Tag Archives: Entertainment

Being Erica – “Cultural Revolution”

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“Cultural Revolution”

October 13th, 2009

I think what I find most interesting about this, the fourth episode of Being Erica’s second season, is that it has largely moved away from any sort of “change” resulting from its missions. There was a point before where what Erica did in her trips to the past would actually change the future, not always in ways as dramatic as in “Leo” but in small ways like sleeping with the nerdy poet at the Lake instead of her jock boyfriend. Those kinds of changes are something the show isn’t actually interested in so much, primarily because Erica’s life has largely stabilized and there is accordingly less of a need for fundamental change.

It does mean that “Cultural Revolution” is anything but revolutionary, positing a “What If?” scenario less to see how it would change the present and more as a test run for a current life’s dilemma. The episode suffers slightly due to a lack of suspense as to what decision Erica is going to make, but overall it’s another solid entry that sticks to the show’s formula in a pleasing fashion.

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The Good Wife – “Fixed”

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“Fixed”

October 13th, 2009

The Good Wife is a solid show, and a lot of this has to do with a very solid premise. What works about the show is how versatile it can be, even within each of its various elements. As a legal workplace drama, the show covers an extensive range of potential cases, and because Alicia is a junior associate it means she could end up doing a variety of jobs (like digging through files, or second chairing a bigger case) whether they’re representing the plaintiff or the defendant.

The show is ultimately a procedural, but it’s managed to be quite the chameleon. This week’s episode follows the basic formula, presenting a legal case that dominates the episode while Alicia is similarly burdened by her husband’s indiscretions. However, they’ve done an impressive job of providing variety in both of these departments, to the point that the twists and turns in either storyline are still effective.

The show is never going to blow me away, per se, but it’s nonetheless impressed me so far.

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The Big Bang Theory – “The Pirate Solution”

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“The Pirate Solution”

October 12th, 2009

Usually, my reviews of The Big Bang Theory end up devolving into my frustration with the show’s treatment of Sheldon (a subject that many disagree with) and the ill-advised nature of Leonard and Penny’s relationship (which pretty much everyone agrees with, outside of a vocal minority), but “The Pirate Solution” is a rare occasion where I get to focus my analysis elsewhere.

I often feel that the show is held back by is adherence to the sitcom tradition of a fundamental lack of character development, focusing instead on character interaction. There are episodes where I totally buy into the value of this, accepting that although it holds the show back it nonetheless can result in some really fun comedy. However, there are episodes like “The Pirate Solution” which focus their attention on a character and in the process remind us that while some have turned into full-featured individuals others have, well, not.

Raj Koothrappali is a character who, like Penny, is a good foil for nearly every other character, but when you isolate him on his own things become starkly simple. Kunal Nayyar is an engaging actor, but the problem with Raj is that his lack of development is proving detrimental. When the show designates a Raj episode, it means the show recycles cliched India jokes and once again has Raj’s inability to speak to women prove detrimental. I won’t argue that this isn’t entertaining, as I think the Raj parts of this episode were charming; however, I think that there’s a point here where I wonder why Raj needs to be reduced to these stereotypes, and at what point his evolution would only improve the show’s dynamics.

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How I Met Your Mother – “The Sexless Innkeeper”

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“The Sexless Innkeeper”

October 12th, 2009

In the season premiere, we essentially got a confirmation that How I Met Your Mother would be dipping into the well of the double date: after struggling for a few seasons to integrate a drama-free Lily and Marshall into the show’s set of couples, they kind of gave up late last season with Hannigan disappearing to have a baby. The result is that, while Barney and Robin are a newer couple and in need of development, it’s perhaps more important that the show use this opportunity to remind us of Lily and Marshall’s value (as a couple, individually isn’t really a question) to the show’s dynamic.

“The Sexless Innkeeper” is simultaneously a justification for why we haven’t seen much of their individual life since they moved into their new apartment and a sign that the show really should have been going out of its way to do so. I don’t think that they should have rushed another couple together, but the addition of a two-couple dynamic lets them play stories that they’ve clearly wanted to dabble in without much of an opportunity. As Ted says at one point, couples need other couples, and Lily and Marshall only needed another couple to bring back what I enjoyed about their characters.

It really only had two jokes, but one was clever and the other was committed to by four really great comic actors and featured a whole lot of HIMYM-style intricacies (like The Best Night Ever.com, another meta-website), so it’s a very enjoyable half-hour of comedy.

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Mad Men – “Wee Small Hours”

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October 11th, 2009

“I can’t do this all by myself”

Sally’s teacher, sitting in Don’s car in the middle of the night, says that she is going to read her new class “I Have a Dream” on the first day back to school. However, she also indicates that they already know it: I don’t think she’s insinuating that they’ve heard the speech, but rather that there is something in child-like innocence that embraces the image of a dream and of a better future.

The entirety of “Wee Small Hours” is not about civil rights at all, but it is about characters confronting the demons in their past in an effort to move into the future. For Don Draper, a new relationship begins to mirror an old one, and for Salvatore Romano a long-standing response has suddenly put his career into jeopardy. And then there’s Betty Draper, wide-eyed and naive to the point of childhood, and let applying her innocence less to an understanding of Dr. King and more to a petulant child who wants what she can’t have but then doesn’t want it once she has it.

It’s yet another installment in a compelling but slow-paced series of episodes, ones which feel designed to show these characters searching the depths of their emotions and not quite sticking the landing, so to speak.

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The Amazing Race Season 15 – “Cambodia”

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“Sean Penn, Cambodia, Here We Come!”

October 11th, 2009

The job of being an editor on The Amazing Race is really a tough one. In each episode, you need to turn the unsuspenseful into the suspenseful, and emphasize the zany in the mundane. Of course, it helps that often The Amazing Race is suspenseful, and that it is often extremely zany, and that the cast of characters involved can often enhance both of these elements. As such, it is likely every editor’s dream to receive a team like Zev and Justin, who deciding that Phnom Penh is actually Sean Penn, and who strike up a hilarious and fantastic relationship with their cab driver Thierry.

However, the editors also have to come to terms with how, precisely, they’re going to send someone home. Last week, Marcy and Ron got sent home after struggling with a Detour (they were just too slow, plain and simple), so Marcy got a lot of talking heads about her father’s time in Vietnam. The episode was a sendoff, albeit it a slight one, a last hurrah. In other instances, the editors love playing up irony or the impact of a single mistake, and sometimes they even play a game of Schadenfreude.

But as the teams race through Cambodia, the editors have the toughest job of all: turning triumph into adversity in a split second. It’s a chance of pace the episode handles with the grace of a newborn giraffe, heightening my sympathy for the difficulty of the editors’ job while also lowering my interest in this season, all in one fell swoop.

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Cultural Catchup: The Week in Comedy

After a week away in New York, which was really exciting, I came back to a pretty huge backlog. While I might not end up reviewing any individual shows beyond Mad Men (which went up earlier tonight), I do want to be able to comment on the comedy of the past week or so. Drama might be a bit more intimidating (was two episodes behind with both House and Sons of Anarchy), but we’ll see if we get to that in the days ahead (Reality won’t be there at all: Top Chef was predictable, Runway was boring, Survivor was expendable, and Amazing Race was a week ago and similarly uneventful).

For now, thoughts on (deep breath) The Office, Community, Parks and Recreation, Glee, How I Met Your Mother, The Big Bang Theory, Saturday Night Live, Modern Family, Cougar Town, The Middle and Greek (phew!).

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Mad Men – “Souvenir”

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“Souvenir”

October 4th, 2009

“But I already did it…it’s over!”

As far as Mad Men episodes go, “Souvenir” was almost obnoxiously low impact. This isn’t to say that the episode was bad, or even uninteresting: rather, instead of seeming like an episode where things are languishing at a slow pace, there are some pretty substantial events (an affair, a trip to Rome) that happen so quickly and naturally in the episode that you almost miss the moment when they go from an innocent fantasy to something entirely different.

There’s a little throwaway line in the episode when we meet up with Joan, when we learn that Greg is searching for a new discipline, psychiatry in particular. The entire episode is essentially one giant lesson in the effects of loneliness, as our our resident emotional (Betty) and emotionless (Pete) protagonists take a leap of faith or two in an effort to find themselves. The result is an intriguing investigation of the summer vacation, albeit from a perspective that doesn’t precisely play to the show’s strengths.

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Being Erica – “Mama Mia”

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“Mama Mia”

October 6th, 2009

I’m in New York at the moment (my Twitter account likely reflects this), but I had a chance to catch this week’s Being Erica before I left. It’s, again, a return to the first season’s structure, hesitating to “open up” the show’s universe as much as the season premiere seemed to indicate. However, at the same time, the episode also reminds us that Judith as a character still exists, a problem with a show that deals with sending a character back to her past when some of the people in her life weren’t actually involved.

So, in many ways, the reason that Judith and her newborn haven’t been around Erica are quite similar to why they haven’t been on the show thus far this season, and “Mama Mia” does well justifying her absence and adding a few more shades to their relationship. The episode had a few hiccups, but it followed one of my favourite patterns for the show so it’s ultimately another enjoyable hour for the show.

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The Office – “The Promotion”

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“The Promotion”

October 1st, 2009

After last week’s co-manager reveal, we knew this was the next logical step. Michael doesn’t deal well sharing power, and Jim has never actually been in power and when he has been it’s been a pretty big disaster. So, when this episode begins, we find Michael and Jim in a power struggle that shows no signs of ending easily, and which confirms what we knew about both men.

That’s not a terrible plan for an episode, but it’s problematically reductive and didn’t end up bringing anything new to these characters. While it comes to some sort of conclusion, it doesn’t feel as if it really proves anything, and the comedy throughout the episode was too scattershot for me to really claim that the largely transitional episode was as well-executed as it could have been.

At least it was a great Oscar episode, right?

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