Tag Archives: Mark Bedford

FlashForward – “Black Swan”

FlashForwardTitle

“Black Swan”

October 15th, 2009

All I can hear is the clock ticking.

Yeah, well, all I can hear is the crickets, FlashForward.

“Black Swan” is yet another example of the ways in which FlashForward seems fundamentally unwilling to engage with its most interesting elements and choosing, instead, to continue to ponderously engage with small-scale stories that feel like note cards on a bulletin board rather than something that’s part of a mosaic.

What’s interesting is that, if the show had ignored the notions of global conspiracy and the worldwide destruction, I actually think this would be an interesting hour of television. If the show had ignored the chaos of the pilot, and had instead had everyone experience a vision of their future without any time passing, then “Black Swan” would be an interesting investigation into a patient whose flash forward is inexplicable, or a young babysitter who wonders how she can atone for a sin she has yet to commit. Those questions are on their own a decent structure for an almost procedural series, a world like our own but where alternate futures dominate everyday conversation.

The problem with the show hasn’t been sold as anything close to that, but rather as a show rife with conspiracy theories and exciting serialized elements. And in an episode like this one, we understand the show’s central dilemma: when the show spends time with the mundane, we’re left wondering what’s going on with the big picture, but when they do spend time with the big picture we wonder why we were spending time with the mundane at all. And as long as both sides of the show’s storylines have some pretty serious execution problems, I don’t know how long the dichotomy is going to hold.

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FlashForward – “White to Play”

FlashForwardTitle“White to Play”

October 1st, 2009

At the opening of “White to Play,” we open on a shot of children lying on the playground out cold. We have reason to believe, of course, that this is a flashback to the blackout, until we see Charlie, Mark and Olivia’s daughter, standing. The show wants us to believe that Olivia is unique, or that perhaps she had some other sort of vision, but it turns out that it was the kids playing a game. They were playing “Blackout,” where everyone pretends they were out cold and then wakes up and tells everyone what they saw.

While the initial feeling is that this is a particularly ominous opening, there’s a problem: instead of appearing dichotomous to the show itself, it seems a fitting metaphor. In its second episode, FlashForward largely treats the viewers like children, repeating themes over and over again and actually managing to flash back to a flashback of a flashforward in the process. The investigative process feels like random happenstance, sprinkled with odd comic tangents and explosions in place of plot development, and the show struggles to recapture anything even approaching the tone that made its pilot stand out from the crowd.

There are a lot of interesting questions at play with this premise, and on occasion the show quite intriguingly interacts with some of them, but when it’s not thinking big its conversations turn into microcosms of overall themes, never allowing characters to act human in the process.

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