Category Archives: Television

In Memorium: Gilmore Girls (2000-2007)

It is with a sad heart that Cultural Learnings must say good-bye to Gilmore Girls today, May 15th. While its health has been ailing in past years and the writing was on the wall, it was still with some level of shock that its finale was announced a week and a half ago. Tonight, at 8pm EST, The CW will air its final episode, appropriately entitled “Bon Voyage”, and the era of the two Lorelais will come to an end.

The show came into being in the year 2000, ushering in a new century with a speed of dialogue befitting such a milestone. Amy Sherman-Palladino had worked on the writing staffs of Roseanne and Veronica’s Closet before creating Gilmore Girls, and it was clear that her own creation would have a decidedly different tone. It was youthful, it was vibrant, and yet most importantly it was FAST. The speed at which Lorelai, a single mother, and her teenage daughter, Rory, talk has been one of the series’ most divisive qualities, and yet it’s what gave it its charm. And, just as fast as the show’s dialogue, it is disappearing from the airwaves.

It is survived by fond memories of the people and places around Stars Hollow, even those we found hideously annoying half the time like Taylor. The eccentric townspeople gave the show much of its unique qualities; after the show leaves, there is no small town like Stars Hollow left on television.

However, the show is also survived by memories of a family who struggled through hard times. Lorelai’s strained relationship with her parents, specifically her mother, has been one of the show’s strongest qualities, a constant reminder of their past. It is regrettable that this rushed conclusion will not allow for their relationship to be reconciled, but perhaps it is best this way.

And yet, we would be remiss in discussing the passing of this drama to ignore its romantic overtones. As young Rory bounced from her puppy love Dean, to her badboy rebel Jess, back to her adulterous ex Dean (Part Two), and then into the arms of her mature (But not THAT mature) reformed badboy Logan, she was emotionally drained, struggling with a great deal of inner turmoil. It is perhaps fitting, then, that she finds herself not with a romantic conclusion but with an empowering one. Tonight, she does not need to have a boyfriend to succeed, but rather a future of any form.

However, perhaps most beloved of all, the relationship between Luke and Lorelai has been going on for seven seasons and reaches its conclusion this evening. Romantic tension finally turned into real romance two seasons ago, and after Amy Sherman-Palladino left their relationship in scrambles it has taken 22 episodes to get it back. Tonight, for better or for worse, their saga comes to an end but their romance is unlikely to die in the hearts of the world’s shippers.

As we say goodbye to this drama, I would suggest that in lieu of cards and flowers that people begin sending letters to members of the Academy of Television in support of Lauren Graham and Kelly Bishop. In what is technically a very weak year for female-led dramas, Lauren Graham might well have a chance at achieving what she has yet to achieve: a lead actress in a comedy Emmy nomination. With three SAG noms and a Golden Globe nomination earlier in the series’ run, Graham has still gone unrecognized amongst the Academy, and I think she deserves it. Even as the show has fallen in terms of ratings and quality, she has nonetheless remained the show’s heart and soul. Similarly, Emily Bishop’s performance as Emily is biting and powerful, and as a veteran actress she should have been recognized by now. I can imagine a no better send off than to have these two actresses finally get their due.

Saying goodbye is never easy, but we lost Gilmore Girls too soon. With a show with so many characters, so many memories, it’s hard to just let go without proper time to cope. Although this season was somewhat of a swan song thanks to the depature of Sherman-Palladino over contract terms, it’s still not easy to say goodbye to these characters she created. Tonight, as Lorelai and Luke head towards a reconciliation and Rory plans her future, fans could cry, or weep, or become angry at it all. However, for the sake of moving on, I shall simply say:

“Bon Voyage.”

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Network Upfronts Extravaganza: One Tree Hill, Supernatural Renewed

As a special treat for the One Tree Hill fans flocking to the website in the wake of the recent upfronts. This is from Variety:

That would mean a new time slot is in store for “One Tree Hill, which skated to a renewal.

However, that’s not all the news that Variety offers this morning. They’ve also got the scoop on The CW’s possible scheduling plans and their likely pickup of another bubble drama:

“Reaper” may well get the post-“Smallville” 9 p.m. Thursday slot now held by “Supernatural,” which is expected to graduate to a third season. “Gossip Girl” sounds tailor-made for the post “America’s Next Top Model” berth on Wednesdays.

Yep, Supernatural definitely seems like a sure thing, although it is likely to move timeslots (I think Monday is its best bet, but they seem insistent on keeping their comedies there for pretty much no reason). And yes, as I predicted, Gossip Girl is likely to air after ANTM on Wednesdays. Reaper, meanwhile, needs to get itself away from that Grey’s/CSI spot, especially with The Office officially there full-time. Reaper needs a chance to succeed, so the better idea would be to move another show into the slot and hope for the best instead of wasting a pilot.

All of The CW’s final details will be unveiled on Thursday when they present their full upfront presentation: we’ll have all the news as it breaks over the coming days.

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Filed under Gossip Girl, One Tree Hill, Reaper, Supernatural, Television, The CW, Upfronts

Heroes – ‘Landslide’ Recap and Analysis

I can only speculate at this point, but it is my belief that some people will be upset with tonight’s penultimate episode of Heroes, “Landslide.” Because, although this was touted as the first half of a two-part finale, this particular episode had almost no dramatic climax and was really just one last hour of setup for the final showdown yet to come. And, to an extent, the complainers have got a point. If you were to watch commercials, or read the hype from producers, this WAS supposed to be the first half of the two-part finale (The final hour of Heroes airs next week). You could argue that if you’re watching a landslide, you don’t want the rocks to all suddenly stop before they smash into the helpless village below; you want to see the carnage, you want to see the mayhem. And, well, you’ve got a point…but I have to respectfully disagree.

For me, the show wasn’t yet to a stage at which it could really be ready for that final confrontation between Peter and Sylar which is arriving next week. Sure, Peter’s been ready for it for weeks, and even Claire has been (They spent the episode running around like chickens with their heads cut off, and it showed). However, although the show hasn’t really been spending much time with it as of late, I believe that the show’s most important character, Hiro, wasn’t ready yet.

I decided midway through the episode that I wished that Hiro had his own show. His arc over the past season has been fairly well played out. Starts out discovering his powers, losing control along the way, loses his powers, regains them in order to assist a friend, travels forward in time to get a glimpse of what he could become, faces a final test but fails, and then finally through his father learns the skills he needs to succeed. That right there? That’s something tangible, something real, something interesting.

The problem is that it has been drowning within a million other storylines, and Hiro’s been left to the side of the road for awhile. In this episode, his arc was the only one working at normal speed while the rest was rushing all over the place. He’s been disconnected from it all, but for me all that has shown is that the rest of the plot is too chaotic, too lost in itself.

This was seen especially within Niki/Jessica, by far the show’s worst character and unfortunately one who survived to the end of the hour. Perhaps the worst piece of acting the series has seen thus far was found in the moment when Niki took over from Jessica. It was an orgasmic sigh straight out of a cheap porno, and Ali Larter deserves to have things thrown at her for it. Her entire arc has been a colossal waste of time, and this apparently “redeeming” moment for Jessica only made that more clear. D.L.’s death had no resonance, and the fact that he got to kill Linderman is absolutely ridiculous.

Speaking of which, Linderman and Thompson both bit the bullet in this one…and this is a colossal mistake for the series (I like the word colossal today). On one hand, yes, Thompson and Linderman both complicate things moving forward: the producers are setting up Sylar as the only villain moving into the finale to simplify things. However, I think that Linderman and Thompson each represent a worthwhile force that is neither pure evil nor pure good, but rather something in between. This isn’t Spider-Man 3, you could balance these three individuals without the finale seeming too bogged down. Killing them off just limits your options, and makes for a more predictable finale.

But still, we’re moving towards that finale at a fairly fast pace; in just one week, Heroes ends its first season with an hour-long showdown between good and evil. Sylar vs. Hiro and Peter [Who was noticably absent this episode: honestly, his biggest contribution was RENTING A CAR], with the winner deciding the fate of an entire city and an entire country. The “Landslide” may not have reached the bottom of the hill tonight, but rest assured: it will crush some civilians in a week’s time.

For a recap of some of the episode’s big events in case you missed it or want to job your memory, do continue on.

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Network Upfronts Extravaganza – ‘NBC’ 2007/2008 Fall Schedule

Well, NBC has made it official (Variety), as their schedule has made it to press before their upfront presentation.

EDIT: NBC has now released their official Fall Preview Website with sneak previews of all of their new shows. Check it out at the link below.

NBC Fall Preview 2007-2008

Now, onto the summary of what went done, and then the final schedule with commentary after the jump.

– First, and most interesting, is that NBC has found as solution for their problem of Heroes going on hiatus: a prequel series. Heroes: Origins will be featuring characters not yet on the show, characters in the periphery, and then at the end of its run fans can vote on their favourite who would then join the main cast (I will talk more about this at some point, it’s fascinating). This is sure to keep fans happy, and gives the network more fresh programming.

“Heroes: Origins” will center on characters not yet seen on the original show. Peacock has also added an interactive element to the show: Viewers will be asked to pick their favorite character from “Origins,” who will then join the cast of the full-blown “Heroes” skein the following year. [Variety]

– NBC, you made a huge mistake placing Friday Night Lights at 10pm on Fridays. It’s a family show, damnit, and it deserves a slot where people can watch it together. Now, as it stands, it is far too late to get a decent shot at succeeding, and the show deserves much better. I also think that moving Las Vegas might have been a decent option, but I figure that the addition of Tom Selleck to the cast might be enough to give it some life. (I forgot about it in my predictions: whoops)

– I also forgot about football. Man, I don’t know how I forgot about the NFL so easily, but I did. This means that Law & Order, Medium and Lipstick Jungle (New Series starring Brooke Shields) won’t be around until January, which freed up some room on the schedule.

– The new shows slotted in where you’d expect them to [For full info on these shows, check out Cultural Learnings’ NBC Preview.]: Journeyman [Time-travelling drama] has been given the post-Heroes dead zone, which leave sci-fi contender The Bionic Woman to find for itself on Wednesdays (Against American Idol in the Spring). Life, meanwhile, inherits the tough Wednesdays at 10 slot, and Chuck (From Josh Schwartz) finds itself possibly facing House at 9pm on Tuesdays.

– Only two Deal or No Deals? It’ll work for now, but let’s not see any more NBC.

– The only shows missing? Crossing Jordan and…The Apprentice! Yes! Woohoo! *Fireworks* Trump has finally fallen.

I’ll have some more analysis later after the Upfront Presentation when they explain these ideas further, but for now here’s NBC’s final schedule [with full analysis of each night] after the break.

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Filed under 30 Rock, Friday Night Lights, Heroes, Law & Order, Medium, NBC, Ratings, Reality TV, Television, The Apprentice

Network Upfronts Extravaganza – Monday Night ‘CBS’ Update

So, Day One of the Upfronts is coming to an end, and NBC’s time in the spotlight is over. I’ll likely discuss Heroes: Origins some more tonight as I discuss ‘Landslide’ tonight, but the turnaround time is short: tomorrow at 4pm ABC presents their fall schedule [See: Cultural Learnings’ ABC Preview]. You might be wondering, then, why CBS’ eye is in the image above [ CBS Preview]. Well, there’s a reason for this. First, it’s clear that people are most interested in hearing what CBS has to say on Wednesday. Second, ABC’s pickups are fairly set in stone so CBS is where the breaking news lies. Thus, here’s an update on what’s going on with The Eye.

CBS has been active today (Hollywood Reporter), officially ordering four dramas and a comedy (Along with a reality show, which I’m ignoring). Those dramas are similar to what I had predicted, although there is one key difference that bugs me. And yet, I’ll get to the news you likely want most first.

There is still no word as to the fate of Jericho. The drama sits decidedly on the bubble, and as of early Monday evening there is no word as to its fate. Chances are we will hear final word tomorrow ahead of Wednesday’s upfront, but things aren’t looking good with four dramas picked up (And one of them fitting in Jericho’s alternative-drama slot). So, it’s another night of waiting for fans of the drama. Plus, it’s not just Jericho: How I Met Your Mother remains in limbo, and Cold Case and Close to Home wait to hear whether they’ll be around next year.

The network has picked up Cane, the drama starring Jimmy Smits, as well as Viva Laughlin, the musical drama produced by Hugh Jackman. Also, against all odds, Swingtown has been picked up by the network, which should be an interesting fit for their demographics.

However, most interesting is the pickup of Moonlight, which is the vampire drama the network had send to pilot. This means that Babylon Fields (The Amber Tamblyn Zombie vehicle) is unlikely to be picked up. I personally think that zombies are much more hip right now, compared to Vampires (Didn’t Buffy deal with that enough? Or Angel?), but CBS appears to think otherwise.

The comedy pickup is more interesting: Big Bang Theory wasn’t on my radar, and the drama about two science geeks who befriend a party girl sounds too similar to both NBC’s The IT Crowd and even other shows starring geeks like NBC’s Chuck. It just doesn’t seem very interesting, and I think that CBS had better options. Still, it sounds like a decent companion for How I Met Your Mother in terms of youth-skewed comedies.

ABC presents at 4pm EST tomorrow. CBS presents at 2pm on Wednesday.

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Filed under How I Met Your Mother, Jericho, Television, Upfronts

Network Upfronts Extravaganza: Monday Update

The 2007 Network Upfronts are officially upon us, and it’s NBC that’s first out of the gate.

Cultural Learnings’ Network Upfronts Extravaganza 2007 – ‘NBC’ Preview

However, while NBC presents at 3pm EST today, that doesn’t mean that other networks aren’t making moves and locking down pilot commitments. I spent some time last night updating various of the preview posts, but I figure that I should document some of that news here as a way of keeping everyone informed.

NBC

Exit Laughing: NBC Retreats from Comedy – The Hollywood Reporter

NBC, meanwhile, has made it official: there will be no new comedies on their fall schedule for the first time, well, ever. However, in a move which is sure to make things very interesting for The Office and My Name is Earl, the two shows will be pulling some overtime: a lot of it. The Office will have its normal 24 30-minute episodes during the season…plus six hour-long specials. That’s a total of 30 episodes, while My Name is Earl is getting 28 1/2 hour episodes. This means that NBC is erring on the side of ensuring new episodes of its hit shows. Also, the lineup for Comedy Night Done Right will shift: Earl and 30 Rock will hold down the 8pm fort, while The Office and Scrubs form a solid block at 9pm.

Also, Law & Order WILL be on the schedule, but Criminal Intent is moving to USA Network. Meanwhile, Friday Night Lights might find a home on Friday, and Lipstick Jungle will be held along with The IT Crowd until midseason. This changes my projected schedule, which has been updated. I literally have run out of shows, so they have to either pick up another pilot or…air something? I don’t even know.

The CW

[Cultural Learnings’ Preview]

The CW has nailed down its third drama pilot, an untitled project which features Rutger Hauer (Blade Runner, Batman Begins) as the owner of a wildlife refuge in South Africa and his son-in-law who moves there. Considering how tight my existing CW schedule is, chances are that this show would bump the Veronica Mars revamp (Yes, I’m sad too). However, I have to wonder whether The CW audience is really in tune with the South African wildlife refuge drama. The concept doesn’t sound terrible, but I fail to see where it fits into its image amongst young females especially, at least compared to a female-led FBI program.

ABC

[Cultural Learnings’Preview]

ABC’s lineup remains pretty locked up, although there’s word that According to Jim is still in contention. Dear ABC: do you really hate me that much? They could also be picking up another pilot, Miss/Guided, which the press release describes as:

“Miss/Guided” is a single-camera half-hour about a former ugly duckling (Judy Greer) who becomes a guidance counselor at her old high school.

Sounds decent enough, although only time will tell.

CBS

[Cultural Learnings’ Preview]

Meanwhile, CBS is making the bold move of picking up Swingtown and the Jimmy Smits drama, although no other pilot information is being made available. As a result, the fate of Jericho is still unknown and the status of other pilots (They need other pilots) is not yet known. I’ve added Swingtown to the schedule, and bumped Cold Case in the process…but chances are that it will bump the two extra comedies I placed on the schedule. But I think they need more comedies, so I’m keeping them there.

FOX

[Cultural Learnings’ Preview]

FOX has officially added the Juliana Marguiles-star vehicle Canterbury’s Law to their schedule. Because we needed another lawyer show. Really. Thanks FOX.

I’ll be checking in with the final NBC information later this afternoon with the final news of the schedule, and will probably offer some analysis later.

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Filed under 30 Rock, ABC, FOX, Friday Night Lights, Law & Order, NBC, Scrubs, Television, The CW, The Office, Upfronts

Why the ‘Survivor: Fiji’ Finale (But Not the Winner) Made Me Really, Really Angry

I must admit that the ‘Survivor: Fiji’ Finale was one of the best in recent years, with a wide range of twists, turns, drama and a tribal council with the usual amount of really, really frustrating comments that make me want to strangle these people. And yet, in the end, I was mostly angry. Really, really angry.

WARNING: Spoilers for the finale will be found within. Be warned.

 

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Network Upfronts Extravaganza – ‘NBC’ Preview

NBC had a motto heading into this season: “first be best, then be first.” It was quite the slogan, don’t get me wrong, but it was also a flawed strategy considering they have only seen two dramas survive their development season and one of them is limping into the end zone instead of high-kicking their way into it. It was a year that was supposed to slow the network’s decline, and yet the shows that were struggling last season just kept struggling. NBC is still sitting in the basement among the big four networks, and they need a good development season quickly. While Heroes has certainly been a big success for the network, there’s also very little question that it isn’t enough: they need something big, and they need it soon. They can be best all they want, but if people aren’t watching NBC is only going to fall further. And, based on their pilot selections…well, the jury remains out on whether NBC is capable of rising to the occasion.

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Filed under 30 Rock, Andy Barker P.I., Crossing Jordan, Friday Night Lights, Heroes, Law & Order, Medium, NBC, Ratings, Reality TV, Scrubs, Television, The Apprentice, Upfronts

Network Upfronts Extravaganza – ‘ABC’ Preview

ABC is in a unique situation this year when it comes to pilots. On one hand, the network has seen some success this year and in past years, and the network has remained a solid demographics performers even with dips in viewership for its flagship shows like Lost or Desperate Housewives. However, outside of shows like Grey’s Anatomy the network actually saw a series of failures over the span of the year with both dramas and comedies. Judging from its pilot order, ABC is going with what I’d like to call a shotgun approach, something which is both good and bad for the network’s future. Either way, next season will be a test for the ABC brand: is there a cohesive image which can unite wildly different shows together under one banner?

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Filed under ABC, Brothers & Sisters, Cavemen, Dancing with the Stars, Desperate Housewives, Grey's Anatomy, Lost, Private Practice, Ratings, Sex & The City, Television, Traveler, Ugly Betty, Upfronts

Saturday Night Live (May 12th 2007): Molly Shannon & Linkin Park

There is something to be said for the fact that SNL’s host makes a difference each week. The entire concept of having a celebrity host is really a flawed one; it brings in big names, and ratings, but the comedy itself can often falter. When you have someone come in who doesn’t have comic timing, the show basically falls apart. It limits what the writers are able to work with, and it basically handicaps the program. It’s why the show has so many legacy hosts: Christopher Walken and Alec Baldwin each have fantastic comic timing, and the result is that they’ve each hosted numerous times. It’s also why, often, the show likes to bring back former cast members to host after they’ve made it big.

Well, Molly Shannon (IMDB) returning isn’t exactly because she made it big (The movie she’s promoting, Year of the Dog, is still fairly smalltime), but the fact remains that it’s a smart decision from a creative point of view. Well, okay, from a comic point of view, as relying on her past hit characters isn’t exactly “creative”, but the fact remains that Molly Shannon can do what few hosts can: flawlessly interject into sketches without it seeming forced. She can star in one, taking it over completely, and yet effortlessly play a supporting role when it is required of her. But did it result in a good show?

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