March 31st, 2013
“You’ve got to invent a story about where the ship is going and why.”
As Sansa and Shae look out on Blackwater Bay imagining where the ships are going, it’s hard not to think about the last time we as an audience watched the ships on Blackwater Bay. “Blackwater” brought a striking amount of clarity to the show, its tight focus clearly defining where the ships were going: Stannis Baratheon intended to take King’s Landing, because he believes himself to be the one true king of Westeros.
As Game of Thrones returns for its third season, such clarity seems long gone. As Robb notes, his men haven’t had a real battle in weeks, their “war” more of a glacial march in search of Lannister men more likely to “raze and run” than fight in the open battlefield. Stannis has retreated to Dragonstone to burn men alive in sacrifice to Melisandre’s lord of light, in hopes they will provide a path forward. Westeros is still at war, that much is certain, but the terms of that warfare are as muddled as they’ve ever been: much as the Narrow Sea separates Daenerys from her place on the Iron Throne, the other would-be Kings are equally unable to directly and openly lay claim to the title.
And yet they keep moving. Indeed, outside of those who remain at King’s Landing, nearly every character or group of characters are on the move, although it’s not always clear where they’re moving to precisely. “Valar Dohaeris” might reintroduce us to a collection of the show’s characters, but it’s an introduction that mostly finds characters exactly where they were before. The result is a premiere that lacks excitement not because things don’t happen, but rather because there’s little new information to hint toward what will happen next, relying on more general anticipation—often, to Sansa’s game above, of the viewer’s invention—as the narrative moves at its own pace.
May 1st, 2011
“I wanted to be here when you saw it for the first time.”
In the opening moments of “Winter is Coming,” we saw the Wall for the first time. Directly after the credits rolled, we first set eyes on Winterfell. Shortly thereafter, we visit King’s Landing for a brief moment as Cersei and Jaime discuss the secrets that may have died with Jon Arryn.
These were the first moments that we, as viewers, saw these pivotal locations in this series, but two of these were never formally introduced: Cersei and Jaime rode north to Winterfell soon after that conversation, and we saw only a brief glimpse of The Wall at the conclusion of “The Kingsroad.” Our focus was on Winterfell, and on the parties who set forth from its walls, and on Dany’s struggles across the narrow sea.
In “Lord Snow,” the Wall becomes more than an imposing structure, and King’s Landing becomes more than a geographical entity. The episode opens with Ned riding into King’s Landing and immediately finding himself in a meeting of the Small Council, while we are catapulted into Jon Snow’s first training session with Ser Allister Thorne without any glimpse of his initial arrival. There is no time to rest or become acclimated to their new surroundings, as life in King’s Landing and life at Castle Black hold a new set of challenges which will shape the episodes to follow.
And yet, “Lord Snow” is perhaps the most narratively uninteresting episode of the first six, almost like a second pilot where no story truly finds its footing. While the political organization of King’s Landing is sketched out, and the reality of being a brother of the Night’s Watch is well-established, the actual payoff for these events are left for the subsequent installments. Returning to this episode after having seen that which follows, I found myself appreciating what it accomplished without necessarily finding it satisfying, the first episode where the narrative feels limiting rather limited.