I saw ‘Ratatouille’ two weeks ago in a Special Sneak Preview, and I loved the film. And, well, I think other people should see it too. This is not a perfect film: its problems are small, but they are in fact there and this cannot be ignored. However, they are far outweighed by those qualities that raise this film experience to a different level than last year’s Cars. These qualities are those that make Ratatouille stand out for kids, adults, and all moviegoers. They might not stand out for every single critic, or for every single person who goes to see it: but I believe that they make this a film worth watching.
Over the past two weeks I have covered the first nine of these reasons, and with this feature I present the 10th and final one. For those who are not yet convinced as to whether this film is worth the time of you or your family, I can only say that the theatre in which I saw this film ran the gamut from toddlers to seniors. This is a film for everyone, and it’s a film you should see for the following ten reasons.
What makes Ratatouille so special is that its story covers so many bases without feeling overstuffed: Remy’s storyline deals with identity and finding one’s passion, Linguini has to learn to grow a backbone, and the commercialization of good food even gets its nose into the picture. While the themes and settings of the story are perhaps Pixar’s most unique yet, the heart at their centre is classic Pixar.
9. The Total Package (Wall-E and Lifted)
Now, this was technically just Wall-E in my initial piece, but I had to make a change to fit something in below. What the Wall-E teaser trailer and short film ‘Lifted’ bring to Ratatouille is a sense of both the future of Pixar and the value that Pixar brings to their films. For adults, seeing that Wall-E trailer gives you a glimpse at the conceptually unique film Pixar has coming next year. And, for kids and adults, Lifted is a comic gem that will get you ready for the main course.
I said a lot of positive things about Michael Giacchino’s work on this film, and reviewers are coming in with the same feelings. From the Chicago Tribune:
To “Ratatouille” Giacchino contributes the most delightful musical score of the year. His delicate, nimble flute theme for Remy (like Jean-Pierre Rampal on uppers) captures the hectic pace of a rat’s life, and there’s a genuinely rhapsodic swell of feeling in the way the orchestral music augments the rooftop view from Linguini’s tiny apartment, as seen through the eyes of Remy.
From unknowns to legendary film stars, what Ratatouille perhaps does best is maintain a sense of character within its, well, characters. These are not celebrities voicing people and rats, but instead people who are becoming these characters and giving them depth and interesting developments. Peter O’Toole is especially fantastic.
This film is as much of a love letter to Paris as it is to food itself. With breathtaking beauty, Pixar has created a stunning vista that stretches for miles which portrays Paris as a beautiful city; however, they go further. The sidestreets and alleyways are full of life, imagination, colour, and when Remy travels through this city there is a sense of discovery and wonder unseen in even previous Pixar films.
Some critics are claiming that this film isn’t funny, and I think they need to get in touch with people who know what comedy is. Comedy doesn’t have to be puns, or fart jokes, or even verbal. The comedy within Ratatouille is sly for adults, physical for the kids, and fast-paced even when the dialogue is not. While the film is not a laugh riot, with great precision it milks laughs out at key points to serve its story.
Buy snacks when you go to see Ratatouille, and make them as gourmet as possible. Your stomach will start rumbling watching this movie, and the preparation that went into this food is rather stunning. I’m pretty sure that Pixar’s animators will view cooking as easy compared to cooking it up on computers.
3. The Critical Moral
This is a change from my initial list, but I wish to change this for a reason: as more negative reviews (not unjustly) come in, my first fears have come true. The film has a moral message delivered by food critic Anton Ego that challenges the current state of criticism, and some reviewers are getting all uppity about it. I think they should watch the movie again and reconsider, but that moral is well-stated, brilliantly read by Peter O’Toole, and something to make you think after leaving the theatre. I won’t spoil it, per se, but I think it makes a strong coda for the film and is certainly a reason for adults to see this film.
A lovable rat? It doesn’t seem possible, but Patton Oswalt gives Remy just enough rat-like qualities while creating an insanely likable lead character. You can’t possibly not root for Remy in this story, and Oswalt’s passion for all things food bleeds through his shiny blue fur to create an intriguing mix of rodent and chef extraordinaire.
And, without further adieu, the #1 Reason to see Ratatouille is…
1. Brad Bird
There is not enough space within ten reasons to address all of the amazing technical animation work, the wonderful layouts and backgrounds, the glorious sound effects and all of that other stuff. So, as we usually do, we like to attribute a film’s quality to its director, the person in charge of the project. Doing so for Ratatouille feels almost more natural: Brad Bird (The one on the left, for the unaware) is a fantastic director (“The Iron Giant”, “The Incredibles”) and this is a fantastic film. However, Brad Bird deserves simultaneously only partial credit for conceiving this film, and entire credit for getting it into the shape it is in now. And that struggle, without a doubt, makes the work of Brad Bird (All of it) the #1 reason to see ‘Ratatouille’.
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J.K. Rowling has yet to write a perfect novel. While she still has a chance with next week’s release of Deathly Hallows, she has yet to craft a literary masterpiece that lacks a single plot hole, inconsistency or highly illogical subplot regarding a textbook. And so it is that the directors taking on the task of adapting these books need to keep in mind that the text placed in front of them is, well, perhaps a little bit flawed.
Cultural Learnings 