Tag Archives: Spider-Man 3

Weekend Box Office (June 1st-3rd) – Insert “Knocked Up” Pun Here

Well, while it wasn’t #1 at the Box Office this weekend, the big story from the weekend’s box office is the success of Knocked Up, director Judd Apatow’s follow-up to the 40 Year Old Virgin. With rave reviews (It’s the highest rated wide-opening film of the year on Metacritic) and positive word of mouth, the film basically made back its entire budget at the box office this weekend with its solid #2 finish. How’d the Top 5 go down?

1. Pirates of the Caribbean: At World’s End

$43, 188,000 (-62%)

Total: $216 Million

The 3rd Pirates film falls hard in its second weekend, although not as poorly as Spider-Man 3 percentage wise. Still, after opening weaker, the film looks to struggle in order to match the box office receipts of even the 1st Pirates film.

2. Knocked Up

$29,284,000 (NEW)

Total: $29,284,000

Seth Rogen steps into his first leading role and knocks it out of the park with this one, opening over 40% stronger than Steve Carell’s The 40 Year Old Virgin. This opening proves that word of mouth still has a role to play in this day and age, and with some strong holds over the coming weeks the film could perhaps outperform the 100+ Million of its predecessor. Standing in the way, however, is Ocean’s 13 opening next weekend.

3. Shrek the Third

$26,704,000 (-49.7%)

Total: $254,611,000

It’s a decent drop off for Shrek the Third this week, although there are still concerns as to whether it can continue at this pace. Certainly, with a glut of competition, the film isn’t quite able to provide as much staying power as its predecessor. The real test will be how it can perform against next week’s Surf’s Up. Cute penguins may just be Shrek’s downfall after all, it appears. The road seems clear, however, for Ratatouille unless Surf’s Up is a blockbuster success.

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Spider-Man 3: Box Office Predictions

Spider-Man 3 swings into the box office today…well, last night really, spreading a web of epic proportions with its over 4200 screens (An industry record). However, puns aside, how large will the film really be? The film doesn’t seem as necessary as Spider-Man 2 did, and the reviews are reflecting it: it’s sitting at a barely fresh 62% on Rotten Tomatoes (Compared to 90+ for Spidey 2), and is at 59 on Metacritic. While mediocre reviews certainly didn’t sink Jack Sparrow last summer, I don’t think that this sequel feels as urgent as even Dead Man’s Chest. Spider-Man has been a series that, while appealing to comic book fans, have also been widely respected as some of the best super hero films to date. And now, with that pedigree gone according to reviewers, will this film be unable to live up to its North American success?

My prediction?

Myles’ Spider-Man 3 Box Office Prediction

[Drumroll please…]

$134,427,814

Based on the international success thus far, the marketing steamroller has been effective enough to make for a big opening weekend tally. However, it should be known that my prediction has it falling short of Pirates 2’s opening weekend record. Still, it’s a huge opening that isn’t likely to be too dampened by the reviews. Any of the effects from those will be seen in the following weekends, especially when Shrek 3 opens in two week’s time.

What is everyone else predicting?

Box Office Guru – $140,000,000

Box Office Report – $145,000,000

Am I not giving it enough credit? Will fans turn out even without good reviews (They did go see X3, after all)? Is Venom enough of a draw to overcome the film’s problems? Only time will tell: specifically, mere hours from now when we get the results from the Midnight showings. I’ll update with that info when it comes in.

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Cultural News Bytes – May 2nd, 2007

Why WordPress Rocks

First today, an extensive thank you to the good people at WordPress support for dealing with some technical difficulties in fantastic fashion. I posted last evening’s Tuesday Night TV Society, and then I kind of disappeared from the site. In fact, I was no longer an administrator, and had basically lost control of the blog. As it was late and I was heading to bed (I really shouldn’t have been up blogging in the first place), I sent off a quick message to support and somewhat expected to be dealing with it throughout the day today.

Alas, this was not the case; I had an email from Mark when I woke up this morning, and logged on to find that I once again had control of the site. This basically means that the blog was down for an entire five hours or so. Mark was extremely apologetic, but honestly: where else would tech support on a blog host going to get things done in five hours (And what is technically the middle of the night out here on the East Coast)? Many thanks to Mark and everyone at WordPress for creating such a fantastic environment. I tip my hat to you.

9 Minutes of Rat-a-too-ee

It’s Disney’s big hope for the mid-summer months, and it’s Pixar’s first film completed under complete Disney/Pixar partnership. Ratatouille began as a project under Jan Pinvaka, director of the Oscar-winning short Geri’s Game, but was radically revamped starting early last year when Brad Bird ended his vacation early to take over the project. The result was a complete story overhaul and likely a completely different film. That film, it seems, is coming along quite nicely. For those of you who watched American Idol last night (In both Canada and the US, since I also saw this), you saw an extended commercial for the film which taught you how to say its title, and sent you to Disney.com in order to watch a 9-Minute preview of the film.

This is an interesting strategy, considering that it is basically advertising their advertising campaign. However, it’s probably the right way to go in terms of getting the word out about this film. It is lacking a gimmick, an immediate appeal, outside of its Pixar quality. It is the first Pixar film since The Incredibles to really feature human characters and it lacks that film’s built-in superhero audience. Ratatouille has a confusing title, a rat as its lead character, Paris as its setting, and in many ways it’s an unmarketable film…but don’t tell that to the 9-Minute clip on Disney’s website.

For me, it’s everything Cars wasn’t. Cars was really very lifeless, if I had to lodge a single complaint in its direction. The landscapes were luscious, but the cars just didn’t convey emotion except within its supporting characters (Mater and Guido were the only ones who really stuck with me). Its action scenes were beautiful and impressive, but didn’t have the frenetic pace and energy we saw in The Incredibles…but it’s all here. There is emotion that is mature, understandable, touching. There is action that carries the story forward and seems exciting, meaningful, and beautifully animated. I now can’t help but be excited for this film’s release, much more so than any of the multitude of sequels which surround it.

Ratatouille opens on June 29th. I can now spell it without checking it; with any luck, millions more will be able to do the same soon.

The Fate of Scrubs

There’s usually a few hits a day on my post regarding the need for NBC to cancel Scrubs, and here’s a bit of an update. According to Variety, NBC aired commercials on Monday promoting the “final episodes” of Scrubs airing on Thursdays. Considering the show’s budget, and the multi-million dollar deal signed by Zach Braff, NBC really isn’t in any position to keep a show that, after losing its post-Office time slot to 30 Rock, was defeated by the Freshman drama in key demos and total viewers. On a basic level, Scrubs is not going to be on NBC in the fall (especially for the reason that we’ll discuss Re: The Office on Thursday).

However, considering that ABC signed Braff’s contract (They own, produce and distribute the show), all signs point to ABC picking it up. They’ve been looking for a comedy hit for ages, and with According to Jim and George Lopez on their last legs and with three failed comedies (Knights of Prosperity, In Case of Emergency, Notes from the Underbelly) this season, a known success would be key. Variety notes that it could still be too expensive, but ABC is in such a bad comedy state that they’ll spend the money just to be able to air the show’s final season.

So, fans of the show should be holding their breath for seeing another season of the show, but don’t bet on the peacock.

Spider-Man 3 Opens Strong Internationally

Watch today for initial opening-day results from its European tallies, but early word from Asia is that Spider-Man 3 will continue the franchise’s overseas success at the very least. It set records in Japan, Hong Kong and China, and is likely to do similar business across Europe. When it opens on Friday, it will be the widest opening ever…which basically means that its success is guaranteed. It’s funny, really: I can’t really get excited about this film, and yet it never had a chance to fail. It’s got nothing opening against it, this past weekend as an abysmal one for the domestic box office so there’s no holdover competition in the least, and there’s nothing opening on May 11th to challenge it. Basically, until Shrek 3, Spider-Man 3 can destroy the box office with no real competition. The really interesting opening will probably be Shrek 3, as I think it’s the least necessary sequel and stuck in the middle of Spidey and Sparrow (Pirates 3)…but who am I kidding? They’ll all make hundreds of millions of dollars.

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