Monthly Archives: May 2007

Thursday Night TV Club (May 10) – ‘The Office’: “Beach Games”

I feel somewhat vindicated: just earlier this evening I took the time to write a blog post about my five favourite supporting characters on the show, and NBC proceeds to roll out an episode of ‘The Office’ that features every single one of them…except one. Each character had their moment to shine, and that’s really what an episode like this is good for.

I need to thank them for bringing more Stanley into my life. Between being threatened with the back of the bus, and his reaction to becoming one of the competitors, Stanley took his role and turned it up a notch. He was as cantankerous as ever, and for that we must be thankful.

However, I am somewhat alarmed to learn that Jan, one of my selections, has unfortunately disappeared from the cast as far as I can tell. I really hope that this was just me missing her name, but I don’t believe it was. Considering they added Ed Helms to the cast, that probably makes sense, but if last week is seriously the last we see of Jan? I am going to be pissed. Her role as antagonist was too good to give up this easily, and I can only hope she returns in time.

And, to be honest, I think it was a mildly weak episode for Creed. Sure, he was just as odd as per usual, what with catching a fish with his bare hands and then eating it raw, but it seemed like “Creed is weird, get it?” as opposed to something different. It was lip service to the character’s oddities, which at least justified what I said about his character but didn’t really give me anything to cheer about.

You could really say the same about Kelly, although her one major exchange was more than enough to satisfy me. Her reference point for Bob Hope became Amanda Bynes, which was more than enough for me to claim it a victory for her character. Still, she didn’t really get a big role her as the focus of the episode was on the sales team, which she is ostensibly not a part of.

And, as we see, neither is Toby, and yet he came to the table with some of his best material yet. He flirted with Pam (Missing her in a two-piece almost broke his poor heart), he was at odds with Michael, and once again his depressed status made for some fantastic comedy within the episode.

Of course, really, this episode wasn’t really about the supporting players, but rather the future of the show’s leads. Michael has big plans for his corporate job that he’s interviewing for, and wishes to see which of his senior staff could theoretically take over from him. Of course, in doing so, Jim and Karen get fed up with his antics and each decide to interview for the position themselves.

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The Top 5 Supporting Characters on NBC’s ‘The Office’

Erin over at Be Something alerted me to this interesting little project at ProBlogger, which appears to be all about revenue streams and becoming a profitable blogger. I’m not so much interested in that idea, as tempting as it is, but I think that the project in question is quite intriguing. I am of the mind that everyone likes a good Top 5 List, and I figure that it’s a great opportunity to expand minds and engage readers from across the globe. And, so, a Top 5 list is born, conveniently in time for tonight’s episode of the best comedy on television.

The Top 5 Supporting Characters on NBC’s ‘The Office’

Disclaimer: A “supporting character” is someone not appearing in the opening credits for the purpose of this Top 5 List. This means no Michael, Dwight, Jim, Pam, or Ryan (Who doesn’t deserve to be there, but that’s another story altogether).

5. Stanley

I am placing Stanley on this list because I think he needs to be recognized for his tremendous delivery of what few lines he receives. The man rarely get a storyline, and often just ends up as the brunt of jokes, and yet his gruff and disconnected reaction to everything makes him incredibly fun to watch. So often these characters are relegated to the background, so it’s often an issue of seeing their reaction to events, and Stanley’s are often my favourite.

Favourite Moment: It has to be Pretzel Day. His excitement over Pretzel Day, the fact that he LIVED for it, was just so very random, and so very entertaining.

Video: Stanley’s Finest Moments (YouTube)

4. Jan

Although she technically has a different credit than the others, I think it is impossible to ignore Jan’s important supporting role in the show’s overall structure. While she provides few laugh-out-loud funny moments when she appears in an episode, she is the most substantial character at providing drama and conflict, and an opportunity for Michael to embarrass himself to a very large degree.

Favourite Moment: I kind of liked Jan more before she became a neurotic mess, so I’ll go with her and Michael’s first kiss at Chili’s as she realizes that he’s actually quite a good salesman after all.

Video: Jan at Chili’s (Baby Back Ribs) (YouTube)

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Thursday Night TV Club Memo: NBC Supersized, 10pm Guests

This is just a quick note for what promises to be a hectic Thursday evening. Thanks to some unfortunate circumstances, I am faced with a very large dilemma: there’s way too much TV on tonight, and I’m not going to be able to watch it all within the next day since…my “VCR” is out of commission. *Cough* Ahem.

As a result, I’m going to have to choose carefully what I choose to watch.

ABC

ABC’s got a fairly strong lineup, to be honest; Ugly Betty (8pm)is heading towards its finale with some momentum behind the Betty/Henry romance, Grey’s Anatomy (9pm) is certainly dramatic with its George/Izzie issues, and the new drama Traveler is something to consider…but at the same time there’s nothing pressing about watching these particular shows. I already watched Traveler (10:01pm) last summer, Ugly Betty is unlikely to be spoiled for me, and Grey’s has been far too annoying recently considering I still think this George/Izzie thing is just plain stupid.

CBS

CBS has a unique schedule as well, tonight, with a former friend occupying the 10pm slot. However, it starts at 8pm with the penultimate episode of Survivor: Fiji. I’ve been following the season, and feel obligated to see it through to the finale this time (I missed the finale last season). It’s nothing too interesting, but it’s also the most likely to be spoiled for me tomorrow. CBS then loses my interest, but gains the interest of others with a new episode of CSI at 9pm, followed by the return of Without a Trace at 10pm on Thursdays for its 5th Season Finale. Considering that recent timeslot occupant Shark is likely to depart the timeslot, could it be moving back full time? It’s possible.

NBC

Here’s where the real problem lies, because NBC is once again going with a Supersized lineup this evening. My Name is Earl’s 2nd Season Finale runs from 8:00pm EST to 8:40, and then The Office runs from 8:40 to 9:20, followed by Scrubs from 9:20 to 10:00pm. They close the night with the rapidly declining ER (Hitting Grey’s last week was not good for the show), but it’s a real scheduling conundrum regardless of what airs at 10pm.

If I watch the NBC comedies (Well, The Office and Scrubs) I’m watching less TV than I could if I watch Survivor and Grey’s instead. Heck, think about how awful it would be if I was not appalled by FOX’s “Are You Smarter Than a 5th Grader?” and wanted to watch its two back-to-back episodes where someone attempts the Million dollar question? Or, if I was addicted to Supernatural and Smallville, airing new episodes on The CW (I totally almost wrote fresh episodes, damn you The WB! *Shakes Fist*)?

It’s quite a night for the Thursday Night TV Club…I’ll check in later with details on what I watched, but if you have any suggestions please let me know. And, for the love of all things good, don’t forget that The Office is supersized and miss any of it when TiVoing!

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Filed under ABC, FOX, Grey's Anatomy, NBC, Reality TV, Scrubs, Survivor, Television, The Office, Traveler, Ugly Betty

Review: ABC’s ‘Traveler’ Walks a Difficult Road

Admittedly, it has been about 9 months since I first sat down to watch the pilot for ‘Traveler,’ ABC’s new serial drama which debuts tonight following Grey’s Anatomy. During that time, I think that the industry has become predisposed to believe that the show cannot possibly be a success, which is really unfair to this particular program. Sure, Kidnapped and Vanished both failed while covering similar ground, and Jericho went from modest hit to moderate failure, but I think that it’s unfair to consider this too highly. Still, in the end the show faces a difficult road with both viewers and critics. However, we need to give ‘Traveler’ a fair shot…and I think it deserves it.

But first, a brief word of warning: there is a moment in this episode which surprised me quite a lot, considering that I had not heard a word about the show when watching its pilot. However, thanks to media coverage, and commercials, and all of this, you basically will know about it before it happens, which sucks. I talk about it at the very end of the part of the review which appears on to front page (It’s a great cut point, I couldn’t resist), so if you want to stay completely surprised stop reading and just watch the show at 10pm tonight. If you’re unconvinced and want more info, do continue on.

‘Traveler’ tells the story of three college students who were housed together in a fancy house while attending Yale Law School: Jay, Tyler and the semi-mysterious Wil Traveler (Aaron Stanford). Why mysterious? Well, through flashbacks, we see that he entered the house as a stranger, but yet made a direct connection to both of his roommates through convenient enjoyment of the Chicago Cubs…oh, and at the end of the first act he blows himself up.

 

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Lost – “The Man Behind the Curtain”

‘The Man Behind’ Benjamin Linus

“The Man Behind the Curtain” was an episode that was quite important, we thought, for establishing many facts about the island’s past. These facts, though, are less about its mystical properties and more about its history. And, it seems, Benjamin Linus has played a very integral part in that history. We learned a few things about Juliet and Jack’s plan in the episode, and there’s kind of a stunning cliffhanger I won’t mention here for fear of major spoilers, but it was really all about figuring out who Ben really is. In learning about his actions, his traits, his acquaintances, we come to terms with his character, and where he heads from here.

But, before I do so, I need to make something clear: this was perhaps one of the most exhilarating episodes of Lost in the show’s history. It was heart-pumping television, and watching it in HD with Surround Sound was something to behold. The show remains on its roll, and I don’t think it can be stopped with only two weeks remaining. But, for now, onto the various facets of Ben’s character revealed this evening.

Ben the Mommy Killer

Yep, that’s right. Ben was, in his father’s eyes, responsible for his mother’s death when he arrived two months premature out in the middle of the woods while hiking. This has a few ramifications: it mirrors the death of pregnant women on the island, and it also kind of explains why he was attracted to Juliet, since his dead mother bears a striking resemblance to her.

Ben the Liar

We learn that Ben, in the present, is lying about certain things. Most importantly, and all that he reveals to Locke before episode’s end, is that he wasn’t actually born on the island. We knew he was a liar after the entire Henry Gale arc last season, but now that trait is becoming more important considering the shadowy nature of Jacob’s existence.

Ben the Friend

Yes, we got to see Ben have a little relationship of sorts with a young girl named Annie, who gave him a doll of sorts for his birthday when his drunk alcoholic father got him nothing. It’s a weird relationship, because Ben has kept that doll all of these years and yet we don’t see the continuing of that connection…especially when we consider the likely fate of Ms. Annie within the episode.

Ben the Homicidal/Genocidal Maniac

Wondering where we’ve heard the name Roger before? Well, it was the name of the skeleton found in the VW Bus in Tricia Tanaka is Dead, and it turns out that the skeleton was Ben’s father who he murdered with a gas of some sort for being a terrible father. However, this is not the only blood on his hands; he was also responsible for working with the hostiles (The non-Dharma natives to the island) in order to purge the entire Initiative and its peace-loving ways.

This is, of course, the purge that Mikhail has referred to in past episodes, and it’s interesting to see how closely Ben was involved, and how there happens to be a memorial of sorts where the final act takes place…and it’s a doozie.

Ben the Lackey

Here’s the really interesting thing: Ben, as far as this flashback tells us, is not the leader of the Others but rather a young man who they picked up from their employment. Their leader appears to be Richard, who we’ve seen as part of The Others…but he doesn’t seem to have aged a day. He looks no different now compared to when Ben was a child, which makes me wonder whether the island does have some form of fountain of youth properties as well.

Ben the Crazyman(?)

This is the question the episode leaves us (Other than the obvious one you’ll see from the cliffhanger): Ben is depicted as somewhat of a crazy person, until it’s clear that Locke shares his vision of Jacob for a split second. To what extent, then, is Ben crazy? He was clearly acting, but was it all a ploy to learn more or rather an attempt to…ah hell, we basically know no more about his current state now than we did before.

Well, that’s about all we get about Ben, but what about a term that pops up that might mean something, or you might be curious about?

Wikipedia ‘Behind the Curtain’

Namaste – The greeting given to the new Dharma recruits as they arrive on the submarine. According to Wikipedia, it’s a gesture of the hands in Hindu culture in which one hand represents the spiritual, and the other the worldly self, and the coming together of those two parts…which sounds a lot like the island, no.

Lostpedia also has some information in terms of Dharma’s meaning, and how Namaste might fit into it. There’s some interesting stuff there which could provide even further analysis, and it makes me wish I had taken comparative religion at some point.

And that’s that. Haven’t watched the episode yet? Want to catch up on what occurred in this mind-blowing hour of television? [Edit: Also, with thanks to Ripclawe at NeoGAF, there’s an animated gif of the brief glimpse of the mysterious Jacob.] For the full recap of the episode…

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A Change Will Do Her Good: The ‘Veronica Mars’ FBI Spinoff

It began as a rumour from Michael Ausiello at TV Guide yesterday, and by last night it was picked up by the Hollywood Reporter. The story is really quite a simple one: in the wake of the cancellation of Gilmore Girls and a successful story pitch for an FBI Spinoff, Veronica Mars might just be finding its way onto The CW’s fall schedule in some form. And I, for one, am quite pleased to hear this.

I wrote about the spinoff when it was first proposed, and at the time I felt it would be a good step forward, but I’m more convinced now than ever. Veronica is a complex character with qualities which make for strong character relationships and a penchant for witty dialogue that doesn’t seem forced. The show, as it stands now, is entirely contingent on the strength of her character, and as a result any spinning off of the original show that includes her can be successful.

I think this is especially true about last night’s episode, which was at the very least a return to basic form from last week’s abysmal episode. It got a few things back on track, such as the entire focus on relationships. While last week seemed like too much, too fast, this week things actually progressed at a reasonable speed. Veronica and Piz slowed things down, and the result was an episode where they actually did seem to connect a little. Their handholding at the end felt like it actually meant something, unlike their kissfest at the end of last week.

Similarly, although I would argue she made a terrible error in judgment, Mac’s relationship issues were much more psychological as opposed to overbearing. Last week was basically the boozefest, and this week was the sobering period; she came to the realization that she and Bronson were too dissimilar for her (Which I think is bull, but Mac’s old enough to make her own choices) and that she was connecting with the morally questionable geek instead. Instead of seeming like the show smashing “ROMANCE ROMANCE ROMANCE” into our brains, it felt like the characters were actually feeling things…and this is an improvement, and a return to better things for the series.

The problem is that this romance drama, as well as Keith’s Sheriff subplot, can only go so far. Sure, it was nice to have Deputy Leo (Max Greenfield, also recently seen on Ugly Betty) back, but there isn’t much potential there from a storyline perspective. The Sheriff stories have remained downright boring, even with Vinnie Van Lowe cutting in to the race for Sheriff, but they’re not the only problem. To be honest, I don’t think the college setting is working for the show either.

 

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Cultural News Bytes: Law & Order to TNT, ‘Idol’ Blake’s Obscure Bee Gees selection

Cable Bound: Law & Order moving to TNT?

This is the word according to Entertainment Weekly, via some published reports. Considering that TNT is currently simulcasting the hell out of Law & Order, being the home of original episodes wouldn’t exactly be outside of its comfort zone. I’m kind of proud of my 3,000 Word Epic on Law & Order’s fall from grace, and it’s interesting to see this saga continue. This is the 2nd show that NBC is faced with the question of renewal with where another network/cable station is waiting in the wings: the same situation goes for Scrubs, which ABC is interested in. Personally, I think that Law & Order has enough of a fanbase on TNT to make one final season worthwhile, and it would be interesting to see whether they might consider extending the franchise with small-scale original episodes after that point. With a much smaller budget, I think a weekly new episode featuring just some of the cast would be an interesting experiment for the cable network. This is also good new for Criminal Intent, which could get a pickup should the mothership find itself another home. I doubt that NBC is willing to give up to CSI: that easily, no?

Blake Picks A Modern Bee Gees song; Psychiatrist Called In

Let’s face it, even Barry Gibb was surprised by Blake Lewis‘ choice to perform “This is Where I Came In,” the title track from the Bee Gees’ album of the same name, on tonight’s episode of American Idol. It went nowhere as a single (Although I in all my youth actually remember it quite well), but apparently Blake saw an opportunity to turn it into a Ska beatboxing hit. I personally felt that all of Blake’s beatboxing felt tacked on tonight, but the fact remains that it’s at least original compared to LaKisha’s shouting.
But, for all of you who haven’t heard this Bee Gees song, here’s the video via YouTube (Which came in handy tonight, let me tell you).

However, before I go, one more video. Before Melinda’s show opening performance of Love You Inside Out, Barry Gibb said it was a challenge to take a song written for a group and turn it into a solo song. I’ll give him the benefit of the doubt and assume that he is aware of the lovely Leslie Feist’s amazing rendition of the song (Retitled ‘Inside & Out’). She turned it into a hit, Juno-nominated single in Canada, and I think that her version is everything Melinda’s wasn’t: unique, interesting and nuanced. So, to end things, here’s Feist kicking Melinda’s ass.

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The Penultimate ‘Gilmore Girls’ – “Unto the Breach”

Well, last week came the tragic word that Gilmore Girls will be ending after this current season, which means that these final two episodes were filmed without knowing that it was the series finale. What does this mean? Well, it means that they won’t give us all the resolution we’re looking for.

However, I figure that these episodes are nonetheless important ones, so here at Cultural Learnings we’re going to recap both, and provide some coverage leading up to the finale next week. So, stay tuned for all of that.

In the meantime, “Unto the Breach” is the second last episode of Gilmore Girls ever. To find out how things went down after last week’s Karaoke Serenade, continue on. And read why, in the end, things appear to be heading towards a satisfying end, regardless of the premature nature of the proceedings. Also, learn who Milan Kundera is. Because I sure as heck didn’t know.

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Cultural News Bytes: Date for final episodes of ‘Drive’, ‘Lost’ Interview

‘Drive’ Drifts to the Finish Line on Independence Day

Yep: on July 4th, while everyone is getting drunk and heading to theatres to catch Transformers, FOX is counterprogramming with the final two episodes of its failed midseason drama ‘Drive’ (According to the show’s official site). Personally, based on the four episodes we saw, I think the series deserves better…but at the very least it fulfills their obligation to the show, and gets the episodes out there. Whether we like it or not, Drive is gone for good, and its return on July 4th is just a fleeting glimpse of what could have been.

‘Lost’ Producers discuss Rattlesnakes and Mailboxes

Entertainment Weekly steps to the table with what is the first formidable interview with Lost producers Damon Lindelof and Carlton Cuse today, and it’s a doozy. There’s the explanation as to the reasoning behind the 3/16 (3 seasons, 16 episodes) scheduling format at the beginning, but tread lightly onwards: there’s some discussion of the final episodes of the season as well. Head to the link to read for yourself, or just click below for a little summary. Spoilers are light if not non-existent.

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A Leak in the Pipes: Reality Producers Move into Scripted Television

I’m a fan of reality television, don’t get me wrong. I watch The Amazing Race, have seen every episode of Survivor, and when nothing else is on I’m likely to be surfing over to the Game Show Network or even occasionally settling on Deal or No Deal. However, in the end, I believe that reality TV and scripted dramas need to remain on separate pipelines, if you will. Say what you will about Studio 60’s annoying reality show storyline, but I agree with the general principle Sorkin was trying to put forward: when push comes to shove, I’d rather see scripted dramas on television (Of course, the ultimate irony is that NBC replaced scripted dramas on Mondays at 10 with…”The Real Wedding Crashers.” Maybe even Sorkin got a chuckle out of that one.)

However, Sorkin would be somewhat less than pleased at what Variety is reporting this morning. You see, Endemol USA (Producers of ‘Deal or no Deal’, ‘Big Brother’ and ‘Fear Factor’) is no longer content with their pipeline, and seem to believe that they are capable of developing scripted comedies and dramas. Normally, I would just ignore this, but then I actually read the concepts they’re “developing.”

On the comedy front, Endemol has sold “Larry Godfather” to ABC Family. Penned by Mark Palmer (“Kim Possible”), the ensemble comedy revolves around a 21-year-old guy who discovers that while he appears to be human, he’s actually a fairy godfather.

Yes. That’s right. He’s actually a fairy godfather. ABC Family or not, this makes me cringe.

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