Tag Archives: Submissions

60th Primetime Emmy Awards Preview: Lead Actress in a Comedy Series

In the Emmy Awards’ smallest acting category, there’s not much in the way of wiggle room. The small numbers should mean more of a chance of grabbing a nomination for newcomers, like Pushing Daisies’ Anna Friel or Miss/Guided’s Judy Greer, but it’s also one of the most tightly contested of the major categories. This is because there’s a lot of forces at play here: you’ve got the power of the four Housewives, the heritage of Seinfeld, Everybody Loves Raymond and Married…with Children, and the credibility of awards-show favourites like Mary-Louise Parker or Tina Fey.

Combine all of this with last year’s winner America Ferrera, and you have a category where making the Top 10 isn’t enough; you need to have something special that’s going to make you overcome the logjam that could lead to the category’s five nominees. On the one hand, this shuts out a lot of good candidates who probably deserve a shot, as they won’t rank highly enough in the popular vote to have a chance.

However, the one good spinoff is that for the candidates who do have that name recognition, it’s going to be a race that is decided by who has the best tape. The seven or so candidates who have a chance of cracking that Top 5 will have to put forward their best material of the season, and the result is a race that’s going to be very close even if there’s so many “real” contenders.

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Emmy Awards Preview – Nominee Analysis: Pushing Daisies

Of the new shows which premiered in fall network lineups in 2007, there’s only really one that expects to make a big splash at the Emmy Awards. While plenty of new shows will be highly competitive, they debuted in the summer on cable networks where much of the season’s quality came from. Between the strike and a fairly mediocre development season, the freshman lineup of the networks just didn’t measure up…except for Pushing Daisies.

It was the most-buzzed about pilot for a lot of reasons, from its witty writting to its fanciful direction to its lead and supporting stars. While the show only aired nine episodes before going off the air due to the strike, and won’t be returning until the Fall, the show still made a fairly big splash with critics and viewers, and was nominated for a handful for Golden Globes earlier this year.

But translating that to Emmy success will be difficult, not the least of which because comedy is an intense set of categories this year and because the show has been off the air for six months. Considering that so many networks basically gave up on a lot of their freshman lineups, I think that the general perception did the same: while the pilot’s strength in technical categories and for Bryan Fuller and Barry Sonnenfeld is likely to shine through, whether the show’s extremely talented actors can do the same remains a big question. But if the submissions are strong, perhaps there is hope yet for the little pie shop that could.

Outstanding Comedy Series

Submission: “Pie-Lette”

The reasons you need to submit the pilot episode for a show like Pushing Daisies are numerous: not only is it the show with the biggest budget and therefore the strongest effects work, but it also feels the most like a small, contained story. While ABC ensured that every episode opened with a detailed sequence explaining the complicated life/death sequences of the show, “Pie-Lette” is without question where it has the most resonance as he makes the decision to bring his childhood sweetheart back to life. Part of me wishes that the episode had more for the supporting players to do, but this is about selling this sweet and charming show first and foremost, and the pilot certainly does the best job of this.

YouTube: The Opening of the Pie-Lette

Chances: The show is a strong competitor in this category due to its hour-long running time and a very showy episode submission, plus it’s definitely the biggest new comedy if they’re looking for something new.

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60th Primetime Emmy Awards Preview: Supporting Actress in a Drama Series

The biggest news to emerge from the depths of the Emmy obsessed into mainstream media this year is certainly the news that last year’s winner in this category, Katherine Heigl from Grey’s Anatomy, is not in the running. That itself is a surprise, but it was her reasoning that has sent shockwaves through Hollywood. As she first told TheEnvelope.com’s Tom O’Neill, after GoldDerby reader KellyClarksonFan discovered the omission:

“I am truly grateful for the honor that the Academy bestowed upon me last year. I did not feel that I was given the material this season to warrant an Emmy nomination and in an effort to maintain the integrity of the Academy organization, I withdrew my name from contention. In addition, I did not want to potentially take away an opportunity from an actress who was given such materials.”

Now, the AP amongst others have taken this to its logical location: it’s a clear slap in the face to the show’s writers, and yet another moment where Heigl’s mouth has made more headlines than her acting ability. For the record, I think she’s right on the money in terms of the material she was given, but this is still a bit much. However, I choose to look at the positive side of this: with last year’s (arguably undeserving) winner gone, there’s more room for some of the fantastic candidates in this category.

And there are fantastic candidates: you have multiple candidates who are due for an Emmy win after numerous nominations, a few dark horses who won’t make the Top 10 but deserve recognition, one or two who might slip in based on series hype, and plenty of room for surprises at the top. And with Heigl gone, more of these deserving contenders have a shot.

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Emmy Awards Preview – Nominee Analysis: 30 Rock

While it certainly didn’t come out of nowhere, considering that it had nominations in both lead acting categories, 30 Rock’s Emmy win last year was still a bit of a surprise. However, it was a pleasant one, and signaled and onslaught of critical praise and accolades for a series that (at that point) seemed to be on shaky ground where it matters most these days: ratings.

But with a third season guaranteed and more hardware in the closet, 30 Rock has gone from the upset victor to the perennial frontrunner for the 60th Annual Primetime Emmy Awards. And with great power comes, well, great responsibility; in this instance, responsibility to pick the right submissions to reflect the season’s quality.

Outstanding Comedy Series

Submission: Unknown

My Suggestion: “Secrets and Lies”

It’s hard to pick a single episode to encapsulate an entire season: I think the show’s smartest segment has to be “Rosemary’s Baby,” for a lot of reasons I’ll discuss further below, while part of me gravitates towards “Greenzo,” featuring a fantastic David Schwimmer in the title role. However, I like “Secrets and Lies”: it has a great storyline featuring Baldwin and perennial Emmy favourite Edie Falco, a couple of great moments for Tracy Jordan, and the fantastic ending sequences as corporate republicans reveal their inner demons. Regardless of which they actually choose, however, the deal is sealed either way.

Chances: Definite Nomination.

Lead Actress in a Comedy Series

Tina Fey

Submission: “Episode 210”

My Suggestion: “Sandwich Day”

In this instance, my suggestion isn’t hostile: the last pre-strike episode may have been rushed, but Fey knocked both her initial interaction with and her late-night phone call sessions to the co-op board of her new apartment out of the park. In particular, the image of Fey on the phone while walking on her treadmill and drinking a glass of red wine while proclaiming that she bought a black apartment stuck with me for a long time. However, “Sandwich Day” had Fey doing what she does best: being neurotic and eating on camera (plus looking really attractive in the dress on the left. An argument could also be made for “Succession,” as Liz goes corporate, but something about that episode didn’t sit right for me.

Chances: Definite Nomination.

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