Tag Archives: Heroes

Upfronts Analysis: NBC 2009-2010 Fall Schedule

UpfrontsNBC2

NBC 2009-2010 Schedule

May 19th, 2009

NBC is not a network of surprises: it announced its new shows at its Infront presentation, we’ve known about Jay Leno moving to 10pm for ages, and even Chuck’s renewal was something that was pretty well guaranteed before today’s upfronts presentation. At the same time, the network’s schedule is perhaps the most interesting of the major networks since, with less primetime real estate than CBS or ABC, they are working on a whole new schedule and forced to make some important decisions.

It’s a better schedule than I expected, to be honest: yes, the network has been forced to make some tough decisions (My Name is Earl and Medium cut, but potentially returning on another network – FOX and ABC interested in Earl, CBS likely to pick up Medium), but they’ve been pretty smart in how they’ve scheduled everything else. With smart strategies for launching their new comedies, and one last attempt at seeing whether Heroes’ audience is capable of serving as a lead-in, NBC has at least leveraged what momentum they have going into this year (not much) to try to create a schedule that could keep them out of last place.

Even with all that work, though, ten to one Leno ends up keeping them there.

Continue reading

1 Comment

Filed under Upfronts

Cultural Reflections on Comic Con 2008

While I’m genuinely addicted to Twitter most of the time, being away over the weekend and thus mostly away from my Twitter account was a good thing. Many of the people I follow, most of which I’ve met through some great times at the /Filmcast, were lucky enough to be out in San Diego, California for the biggest event in geekdom: Comic Con. My jealousy knows no bounds, as it sounds like an extremely exciting event that covers the gamut of entertainment.

Once mostly a haven for comic book adaptations and the like, the convention has taken on new life as pretty much “Any show that has fans on the internet or any kind of fantastical elements” when it comes to television presence. So this includes a show like The Big Bang Theory, which embraces its geek sensibilities on a regular basis, and a show like Prison Break that is really just there treating it as a fan convention in general terms. I won’t attempt to make an argument for the exclusion of such shows, though, because for the most part the convention has taken on a life of its own…and that life has brought a lot of new TV news to our attention.

Heroes

NBC’s highest rated drama series came to Comic Con with a devoted fan base to satisfy and a lot to prove to critical people like me who thought the second season was almost completely garbage. Perhaps realizing this task, they decided to placate both crowds and actually show the entire Season Three premiere. Now, some have commented that a show like Lost didn’t do anything similar (I’ll get to them in a minute), but Heroes has the added bonus of having started filming Season Three extremely early after NBC cut the second season short, so they’re in a unique position.

While I’m not reading the detailed recaps like Adam Quigley’s over at /Film or Dave3’s over at GeeksofDoom to avoid spoilers, there’s been positive word of mouth that this is, at least, better than last season’s entry (And perhaps better than the show’s pilot, which was kind of weak). I remain skeptical of Kring as a showrunner, though, and what I read of Adam’s review tends to indicate that the annoying dialogue and the tendency to delve into pointless subplots have not disappeared even as the quality elsewhere ramps up. Still, it’s a smart move to please both fans and critics alike, and once the pilot hits in September I’ll judge for myself whether they’ve got the quality to back it up.

Lost

While the lack of real Season Five footage (It doesn’t premiere for another 7 months, realistically) is certainly a bit of a downer, what Lost brings to the table is its usual blend of intrigue and mystery. While they weren’t there with new footage, they did have a new Orientation style video that seems a bit different. Although the YouTube link below is off a screen, it still seems to be higher quality than what we’ve used to. After the jump, I’ll go into some discussion on why this video has a LOT of ramifications (And is infinitely more interesting than an episode of Heroes).

Continue reading

Leave a comment

Filed under Uncategorized

Academy Reveals Emmy “Top 10s” for Comedy and Drama Series

Earlier this week, Tom O’Neill over at The Envelope’s Gold Derby revealed that the Academy planned, for the first time, to reveal the official Top 10 qualifiers for the Series and Acting prizes. These are the shows that will be screened in front of panels, and then used to decide 50% of the final nomination process. These lists are the cutoff point – if you don’t make the list, you cannot get nominated for an Emmy.

Now, the Academy is making their unprecedented decision a little bit more tentative; they’ve announced the Top 10 Series in both Comedy and Drama, and are going to re-assess the situation tomorrow after they see the critical and industry response to these revelations. This is fair, I guess, but let me be the first to say that as a wannabe TV critic I love this news, and think that it’s only helpful to the process. Yes, it will make a potential nomination for a show like The Wire less surprising (Where before people would have presumed that it wouldn’t even make the Top 10), but now people are actually kind of excited going into the process.

Now, Tom has asked that the list of episode submissions be kept to his blog, but the Top 10 lists are floating around. So, here’s the link to Tom’s list, and then I’ll provide the full list of shows and go into some commentary on the choices, and why releasing the acting lists is still a viable option.

Gold Derby: Emmy Drama/Comedy Top 10 Submissions [Link]

Drama

“Boston Legal”
“Damages”
“Dexter”
“Friday Night Lights”
“Grey’s Anatomy”
“House”
“Lost”
“Mad Men”
“The Tudors”
“The Wire”

The Big Surprise: The Wire, which in its fifth season finally captured a little more of voters’ attention. The show is actually HBO’s only show in the category, trouncing their more heavily promoted In Treatment.

The Big Snub: While one could argue that Big Love’s absence from the list is a surprise, the real surprise is that Heroes (nominated last year) didn’t make the Top 10. That the Academy so clearly judged the second season’s quality correctly gives me high hopes.

The Sentimental Favourite: It’s gotta be Friday Night Lights, which squeaks its way into the category with an uneven, but still quality, second season.

After the break, the comedy list.

Continue reading

5 Comments

Filed under Emmy Awards

60th Emmy Awards Preview – Supporting Actor in a Drama Series

[Leading up to the announcement of the nominees in mid-July, Cultural Learnings will be delving into each of the major categories to highlight a major theme or a certain selection of potential nominees.]

As far as categories go, they don’t get too much more wide open than this year’s race for Supporting Actor in a Drama Series. It’s long been a category dominated by the show of the moment: both The Sopranos and The West Wing saw multiple nominees on multiple occasions, and Lost was added to that list in recent years. So, for a show like Lost, the question isn’t whether one of its actors will get a nomination: it’s which one, and how many.

This goes for other series as well, as this is certainly a year where there’s a lot of shows that probably have multiple deserving candidates. These types of races are always difficult because of two competing phenomena: vote-splitting, which implies that these candidates will struggle to break into the final five or six nominees, and tape-sharing, where the tapes screened for critics could potentially overlap between candidates. The latter, for example, pretty well won Terry O’Quinn the Emmy last year, as he was in Michael Emerson’s submission almost as much as he was in his own.

This year, it’s three competitors from Boston Legal, four from Lost, and two from Damages that will either be fighting more with each other or working together to multiple nominations. And, well, let’s not forget everyone else, too.

Continue reading

3 Comments

Filed under Emmy Awards

Heroes – “The Line”

“The Line”

October 29th, 2007

At a certain point during tonight’s episode of Heroes, I pondered simply blogging about the storylines that I actively enjoyed within each episode. By the end of the episode, I realized that this would be fairly difficult considering there was only one that qualified. As a result, this review shall remain pretty well 90% negative.

There just isn’t anything overly compelling about Heroes right now: at this point, they’re just dropping the occasional hint of something interesting (In this episode, the paintings and Peter’s end of episode time warp) while stumbling towards a climax. The problem right now is that there are only three storylines actively driving towards something meaningful, and only one of them was actually heavily featured in the episode (And is a more recent development). The rest…well, Heroes just isn’t pulling them together.

Continue reading

2 Comments

Filed under Entertainment

Cultural Catchup – Dramas – October 19th

[Okay, so here’s the deal: I almost finished this post, and decided to wait for more shows…and then just got more busy. This covers most of the show until mid-week, I will hopefully get to the rest soonish]

Dexter – “An Inconvenient Lie”

I haven’t talked about Dexter’s second season much at Cultural Learnings for a variety of different reasons: well, actually, just one. The problem is that I watched the first two hours of the season back in July, and it was only on Sunday that the third installment aired. With Dexter’s ocean graveyard uncovered, the stakes are extremely high…but, unfortunately, I had to wait a really long time.

It is that much more impressive, then, that I was sucked right back in again. There is simply something compelling about Michael C. Hall’s performance that keeps you from being disconnected. Watching Dexter struggle to lie to the world while faced with the unearthing of his past performances while perfecting a new role as a drug addict, the parallel is less than subtle…but it is powerful, and brings forth the principle of the Dark Passenger more clearly than the show’s first season.

The episode hit many high points: Deb’s continued inability to get over Rudy trying to kill her remains important, and Dexter’s downright unsettling discussion with his FBI headhunter were two of them. Also: “You were right about the ample cargo room” was one of those one-liners that Michael C. Hall has too much fun with. The episode balanced messages of lying and Dexter’s own issues of personal introspection in regards to both Rita and the morality of his killings. It’s my first real Dexter in a while, and it reminded me why I became so infatuated with this show last year.

Gossip Girl – “Dare Devil”

Perhaps trying to prove its potential for an entire season, Gossip Girl came to bat with a full-featured and quality hour of television. “Dare Devil” dumps Nate and Chuck and focuses on situations with real drama: Dan and Serena’s first date, Jenny’s insistence on joining Blair’s social circle, Erik’s imprisonment at the Ostroff Centre, and the parental tango between Rufus and Darla.

Much like some of the best episodes of The O.C., this one managed to weave various separate threads together into a web of truth and dare, dive bar hopping, impromptu dinner dates and a jailbreak of sorts. Despite starting as separate storylines, these four parts became one by episode’s end, and I think that the result was a satisfying hour of television.

I’m frustrated with the speed at which Dan and Serena entered into makeout mode, but was surprised that the parents’ storyline gained some level of actual depth with the further introduction of Dan’s mother into the mix. Erik and Jenny remain rather adorable entries into the CW canon, and Blair’s catty side is certainly more entertaining than her rather meek appearance last week. On the whole, the show continues to sustain its basic level of quality, which is a positive sign.

Heroes – “The Kindness of Strangers”

This week’s episode of Heroes was a step in the right direction, but it didn’t quite get back on track. The core storyline is in better shape, but the dialogue and the overall pacing still need more work. This week’s episode at least gives us a worthwhile cliffhanger, but Tim Kring’s general plotting is still fairly lacklustre.

Continue reading

Leave a comment

Filed under Television

Heroes – “…Four Months Later”

“…Four Months Later”

September 24th, 2007

Slate recently posted an article about overpopulation against television casts, referring to it as a “plague.” As if to prove their point, Heroes started its second season struggling to come to terms with its expanding cast, and ignoring several of its key characters in the process. A meandering and inconclusive hour, “…Four Months Later” felt like we were being shown what a better writer could have done through subtle hints, as opposed to anything of true consequence.

The episode’s main focus was establishing that, forced to live normal lives due to the threat of The Company, our heroes are miserable. Noah moved from Primatech to Copy Kingdom, Claire went from athletic cheerleader to quiet Badminton player, and Nathan went from politician to alcoholic. It is only Parkman who gets out lucky, able to use his ability to read minds discreetly, earning a job as an NYPD Detective. Everyone else is suffering, big time. And do you know what? That doesn’t make for very exciting television.

Continue reading

1 Comment

Filed under 2007 Fall Preview, Heroes