CW, who presents at 10:30 EST. The upfront presentation will answer a few key questions, such as what the fate of Veronica Mars is. At this point, rumours place the network in a “wait and see” approach in regards to the FBI spinoff idea being floated, with them waiting until the June 15th deadline to pick up the show for creator Rob Thomas to finish a script for the concept.

Recent The CW Headlines:

The CW News Update (One Tree Hill to Midseason?)

Veronica Mars: Canceled?
Bubble Shows Update

Supernatural, One Tree Hill Renewed

The CW: Network Upfronts 2007/2007 Preview

Meanwhile, there is a bit of news at FOX, as The Hollywood Reporter brings word that law series Canterbury’s Law has a showrunner, so it will be finding the fall schedule, and K-Ville (Post-Katrina New Orleans cop show) might be finding its way into 24’s timeslot for the fall season. Final word from FOX will come at 4pm, or earlier, when their full schedule is revealed.

Recent FOX Headlines:

Network Upfronts 2007/2008 FOX Preview

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Filed under FOX, Television, The CW, Upfronts, Veronica Mars

Network Upfronts Extravaganza – Why CBS Canceled ‘Jericho’

[Edit: Written in the depths of the upfronts, this article serves as an attempt to specify CBS’s reasoning for canceling Jericho. In the end, their logic has some sound bases, and that’s really the purpose of this article. For more on the Save Jericho campaign that developed after this article was written, head here. – Myles]

So, out of all of the upfront decisions made over the past few days, the one which has brought forth the most anger has certainly been CBS’ long-rumoured decision to cancel apocalyptic drama Jericho. And, I feel the pain fans are feeling at this moment, considering the show ended of a cliffhanger. However, while I hate to rain on the parade of anger [Currently ongoing over at Your Entertainment Now], I feel the need to point out that Jericho’s failure is not just CBS’ fault, and chances are they won’t be reconsidering anytime soon.

Link: “Save Jericho Petition”

I stopped watching Jericho early in the season when it was mind-numbingly boring, long before New Bern (Is that right? I’ve just been reading about it) and all of the drama that followed, and Hawkins finally kicking some ass. I stopped watching because the show wasn’t holding my interest. If the show had ended its first half in a decent state, I think the show had a chance…but it didn’t. It was back-loaded. The same thing happened to Lost, but it had two seasons of goodwill keeping people around…Jericho had none of that.

I talked at length earlier this year about Sci-Futility, a principle that science fiction and other “niche” genres have a potential audience smaller than your normal show. When shows like Heroes or Jericho premiere, they gain some casual attention, but other time these casuals will get distracted by the latest new reality show or crime procedural once the storyline slows down a little. It happened to Lost, and this spring it happened to Heroes…but it affected Jericho the most. The show saw a drop from a strong performance to a middling return barely worthy of mention amongst CBS’ other hits.

What happened to Jericho was that those people who were iffy on its quality in the first half of the year suddenly had a new option at 8pm: American Idol aired weeks of its Boys/Girls performances in the hour, and the result was Jericho getting its ass handed to it. CBS knew this, sure, but from a business perspective a good show should have been able to hold its audience. This might not be the case at other networks, like NBC, which held onto low-performing Friday Night Lights in the same time period. They’re in need of a hit, critical or otherwise, to keep up their prestige. CBS, meanwhile, it not lacking in hits.

When you have the ability to repeat an episode of CSI and get better ratings than an expensive new episode of Jericho, which would you choose from a business perspective. I honestly believe that the network would do just that, not even bother ordering pilots, if they weren’t also trying to change their image…or appear to wish to. In reality, I think CBS is content with raking in piles of dough with their crime procedurals and just experimenting for fun with dramas like Jericho.

It’s not a question of quality: I’m sure that CBS were impressed with the strong upward movement in the show’s storylines as they reached the end of the season. However, those Nielsen ratings are more important than that quality for a network that has so many high-performing shows. CBS could never justify to advertisers, or their shareholders, why they would keep around a low-performing drama when they had so many other, better, more buzz-worthy options.

For those fans of Jericho who are upset about this, I really think that you need to think about this situation carefully. Jericho was never a good fit for CBS: look how many of you are quickly swearing off the network in the wake of this announcement. It’s a network of aging crime shows, one after the other, and the occasional spark of youth crowded out by the dead bodies puling up around it (The Ghost Whisperer, perhaps the closest the network has, has boobs, so that gives it appeal). The network was an odd place to find a post-apocalyptic drama, and as a result this was almost inevitable.

In the world of TV dramas in the 2006/2007 season, Jericho had everything working against it. It was a serial drama, so successful last year with Prison Break but shunned widely this year. It was on CBS, a network with incredibly high ratings standards, and where it didn’t really fit in. It was in a timeslot which would, at a point, conflict with American Idol. It had a three month hiatus in which Idol arrived and Jericho re-emerged into a hellish atmosphere. And, in the end, the casual fans who watched in the beginning didn’t stick around until the end. I don’t think we can blame just CBS for all of this, its scheduling. Other shows weathered the storm, and it didn’t.

So, saying goodbye to Jericho must be tough, but in the end CBS didn’t have a choice. Fan outrage or no fan outrage, Jericho failed to win itself a spot on the 2007/2007 schedule…fair and square.

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Filed under Jericho, Television, Upfronts

Lost – “Greatest Hits”

It was inevtable: after weeks of high-octane drama and intense backstories, Lost has finally had what could be described as a slow episode. “Greatest Hits” followed the story of Jack and the rest of the castaways preparing for the arrival of The Others, which had its timetable moved up much to their chagrin. And, based greatly on its structure, the episode has officially done it: they’ve broken the streak of kickass episodes. Why? Well, since Charlie developed his own Top Five list, I figure I should only do the same. Thus, without further adieu…

The 5 Reasons Why “Greatest Hits” Broke the Streak

5. Charlie’s Life Still Seems Inconsequential

Look, I liked Charlie better in this episode than I have in weeks, and I actually thought it was a strong arc for the character. His trip down memory lane was perhaps his least offensive set of flashbacks yet, and it added some needed depth to his character (although not enough to match up with drug addict Charlie which was much more compelling). The problem is that such an emotional arc required me to care…and I don’t. I don’t care if Charlie lives or dies, and although he becomes more important at episode’s end I just wasn’t getting the sense of loss the episode was asking of me.

4. A Lack of Inner-Castaway Tension

Things smoothed over too quickly between Jack and everyone else, even though Sayid is clearly still at odds with him. There was a lack of drama in their proceedings outside of their rush to prepare for the Others’ arrival, and the result was a rather conflict-free scenarios. People seemed to accept the Juliet thing far too easily, and we never really got to see anyone’s emotional reaction to things. I would have even liked to see some romantic triangle stuff, as it would at the very least have been something more diverse and interesting compared to the rather dull series of characters we had paraded in front of us (It was nice to see Rose and Bernard back, though).

3. The Lack of The Others

I’ve argued in the past that the first six episodes of this season were not a complete failure because they allowed us to understand and engage with the world of the Others. I believe that those episodes have allowed for the last series of episodes to be that much better, because we start to believe Ben and Juliet, specifically, as real characters. We’ve become as tangled up in their pasts as we have that of Jack or Sawyer or Locke, and I think that it’s been something fresh and interesting about them. While we’ve spent three seasons with Charlie, we’re just getting to know Juliet and Ben…and then we got nothing about them in this episode. We spent all of “The Man Behind the Curtain” learning titillating clues about who The Others are, and then we see them for only a minute the next episode. That’s a problem, and one that’s tough to ignore.

2. The [Mostly Absent] Looking Glass

I put this here not because it was a negative part of the episode, but rather that it never really got a chance to be a part of the episode. I know that I personally was keeping in the back of my mind that Juliet had mentioned some sort of event taking place at the station found underwater down the beach, but it just seemed to take a backseat too much of the time to Charlie’s journey as opposed to his end goal. It was clearly the real jumping off point (Next week’s finale is titled “Through the Looking Glass”), and I couldn’t help but be impatient for them to return to it as I watched the rest of the episode. That resulted in even more annoyance with the above three problems, and further struggles to match the efforts of previous weeks.

1. Dude, Where’s Locke?

We have no idea what happened to Locke. Terry O’Quinn took the episode off, apparently, and the result was just a brief scene of post-gunfire Ben to satisfy our curiosity as to what happened to our favourite character. Seriously, Lost, you can’t do this to me. The episode certainly set things up for the finale (“Beach goes boom!”, “Looking Glass = Occupied”), but what about Locke? I had admittedly forgotten about him by the time we first saw Ben mid-episode, which shows that the beginning of the episode wasn’t terrible by any means, but once I realized he was missing…I was pissed. I feel like I did back when we finally returned to the beach earlier this season after spending so much time with The Others. I felt like it was good to be back, but part of me longed for what I left behind. I guess you could say that, for me, the greatest hits have changed, and I want more of Locke, Ben, and the mysteriously un-aged Richard. And I want to know what the hell happened to Locke, damnit!

Next week, Lost heads “Through the Looking Glass” for its two-hour finale. What will we learn about Jack that we haven’t learned already? Can the finale regain its momentum heading towards an apparently show-changing end? And who exactly are the people guarding the Looking Glass? We’ll find out at 9pm EST next week, when Lost has its third season finale.

For a recap of the episode’s major moments, click on the link below.

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Network Upfronts Extravaganza – ‘The CW’ Update (OTH at Midseason)

Well, it looks like there’s some more news on The CW front…and it’s a different schedule altogether. Head to Variety for all the details, but for now here’s the RUMOURED schedule.

– Mondays will remain Comedy Night (Which is a mistake against CBS’ similar lineup, and when you consider that they’re owned by the same people it makes even less sense, but whatever) with Everybody Loves Chris, Aliens in America, Girlfriends and The Game.

– Tuesdays will open with Beauty and the Geek and segue into new dramedy Reaper in the spot currently occupied by Veronica Mars

– Wednesday will feature the expected lineup: American’s Next Top Model and Gossip Girl

– Thursday stays the same, with Supernatural sticking onto its tough slot now facing CSI, Grey’s Anatomy AND The Office, with its Smallville lead-in.

– Friday is Smackdown! and Sunday features Wild at Heart as well as ANTM reruns.

– Where’s One Tree Hill, you ask? Well, it’s apparently being held for midseason so it can air 22 uninterrupted episodes like Lost and 24.

EDIT: Final details are out, via Variety:

“Meanwhile, with “One Tree Hill” on the bench, net said show will be dramatically retooled and set four years into the future — after the characters have already graduated from college — when it returns in midseason. Net will post online diaries on its website in the fall to fill viewers in on what happened to the show’s characters during those missing years.”

The fate of Veronica Mars remains uncertain, but with Beauty & the Geek in on Tuesdays there’s certainly a slot open for the show should it return alongside One Tree Hill in the new year.

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Filed under Gossip Girl, One Tree Hill, Reaper, Supernatural, Television, The CW, Upfronts, Veronica Mars