The Leak: Emmy Top 10s for Drama and Comedy Series Hit the Web

Well, thanks to Tom O’Neill over at TheEnvelope.com, the Top 10 Drama and Comedy Series according to the popular voters of the Academy of Television Arts and Sciences have been revealed. These 10 shows will then screen an episode each in front of blue ribbon panels, and the Top 5 with the two processes combined will be nominated. If they didn’t make this list, they’re screwed.

Top 10 Drama Series

Boston Legal
Dexter
Friday Night Lights
Grey’s Anatomy
Heroes
House
Lost
Rome
The Sopranos
24

Biggest Surprise: I’m much happier about Friday Night Lights making it, but arguably Rome is the bigger surprise. The show had much less critical hype and aired such a short 2nd season that it was unexpected to get much attention. It appears that it got the period costume sex drama buzz as opposed to Showtime’s The Tudors.

Most Glaring Omission: Brothers & Sisters had good ratings, buzzworthy stars, but apparently voters didn’t feel the love. The aforementioned Tudors was also quite a shock considering how hard Showtime had pushed it, but Brothers & Sisters probably deserves one of those spots. And, even though it had no shot, Battlestar Galactica deserved better. Le sigh.

Network Breakdown: ABC leads with three series, while HBO, NBC and FOX all perform well with two a piece. Meanwhile, CBS is completely shut out while Showtime grabs the 10th spot.

Who Will Do Well: Lost and the Sopranos are riding the most buzz right now, and Grey’s and 24 both submitted strong episodes.

Who Won’t Do Well: Heroes, having submitted their pilot, will be EATEN ALIVE by these other shows. And Friday Night Lights, unfortunately, might have hit a roadblock against such tough competition. But it’s made it in, and that’s what matters.

Top 10 Comedy Series

Desperate Housewives
Entourage
Extras
My Name is Earl
The Office
Scrubs
Thirty Rock
Two and a Half Men
Ugly Betty
Weeds

Biggest Surprise: Eh, not much of one. We knew there were two spots up for grab, and it appears that voters liked British comedy (Extras) and American commercial success (Two and a Half Men) out of the remaining candidates.

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Filed under 24, 30 Rock, ABC, Award Shows, Brothers & Sisters, Desperate Housewives, Dexter, Emmy Awards, FOX, Friday Night Lights, Grey's Anatomy, Heroes, House, How I Met Your Mother, Lost, My Name is Earl, NBC, Scrubs, Television, The Office, The Sopranos, Ugly Betty, Weeds

For Your Consideration: Comedy Series – “Entourage”

[As part of Cultural Learnings’ For Your Consideration Emmy Nominations Preview, the next two weeks will feature 7 Drama Series and 7 Comedy Series worthy of Emmy consideration. Check back daily for a different series, with drama and comedy alternating positions. For all of Cultural Learnings’ Emmy Coverage featuring Supporting and Lead Acting candidates, check out our For Your Consideration Index.]

Outstanding Comedy Series

Entourage (HBO)

The lure of Entourage is something that fans of the series actually have quite a time coming to an agreement on. On the one hand you have those who are watching for an inside look at the lives of Hollywood’s elite. Certainly, this can be seen in the expensive cars, extensive parties, and the general actions that Vince and his cohorts are seen doing within the show. However, there are others who view it less as some sort of Hollywood investigation and more as your standard dramedy. The irony is that while I value the latter more, it is the prior that has led to the show’s awards season popularity as a series. While Jeremy Piven has gained accolades and awards for his work as Ari Gold, the series itself has begun to make its move with Golden Globe and SAG nominations. This year could well be the one where it makes its move on the Oustanding Comedy Series Emmy, and it would perhaps be fitting. The series has developed into a dramedy with not only its Hollywood trappings but also a sense of character. And its third season is one that is worthy of Emmy consideration.

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Ratatouille ‘Box Office Watch’

[Disney-Pixar’s Ratatouille hits theatres this weekend. Will it win the Box Office crown? And, if so, will its success silent critics who question its box office potential? Cultural Learnings has all the details, and will be updating throughout the weekend]

Sunday Update:

Below most box office projections and signalling the studio’s worst launch since A Bug’s Life, Ratatouille has won the Weekend Box Office with $46 Million worth of receipts.

This will be labeled a disappointment, and although things will be blown out of proportion it is still lower than what anyone would have liked. I don’t know if it was subject matter or what it was, but it is very clear that the film just didn’t generate the same amount of buzz as Pixar’s past summer releases (Cars, Finding Nemo).

All eyes now turn to how Transformers will perform starting on Monday Evening, and how much Ratatouille will hold on through this week’s holiday.

Other Notes:

– The film’s very small increase from Friday to Saturday shows that this film is skewing more adult than any of Pixar’s past films. The small 2% increase is more indicative of an adult-skewing horror film than a child-friendly animated one. This does not bode well for the film as it faces tough young male and nostalgia-based competition with Transformers.

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For Your Consideration: Drama Series – “Dexter”

[As part of Cultural Learnings’ For Your Consideration Emmy Nominations Preview, the next two weeks will feature 7 Drama Series and 7 Comedy Series worthy of Emmy consideration. Check back daily for a different series, with drama and comedy alternating positions. For all of Cultural Learnings’ Emmy Coverage featuring Supporting and Lead Acting candidates, check out our For Your Consideration Index.]

Outstanding Drama Series

“Dexter” (Showtime)

When I first decided (Way back about four weeks ago) to place Dexter on my list of Drama Series contenders, I was going out on a limb. This moderately rated Showtime series didn’t get much buzz outside of its deserved attention for series star Michael C. Hall, so many didn’t have it on their Emmy radars. However, Showtime’s aggressive Emmy campaign (Which bolstered Huff two years ago) seems to have done some wonders for the series, as there is confirmation that it has placed in the Top 10 contenders, giving it a solid chance at maybe even garnering a nomination. Of course, some people are up in arms over this, claiming that Showtime is just buying nominations with their DVDs and that Dexter is taking the spot of a better Drama. And thus, since I’ve been a proponent of the show even before this announcement, I want to make something very clear: Dexter deserves to be there. And it is, without a doubt, a Drama series worthy of Emmy consideration.

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The Ten Reasons You Should See Disney-Pixar’s ‘Ratatouille’

I saw ‘Ratatouille’ two weeks ago in a Special Sneak Preview, and I loved the film. And, well, I think other people should see it too. This is not a perfect film: its problems are small, but they are in fact there and this cannot be ignored. However, they are far outweighed by those qualities that raise this film experience to a different level than last year’s Cars. These qualities are those that make Ratatouille stand out for kids, adults, and all moviegoers. They might not stand out for every single critic, or for every single person who goes to see it: but I believe that they make this a film worth watching.

Over the past two weeks I have covered the first nine of these reasons, and with this feature I present the 10th and final one. For those who are not yet convinced as to whether this film is worth the time of you or your family, I can only say that the theatre in which I saw this film ran the gamut from toddlers to seniors. This is a film for everyone, and it’s a film you should see for the following ten reasons.

10. The Story

What makes Ratatouille so special is that its story covers so many bases without feeling overstuffed: Remy’s storyline deals with identity and finding one’s passion, Linguini has to learn to grow a backbone, and the commercialization of good food even gets its nose into the picture. While the themes and settings of the story are perhaps Pixar’s most unique yet, the heart at their centre is classic Pixar.

9. The Total Package (Wall-E and Lifted)

Now, this was technically just Wall-E in my initial piece, but I had to make a change to fit something in below. What the Wall-E teaser trailer and short film ‘Lifted’ bring to Ratatouille is a sense of both the future of Pixar and the value that Pixar brings to their films. For adults, seeing that Wall-E trailer gives you a glimpse at the conceptually unique film Pixar has coming next year. And, for kids and adults, Lifted is a comic gem that will get you ready for the main course.

8. The Music

I said a lot of positive things about Michael Giacchino’s work on this film, and reviewers are coming in with the same feelings. From the Chicago Tribune:

To “Ratatouille” Giacchino contributes the most delightful musical score of the year. His delicate, nimble flute theme for Remy (like Jean-Pierre Rampal on uppers) captures the hectic pace of a rat’s life, and there’s a genuinely rhapsodic swell of feeling in the way the orchestral music augments the rooftop view from Linguini’s tiny apartment, as seen through the eyes of Remy.

7. The Supporting Voice Cast

From unknowns to legendary film stars, what Ratatouille perhaps does best is maintain a sense of character within its, well, characters. These are not celebrities voicing people and rats, but instead people who are becoming these characters and giving them depth and interesting developments. Peter O’Toole is especially fantastic.

6. Paris

This film is as much of a love letter to Paris as it is to food itself. With breathtaking beauty, Pixar has created a stunning vista that stretches for miles which portrays Paris as a beautiful city; however, they go further. The sidestreets and alleyways are full of life, imagination, colour, and when Remy travels through this city there is a sense of discovery and wonder unseen in even previous Pixar films.

5. The Comedy

Some critics are claiming that this film isn’t funny, and I think they need to get in touch with people who know what comedy is. Comedy doesn’t have to be puns, or fart jokes, or even verbal. The comedy within Ratatouille is sly for adults, physical for the kids, and fast-paced even when the dialogue is not. While the film is not a laugh riot, with great precision it milks laughs out at key points to serve its story.

4. The Food

Buy snacks when you go to see Ratatouille, and make them as gourmet as possible. Your stomach will start rumbling watching this movie, and the preparation that went into this food is rather stunning. I’m pretty sure that Pixar’s animators will view cooking as easy compared to cooking it up on computers.

3. The Critical Moral

This is a change from my initial list, but I wish to change this for a reason: as more negative reviews (not unjustly) come in, my first fears have come true. The film has a moral message delivered by food critic Anton Ego that challenges the current state of criticism, and some reviewers are getting all uppity about it. I think they should watch the movie again and reconsider, but that moral is well-stated, brilliantly read by Peter O’Toole, and something to make you think after leaving the theatre. I won’t spoil it, per se, but I think it makes a strong coda for the film and is certainly a reason for adults to see this film.

2. Patton Oswalt / “Remy”

A lovable rat? It doesn’t seem possible, but Patton Oswalt gives Remy just enough rat-like qualities while creating an insanely likable lead character. You can’t possibly not root for Remy in this story, and Oswalt’s passion for all things food bleeds through his shiny blue fur to create an intriguing mix of rodent and chef extraordinaire.

And, without further adieu, the #1 Reason to see Ratatouille is…

1. Brad Bird

There is not enough space within ten reasons to address all of the amazing technical animation work, the wonderful layouts and backgrounds, the glorious sound effects and all of that other stuff. So, as we usually do, we like to attribute a film’s quality to its director, the person in charge of the project. Doing so for Ratatouille feels almost more natural: Brad Bird (The one on the left, for the unaware) is a fantastic director (“The Iron Giant”, “The Incredibles”) and this is a fantastic film. However, Brad Bird deserves simultaneously only partial credit for conceiving this film, and entire credit for getting it into the shape it is in now. And that struggle, without a doubt, makes the work of Brad Bird (All of it) the #1 reason to see ‘Ratatouille’.

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The 8+ Best Episode Submissions for the 2007 Emmy Awards

So yesterday I shed some light on some of the worst Emmy submissions that could make or break potential nominees. And, through some discussions over at the Gold Derby forums, it is clear that some people actually submitted quite well, and maybe they should be highlighted as well. Since I’m all for equal opportunity Emmy coverage, let’s spend some time investigating who understands this Emmy process well enough to submit powerhouse episodes worthy of consideration.

Elizabeth Mitchell “One of Us”

As Juliet on Lost, Mitchell received two flashbacks that turned her character from recurring Other to full blown cast member. “One of Us”, however, was the easy choice: she has highly emotional scenes on both the present and the past, and it sheds a lot of light on her character that she embraces with a nuanced performance.

Cultural Learnings’ FYC: Elizabeth Mitchell

How I Met Your Mother and Cobie Smulders “Slap Bet”

Robin Sparkles was the absolute best thing to happen to How I Met Your Mother, and Supporting Actress candidate Cobie Smulders, in terms of its Emmy chances. Both are unlikely to break the Top 10 (The show itself has an outside shot), but this episode’s conclusion and build-up are irresistible.

Cultural Learnings’ FYC: Cobie Smulders

Steve Carell “Business School”

The star of The Office picked poorly last year, selecting the episode where he grilled his foot. There he was unsympathetic and annoying. In Business School, Michael gets to interact with the public (Always a plus), argues with Ryan (Another good relationship for his character), and his moment with Pam at episode’s end perfectly encapsulates why Michael, despite being flawed, is still a good boss in the end. Perfect submission.

Cultural Learnings’ FYC: Steve Carell

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The 8+ Biggest Submission Mistakes of the 2007 Emmy Awards

For those who are unaware, every actor or actress or series submitting themselves for consideration for an Emmy Award submit a single episode that will, if they make the Top 10 in the Popular Vote, be screened to blue ribbon panels that will provide a ranking, resulting in 50% of the total score. Confused? Well, let’s put it this way: they have one chance, one episode, in which they can impress those judges.

GoldDerbyForums – Confirmed Emmy Submissions

And so, although it’s only worth 50% this year, a poor submission can destroy the chances for an actor or actress or for an entire series. And there are eight this year that could well take these contenders and make them into high-profile snubs on July 19th.

The Office and Rainn Wilson“The Coup”

While this episode of The Office was certainly a funny one, it has one distinct problem: it’s more pathetic than it is funny. Dwight (Wilson), especially, comes across as a sad little puppy with no backbone in the episode, as opposed to the lovable weirdo that would play better with voters. The entire episode felt that way: like a cruel joke was being played on Dwight, and he wasn’t in on it. This makes the show out to be far more heartless than it actually is, and I do not believe it will play well with the panels.

Ugly Betty“Pilot”

Ugly Betty’s pilot lacks a majority of its best qualities. Its diverse cast is pushed into stereotypical roles, its colour palette is extremely muted, and outside of some comic acting from America Ferrera the show’s heart is almost entirely missing. This is a show that gained momentum along the way, and showing the Pilot removes that level of growth from the panel. They want to see charming television, and the Pilot is actually perhaps the show’s least charming episode.

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For Your Consideration: Lead Actresses – Connie Britton and Marcia Cross

[In Week Four of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Lead Actress awards in both drama and comedy. Today, we present our fifth and final set of candidates. For complete listings for all Supporting and Lead Actor candidates from the past four weeks, check out our For Your Consideration index]

Lead Actress in a Drama

Connie Britton (Tami Taylor)

Friday Night Lights

There is something about Friday Night Lights that needs to be made extremely clear, if it wasn’t already: this is not just a show about football, and it is not just a show about teenagers being teenagers. Although it contains both of those elements, one of its most heartfelt dynamics is that of family. While there are plenty of examples of this theme throughout the show, none is more powerful than the trio of Taylors. Being the Coach’s family is not easy, and this is most abundantly clear for Tami Taylor, his less-than-doting wife. She loves him with all of her heart, don’t get me wrong, but she will not take any of his shit and will not back down when he wants her to. What Connie Britton brings to this role is that sense of Southern toughness combined with an absolutely charming exterior. Watching her put on the charm (begrudgingly) is like watching a real woman dealing with real nutjobs like Buddy Garrity on a regular basis. Whether as the school’s guidance counselor, or as a mother and wife, Tami Taylor exists as one of the most realistic and relevant women on television today. Connie Britton brings her to life with grace, and her performance is deserving of Emmy consideration.

Tami’s life changed forever when her husband became coach of the Dillon Panthers. Suddenly, she was expected to host parties, deal with the townsfolk, and get swept up in all of the madness that high school football in Dillon entails. This was a strain on her relationship with her husband, sure, but it was more of a surface tension than anything else. Tami found her own passion by assisting the students of Dillon as their guidance counselor, and she had to deal with raising her blossoming daughter in the process. There has been some talk that she perhaps belongs in supporting categories, but I think this is a mistake: Briton’s performance, much like Tami’s, cannot be overlooked or marginalized because of her more feature co-star/husband. Much as the wives of likely many coaches and other professionals are often left behind, so too was Tami often forgotten.

But how can she be forgotten when people see her relationship with her husband, perhaps the season’s finest. As the season ended, and she presented her husband with an ultimatum that would have been a moment of betrayal for any other relationship…but here it was different, loving if perhaps contrary. While Chandler certain held up to his end of the bargain at all times, I think that a lot of his performance was made that much better by Britton’s reactions, quips and charm. Without her, Friday Night Lights would not be the same: and although not as “featured” as other Leads, she more than deserves to be considered in this category.

Episode Selection: “I Think We Should Have Sex” (Aired February 21st, 2007)

There were episodes that featured Britton giving more lead-style performances, but this episode was selected because it features Britton dealing with her daughter, Julie, deciding that she is ready to have sex with her boyfriend. Tami’s reaction is both natural and more intense than I could possibly imagine. I remember watching this episode and realizing how important Connie Britton was to this show. In dealing with what could be an after school special, producers and performers need to keep things simple while maintaining the dramatic elements. Britton could have just been an overprotective mother in this episode, but she was something more: she was a scared mother, a shaken mother, and a strong mother all at the same time. And it is an Emmy worthy performance.

YouTube: “I Think We Should Have Sex”

Lead Actress in a Comedy

Marcia Cross (Bree)

Desperate Housewives

I didn’t want to include two housewives here, and tried desperately to find a fifth candidate…but there was nothing to be had. Now, this is not to say that there aren’t contenders (Julia-Louis Dreyfus won last year, after all), but I just haven’t seen enough of their work. The thing about Marcia Cross is that there wasn’t much of her work this season: her pregnancy-based hiatus from Desperate Housewives made her a non-entity, out of the country in storyline terms for a large part of the season. However, Emmy voters won’t know this, and I think that it actually might benefit her: you see, we missed her. I only sporadically tuned into Desperate Housewives this season, but Bree was always still a highlight. Her humour is of a different brand from the wacky Susan or the frantic Lynette: her dignified ways are everything to her, and when they are questioned or challenged the results are both dramatic and comic. She has been shut out from major awards in past years by Hatcher and Huffman, but perhaps she might finally get her time to shine. And so, despite being absent for much of it, I can’t help but consider Marcia Cross an Emmy contender for her work on Desperate Housewives this season.

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Traveler – “The Trader” Review

After last week gave us a glimpse into the life of Will Traveler, which opened the series up to new areas of investigation, ABC’s Traveler is heading towards its finale. First and foremost, we are now following yet another story line in full detail. This is good, since Jay and Tyler have been somewhat repetitive in past weeks, and something fresh is needed. With the FBI always one step behind the “suspects,” that formula is shaken up slightly by Traveler’s introduction back into our core narrative. However, the problem is that it didn’t really ignite the show’s storytelling beyond its other elements. There was some decent advancement on a few levels, but the structure of the series didn’t advance much further. Still, the show is moving along at its usual breakneck pace, and the drama between Tyler and Jay has served to add a bit more suspense to the show’s conclusion. Is Tyler the trader for turning on Jay, or is his father the trader for selling out his own son? I’m personally thinking it’s the latter.

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Canadian Idol – Week One – Liveblogging the Results

Welcome, ladies and gentlemen, to your Canadian Idol results Liveblog. Who will be headed home, and who will be safe another week? Let’s see.

7:30pm: Ben Mulroney opens with your typical preview of the night’s action along with the usual rapid fire introduction of the judges. It is apparently Zack’s birthday.

7:31pm: Here’s…well, everything we already saw from the guys. All of the details are here: Week One – The Guys.

7:32pm: Impressively, they smash them all into one minute per night and the girls were next: Week One – The Girls.

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