Mixed Feelings: Why ‘Californication’ Is Too In Love With Itself and Boobs

A show, to me, needs to earn its quality through a variety of things: writing, acting, directing, plot, etc. And it seems to me that the best series are those that truly earn it: the writing is sharp, the acting is nuanced, the directing is innovative, the plot treads new ground. And, if they don’t have these elements, I want to be able to see a series grow into them: something like Friday Night Lights, as an example, started small and built these elements through hard work and dedication.

I say all of this because Californication, the David Duchovny comedy that aired last night on Showtime, is a show that, like its lead character Hank, is in love with itself. It doesn’t appear to earn any of its quality, which is in fact quite present, but rather appears to just assume that its elements come together. I laughed a little, I felt the dramatic gravitas a little, but I never felt overtly compelled. And thus, I leave the pilot with mixed feelings: as much as I want to like the show, I do not feel I can ever like it as much as it likes itself.

The pilot is peppered with attempts to be either witty or provocative: references to film adaptations of novels and theme park rides, “Tom and Katie,” and America’s Next Top Model seem forced, attempting to remain relevant for no reason other than to be relevant. And then, as if they couldn’t do that enough to stand out, they found the secret recipe:

Boobies.

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Reviewing the Season Premiere: Weeds – “Doing the Backstroke”

Weeds Season Three Premiere

“Doing the Backstroke”

While Cultural Learnings provided an extensive preview of the season’s first four episodes a few weeks ago, it is important that we view tonight’s third season premiere of Weeds as just that: a premiere. For a majority of viewers for Showtime’s dark comedy series, this was the first time they returned to the world of Agrestic and the cliffhangers left behind last season. And, well, it’s important that we view it as a premiere, and judge it accordingly.

The verdict? “Doing the Backstroke” is an episode that is entirely incapable of satiating our desire for finality, and certainly doesn’t wrap any of last season’s cliffhangers in a clean fashion. And yet, despite all of this, it is a smart half hour of television that blends comedy and drama to complicate the series’ dynamic even further.

And, well, I think that’s what we’re looking for from the series. From the moment the episode opens cold with the invasion of innocence into the second season’s dire cliffhanger, you know that the show’s tone isn’t changing: while driven by drama, this is ostensibly a dark comedy series.

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Canadian Idol – August 13th – Top 6 Haikus

[Due to various time constraints, and the satellite running out, it was a strange night to try to fully recap Canadian Idol. So, in the spirit of embracing more traditional forms of communication, I grabbed a pen and paper and wrote down some haikus for each contestant. And thus, I present Cultural Learnings’ recap of Canadian Idol’s Top 6…in Haiku.]

Eulogy for Greg,

Pop/Rock is the Theme This Week,

The Judges are here.

Idols have Arrived,

Dwight is Wearing Ugly Coat,

Maroon 5 “Mentor”.

Tara Oram – “Walking on Sunshine” (Katrina and the Waves)

Cliched song choice much?

Vocal is as you’d expect,

Downgrade from last week.

Judges are not pleased,

Zack thought it was just awful,

Newfies will save her.

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Weekend Wrapup: CBS Edition – August 13th, 2007

So, as you may have noticed, Cultural Learnings basically went black over the weekend. This was thanks to a camping trip to Kejimkujik National Park in Southwestern Nova Scotia, which was beautiful and wonderful. If you are interested (Testing my level of consistent readers here), there should be some Flickr photos on the right sidebar below. However, for those more inclined to learn what went on in TV Land over the Weekend, let’s take a gander at what CBS was up to over the three day period.

CBS’ Weekend To-Do List

Preempt “Jericho” without Informing Rabid Fanbase

So, CBS, let’s have a chat here. Because, really, I know that you’re trying your best to deal with this whole Jericho situation, but you need to learn a serious lesson in communication. Because preseason football preempting Jericho? It’s normal. In fact, it happens to every show every year. But you need to make that fact clear to the people who you clearly promised that you would air the show’s first season [almost] in its entirety this summer.

Because you’re really not doing it: you’re just pretending that a large portion of the country didn’t see last week’s episode, and you’re just going to mosey on to the next one. First off, people are clearly going to notice: you already learned that these people are smart and savvy and more than capable of realizing that their show is being messed with. And second, you’re trying to convince people to watch a serial drama: unless you’re packing that preseason football game with commercials for your online viewing service, you’re getting in the way of that goal.

So I’m off camping, missing this week’s episode, and it turns out that millions more are likely missing it too. If you’re seriously committed to the show, you should be doubling up on the reruns next week to make up for it, and continuing to do so to make sure these episodes are aired. I don’t think that’s too much to ask, personally, especially since some of us (I’m referring to me, eh?) are Canadian and can’t watch Innertube episodes.

Embrace Jericho’s Blog Potential

Admittedly, CBS didn’t do all wrong with Jericho: they’ve officially embraced their Fan Central portion of their website in an attempt to spread the word about blog posts about the series. I’m a little bit late in grabbing this news, but since they linked here to Cultural Learnings I took a peak at the site. Basically, they’re centralizing the “Diggnation” and other such initiatives that fans have been trying to move forward.

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Entourage – “The Young and the Stoned” Review

Entourage Review

“The Young and the Stoned”

August 12th, 2007

Eric was out spending time searching for another palatial mansion for the entourage to live in when he was rear-ended by Anna Faris [IMDB]. Honestly, I wish that Entourage would get rear-ended. It’s the right kind of accident for the show: it wakes you up from your current state without damaging the internal organs that make you, well, operate.

This episode did a lot of things right, and maybe the series did get rear-ended after all. Anna Faris’ guest appearance was perhaps one of the most seamless of the series recently, and the episode-ending twist was perhaps my favourite of the season thus far. It promises that the series is finally heading in a new direction that creates real drama and real conflict.

It’s unfortunate, though, that the remainder of the episode wasn’t up to the same challenge. Ari as possessive and jealous fits his character, but it doesn’t really do anything new. Also, I know Perrey Reeves was added as a full time cast member, and the Young and the Restless involvement was great, but her character feels really off as of late and I don’t know why. She just seems really shrill and floaty; she always seemed to be above that kind of stuff, but now it’s all she does as if Ari is the sane one in some ways.

Also, unfortunately, there continues to be not a stitch of advancement in either the Clouds script that Walsh is writing or Medellin at Cannes or, well, anything. Vince, Turtle and Drama just sat around and smoked some weed; while not a terrible storyline by any means, it was basically a complete waste of time. While I know Vince is out milking his advance, it wasn’t until sitting with E at the bar at the end of the episode that he actually mattered. It wasn’t a bad filler plotline, but it was nonetheless filler.
Still, the fact that E is becoming Anna Faris’ manager is an ideal situation for the series; it creates tension between the Entourage, it creates tension between Vince and E specifically, and it creates real life drama. Faris’ acting is right on par with the series’ sense of reality, and on the whole things are looking up. I just wish they’d look a little more in the direction of the storylines the series dropped.

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Summer TV Wrapup: Most Watchable Reruns – “Jericho”

It is my view that summer reruns are an underutilized tool in promoting a series; however, I see where the concerns lie. There is little reason for people to turn into reruns: they’ve likely already seen the episode, and even if they haven’t they’re unlikely to choose a repeat over new programming on another network. However, some reruns are more watchable than others, and there is one distinct reason why: because people have a reason to watch.

When Jericho was renewed by CBS in June after a month-long fan campaign to save the show, there was a promise made that the show would be rerunning over the summer. Immediately, fans began to get people excited about this prospect. Jericho is the perfect series for reruns: it lost a portion of its original audience thanks to a hiatus, and it created buzz that made people curious enough to tune in.

And there’s where I think comes the show’s watchability: you feel like you’re watching something that has been earned, that has been warranted, and that has some sort of meaning. This isn’t just CBS filling the schedule: this is the work of thousands of devoted fans beaming into your television set Fridays at 9pm. I, personally, find that somewhat inspiring.

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Summer TV Wrapup: Best Show About Karaoke – “Don’t Forget the Lyrics!”

Okay, let’s be honest: we don’t really need two shows about lyrics, or karaoke, or whatever we want to call this particular brand of programming. NBC’s The Singing Bee and FOX’s Don’t Forget the Lyrics should, by all logic, cancel one another out from my cultural consciousness. However, in the end, I think that it’s important to declare a winner in this epic showdown. And, contrary to my initial opinion, I think that Don’t Forget the Lyrics is the clear winner.

Originally, my inclination moved to The Singing Bee a more traditional game show which is a genre that I have a soft spot for. However, in its second episode, it was clear that NBC’s series was far too rushed to be worth my time. The show had no momentum, no groove if you will: each episode was as personality-less as the last, and the various different gimmicky lyric challenges showed their inability to feel comfortable with their formula.

And really, while I might like to sit down with a predictable and simplistic game show when flipping through the channels, I don’t really see it as primetime viewing. And I think that’s the problem: the show just doesn’t feel like something is taking place. It lacks any weight, any drama, any comedy. It lacks, well, everything.

While I originally plastered it for being derivative, over time it has become clear that Don’t Forget the Lyrics has managed to stabilize into about as good as it could possibly become. The contestants have personality, the amount of singing feels better and more entertaining, and “playing along” feels much more natural. People make choices, and therefore we can relate to their decisions and make our own at home.

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Summer TV Wrapup: Most Mistreated Show – “Traveler”

In a perfect world, Traveler would be airing its 11th episode tonight on ABC.

However, ironically, ABC is instead airing one of the shelved episodes of another drama it ended before its time, The Nine, in the timeslot. Traveler, meanwhile, concluded its season after its eight episode. This was a shortened order from its original 13 episodes, and the series ended on a ridiculous cliffhanger having resolved none of its storylines.

And the show didn’t deserve that kind of treatment: it was summer popcorn fun, a constantly moving show that was never quite great but also declined the invitation to fall into ridiculousness. And yet, ABC refused to give it a decent shot at succeeding, and its failure is entirely the fault of the network. Traveler was not the best new show of the summer, but it is without question the most mistreated show of the season.

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Summer TV Wrapup: The Show I Should Have Watched Sooner – “Damages”

While it doesn’t seem like it should be the case, there was actually so much new TV this summer that I didn’t actually get around to watching it all when it premiered. One of such shows is the Glenn Close vehicle, Damages, which debuted on FX just a few weeks back. After Jane over at Jericho Monster reminded me that I hadn’t actually gotten around to watching the pilot, I decided to give it a try. After watching the first two episodes (Last night’s will have to wait), I’m ready to deem it the show I should have started watching sooner.

The show deals with Patty Hewes, a high-powered New York Attorney (Portrayed by Close), and her new associate Ellen (Rose Byrne). More specifically, however, it deals with a specific time frame. Over the span of six months, Ellen goes from a fresh-faced newcomer to a blood-stained and traumatized woman. We know her fate, and that of her loved ones, but we don’t know how she got there. And therein lies the appeal of Damages.

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Canadian Idol – August 7th – Results – Another One Bites the Dust…

Welcome, everyone, to what becomes fateful moment for Canadian Idol. After a theme night that divided the contestants, and after three consecutive females being kicked off the show it’s time to see whether or not a male is finally sent packing.

But first, it’s time for the filler: let’s run it down.

First, we have the Idols taking in We Will Rock You, where Brian May has some opinion changing words for the Idols. He apparently wasn’t all that big on the whole process before, but now he’s really into their singer-songwriter vibe. I have to ask: which ones apply to that? Just sayin’: I’d argue Season Two had more of that vibe, but that’s just me.

Second, we’ve got the show’s two big performances before we get to the results: well, not really. We’re only getting a taped version of their performance during the We Will Rock You show. Greg gets all excited, Carly Rae is hyped, and Matt says Oh my gosh.

Third, it’s time for the Idols to perform some of the hits of Queen. This group is NOT designed for group sings; Jaydee basically kills a song dead every time he touches it when it’s part of a group. It’s just way too awkward, and they’re much better when he basically stops singing at certain points. It happens: you can’t even hear his voice at certain points. They bring out the star of We Will Rock You for…”We Will Rock You,” which concludes the group sing. Well, they didn’t butcher anything, so that proves me wrong.

I wonder how much the box office for We Will Rock You will go up as a result of this…because honestly, they’re selling this show pretty damn hard at this point.

Finally, we get some results.

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