“White to Play”
October 1st, 2009
At the opening of “White to Play,” we open on a shot of children lying on the playground out cold. We have reason to believe, of course, that this is a flashback to the blackout, until we see Charlie, Mark and Olivia’s daughter, standing. The show wants us to believe that Olivia is unique, or that perhaps she had some other sort of vision, but it turns out that it was the kids playing a game. They were playing “Blackout,” where everyone pretends they were out cold and then wakes up and tells everyone what they saw.
While the initial feeling is that this is a particularly ominous opening, there’s a problem: instead of appearing dichotomous to the show itself, it seems a fitting metaphor. In its second episode, FlashForward largely treats the viewers like children, repeating themes over and over again and actually managing to flash back to a flashback of a flashforward in the process. The investigative process feels like random happenstance, sprinkled with odd comic tangents and explosions in place of plot development, and the show struggles to recapture anything even approaching the tone that made its pilot stand out from the crowd.
There are a lot of interesting questions at play with this premise, and on occasion the show quite intriguingly interacts with some of them, but when it’s not thinking big its conversations turn into microcosms of overall themes, never allowing characters to act human in the process.
July 12th, 2009
This review is going to be hugely hypocritical for anyone who’s followed my…less than friendly relationship with Entourage.
See, I’ve always been of the mind that the show is at its best when it engages with its dramatic elements, and taps into something beyond “four bros hanging out.” It’s not a particularly popular opinion, as nearly everyone seems to disagree with me and lists their main reason for watching the show as “four bros hanging out,” but it’s the way the show works for me. And last season, I just kept getting more and more frustrated: the show had numerous opportunities to really engage with some real disruptions to Vince and E’s relationship, and to shake things up a little bit, and yet they refused to take them, leaving the dynamic intact as Vince’s career skyrockets.
So, on that criteria, I should have been really happy with “Drive,” which returns to the narrative with Vince riding a wave of Gatsby-related success but drifting apart from E, who is becoming successful in his own right and beginning to see the benefit of being more independent. The result is actually a really subtle statement about maturity, coupled with a couple of periphery storylines and a distinct lack of highly manufactured drama. Really, the episode should have been everything I should like in a half hour of Entourage: a little sex, a little drama, and more pathos than 99% of the show’s normal viewers like to see.
But, for a variety of reasons, I found this episode to be shockingly pedestrian in a way that baffles me. There was no zing to the one-liners, no bite to Ari Gold, and a distinct lack of any sort of dynamic between the signature foursome. While I’m actually kind of intrigued to see where they go from here, this half hour is the exact opposite of any of my past experiences: while before I found the plot lacking but enjoyed the show’s broad comedy for what it was, here I found absolutely nothing funny or clever to the point where even a storyline I should have liked did nothing for me.
Call me a hypocrite all you want, but this “Drive” never got out of first gear.
October 5th, 2008
No show knows how to waste time like Entourage.
“Tree Trippers” is straight out of the Entourage playbook: our group faces an important decision, which leads them on a quest of sorts that really just stretches out one sentence into an entire episode for the sake of being filled with antics, tongue-in-cheek celebrity cameos, and likely some sort of drug-based hallucinations.
Now, admittedly, I like my Entourage episodes to have a bit more plot, and this episode kind of struggled in that regard, but the season remains charming: whereas last year felt like nothing but episodes like this one strung along in a row, this feels like a worthwhile detour in order to recollect on the current situation.