Tag Archives: Quality

What Does TNT Know, Again?: On The Fate of Men of a Certain Age

On The Fate of TNT’s Men of a Certain Age

July 11th, 2011

It hasn’t exactly been a secret that critics are fans of TNT’s Men of a Certain Age, but the simultaneous posting of two independent articles from prominent critics (HitFix’s Alan Sepinwall and AOL’s Maureen Ryan) defending the series against a potential cancellation has certainly cemented the show as this year’s critics’ cause.

For the record, I’m with both Alan and Mo regarding the show: the back half of the second season was maybe its strongest stretch to date, taking each character on a distinct journey that always felt controlled more by the ebbs and flows of life than by the machinations of plot development. The finale, in particular, was narratively complex while staying true to the characters and their relationships. It was about Joe’s relationship with his children, Owen’s relationship with his father, and Terry’s relationship with his past, as much as it was about golf, car dealerships, and career paths. It was a hopeful finale, perhaps, but it was not one that offered any sort of ending. In fact, I don’t know if this is a show that can truly have an ending given its focus on lives being lived.

Of course, Alan and Mo’s posts exist because the show is low-rated, and TNT is not a network known for its low-rated shows. In fact, given that Alan and Mo have covered the show’s strengths so well already, I’m actually more interested in the TNT side of this equation. A network that has staked its reputation on “We Know Drama,” TNT has found great success with quasi-serial procedurals like The Closer and Rizzoli & Isles (which both return tonight), and recently greenlit a second season for its sci-fi drama Falling Skies.

When people appeal to a network to save a show, there needs to be some sort of justification. For Chuck it was product placement and a willingness to make budget concessions, while for Friday Night Lights it was an off-network distribution deal with DirecTV. Other networks, meanwhile, are in such dire shape that they can’t afford to cancel shows with a heartbeat (NBC, I am looking at you). With TNT, though, you have a stable and consistently-performing network that seems immune to the vast majority of “Save our Show” logics, except for the one that critics help manage.

And the one that remains loosely defined for TNT.

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Save Chuck: A Movement with a Message

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Save Chuck: A Movement with a Message

April 25th, 2009

As some of you may know, I found myself caught up in the whirlwind that was the Save Jericho campaign, where fans went nuts and sent nuts, bringing their canceled show back from the dead. Since that show’s success, there have been numerous campaigns to save other shows, and to be honest I haven’t really got behind any of them. I got behind Jericho because it was a true grassroots movement, an example of the power of the internet, of fans, and of expanding the definition of success from traditional ratings measurements; to be honest, the show never really captured me, but the fact that it captured others so strongly was something worth fighting for.

But I can honestly say that this is the first time that I am entering, albeit late thanks to my vacation, a fan campaign primarily because I love the show involved. Chuck was an engaging series last year, but this year it has elevated itself to an entirely new level: this is not the most intelligent show on television, or the funniest, or the most dramatic, but its ability to combine all of these elements into a single package has created a series that myself and hopefully many, many others view as worthy of our time and energy. Saving Chuck is not just some sort of experiment, but something that is necessary for my faith in NBC as a network, and network television as a medium for high-calibre entertainment, to remain intact.

What I want to discuss is how the campaign is operating, and how there are three keys to its success that have given it a real chance of succeeding: I write this, two days before the show’s season finale, without the intention of placing a (Series?) in that post title, or even considering that possibility, and I honestly feel as if this goes beyond wishful thinking. Based on every piece of evidence before us, the campaign to Save Chuck has all of the momentum to overcome the obstacles facing it and send a message to NBC and all other networks that we’re not ready to let a great show go so easily.

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