Category Archives: Heroes

Heroes Flashes Forward: Previewing ‘Five Years Gone’

So tonight, Heroes will be flashing forward five years into the future (As it will occur if the bomb goes off). Considering that the show had a great deal of success with flashing backwards with ‘Company Man’, will ‘Five Years Gone’ be able to achieve the same? Well, to be honest, I don’t really think so.

You see, the thing about Company Man is that it details things that actually happened. Like Lost, its flashbacks were designed for us to gain a better understanding of the show’s characters. We were able to understand the past dealings within Primatech, Mr. Bennet’s history with Claire and that organization, and in the end we got perhaps the best 42 minutes on television this season. The reason was that it mattered; it was an episode that felt like something substantial, something tangible, something meaningful.

The thing about Five Years Gone is that it will not, ever, actually matter in the core storyline. I’m no comic book fan, I’ll be honest, and this seems right out of that industry; the cheap, gimmicky flash forward into a hypothetical scenario of what could happen. The reality is that Sylar will actually be defeated (Zachary Quinto is a guest star, after all), and that Peter is likely to live. This scenario that we’re seeing, one of where the bomb goes off, is extremely unlikely to actually happen. If it was going to happen, if the things in this episode were going to pass, why would they be showing them to us now? It’s clear that things will not go down this way.

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Heroes – ‘.07%’

Heroes – ‘.07%’

[Previously on Heroes: Well, there’s a lot to cover, so head over to ‘When we Last Left Our Heroes…’ for some more detail. The result is a Linderman-specific narration of the last episode and the head space of each character. Perfect moments frozen in portraits. Together, they can tell the future]

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When We Last Left Our ‘Heroes’…

Monday April 23rd is the date that everyone has been looking forward to, when Heroes returns from its almost two month long hiatus for its last batch of new episodes. However, since it’s been awhile, I figure we should revisit the status of each of our Heroes in order to refresh our memory after the hiatus acted went all ‘Haitian’ on our brains.

Edit: Wish to know what happens in ‘.07%’, the new episode? Check out the recap here: “Heroes: ‘.07%'” 

Claire

Status: On the run from Primatech.
Psychological State: She recently discovered that her grandmother has been involved in her life in some capacity, and that she and the Haitian are both trying to keep her safe. Plus, she might never see her parents again. She’s in a bit of a tough shape, and it might even make her dye her hair to cope with it all. Just a hunch.

Nathan

Status: Appearing on “Linderman’s Kitchen,” a cooking show where Linderman blackmails political candidates to doing his bidding while making vegetarian delights.
Psychological State: Considering that Linderman just offered him the Presidency, I’d say that he’s pretty happy on one side, and morbidly concerned on the other. Plus, Linderman both has sharp knives and the ability to have him killed, so I think he’ll probably take the deal. Just a hunch.

Hiro

Status: Transported into the near future, post-bomb, with Ando and experiencing the carnage that ensues…although he now has the sword in his possession. Huzzah!
Psychological State: He’s kind of depressed about, you know, utter desolation, but he’s got his abilities back so it’s looking up for Hiro’s role in future episodes. After slumming in Las Vegas for awhile, he deserves a chance to break free.

Mr. Bennet

Status: Apprehended, along with his wife, by Primatech thanks to the shape-shifting hero recently brought into the show.
Psychological State: He recently had his memory wiped, but was smart enough to inform his wife ahead of time. Of course, he wasn’t smart enough to realize that the shape-shifter would take his wife’s form and fool him into revealing that he had some knowledge of Claire’s whereabouts. Which puts him in a little bit of turmoil.

Peter

Status: Shoved up against a wall by Sylar and currently having a large incision being placed into his skull which is resulting in a rather alarming amount of blood.
Psychological State: Well, Sylar is kind of trying to kill him, so I think he’s probably a tad bit frazzled. He could also be considering whether or not he’s quite mastered Claire’s healing capability, and whether or not anyone is nearby to try to help him. Like Claude, perhaps. Who knows.

Sylar

Status: Shoving Peter up against a wall and cutting his head open.
Psychological State: In my view, Sylar’s a great multi-tasker. He’s planning out tomorrow’s grocery shopping, and wondering if Peter maybe has a power that gets blood out of clothes easier. Because that would be spectacular, those dry cleaner bills are murder.

Mohinder

Status: Attached to the ceiling of his apartment while bleeding out onto the ground.
Psychological State:LOVE HANGIN’ LOVE HANGIN’ HA HA HA.” [See 1:30 of the link for the reference. Be warned: It’s Muppets.]

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How ‘Wedding Crashers’ Could Cancel Your Favourite NBC Drama

One of the things that has always been quite perplexing about Lost has been its inability to provide a solid lead-in for any shows. Both this season (‘The Nine’) and last (‘Invasion’), ABC attempted to build new series in the 10/9c timeslot to no avail; Lost just wasn’t providing the right lead-in audience for either show to thrive enough to be worthy of renewal. In fact, ABC got so tired of it that they moved Lost into the timeslot to give newscasts a strong lead-in and to boost 18-49 numbers in the time period. But, it looks like the mystery has been solved: Sci-Fi fans don’t like to stick around for the rest of the network’s offerings. Because, as the season nears its end, the post-‘Heroes’ slot on NBC is about to get its third occupant.

NBC Invites ‘Crashers’ to the Party – Zap2it.com

“The Real Wedding Crashers,” a hidden-camera show based on the hit 2005 movie…will debut at 10 p.m. ET Monday, April 23, following the return of “Heroes.

“…A group of five improv performers will take to the churches and reception halls or our fair nation, posing as guests or cater-waiters or other attendees to disrupt the proceedings, presumably to make sure that the happy couple never forgets their wedding day…One catch: The bride and groom know what’s coming. They’re in on the joke and will help the “crashers” reveal the hoax at the end of each episode.”

Now, I won’t speak to the reality show in question, as that’s an entirely different issue altogether. However, from a programming perspective, this has quite a few ramifications for NBC:

A ‘Black Day’ for the ‘Donnelly’ Brothers

It’s a tough break for Paul Haggis and company, as the show is more or less dead at this stage. The show opened to meager returns to begin with, and has continued to fall over the past few weeks. While the show appears to have stayed on fairly good ground creatively, it reminds me of the debut of Daybreak in the fall: the show wasn’t the problem, it just lacked the marketability of other hit shots. Of course, Daybreak was taking over for a hit show; the Black Donnellys had the biggest watercooler show as its lead-in, and should have been able to take better advantage of it.

The Fate of the Black Donnellys? Chances are the remaining episodes will be available online at NBC.com over the summer.


Lights Remain Out at ‘Studio 60’

It’s somewhat less than surprising that NBC isn’t quick to move Studio 60 back into a timeslot where it struggled to find an audience, but it’s still yet another sign of indifference to Aaron Sorkin’s drama. It’s very clear at this point that the show won’t be renewed for a second season, but considering the star power involved chances are that NBC is looking for a place to burn off the rest of the series. Its ratings were actually above what the Black Donnellys was averaging, so we should be returning to Studio 60 at some point before summer hits.

The Fate of Studio 60 on the Sunset Strip? Chances are that it will take over for Raines on Friday nights at 9/8c once it finishes its 8-episode run (Or sooner if its ratings fall substantially)

 

Bad Luck for ‘Jordan’, says ‘Medium’

I’m stretching for titles here, but the fact is that two of NBC’s returning dramas are currently fighting it out in tough time periods on Wednesday, and each could have used a reprieve. ‘Crossing Jordan’ has moved from its safety on Sundays into a battle against ‘American Idol’ and ‘Criminal Minds’ on Wednesdays at 9, while ‘Medium’ finds itself against ‘CSI:NY’ and ‘Lost’ at 10. Mondays at 10 is Medium’s old timeslot, and any chance of the drama regaining its past ratings success has more or less been lost with this decision. Similarly, after struggling against ABC and CBS on Sundays and failing to improve on Wednesdays, Jordan is officially out of options.

The Fate of ‘Crossing Jordan’ and ‘Medium’? They’ll be riding out their remaining episodes in their current timeslots, and chances are that NBC will be looking for some new dramas next season. That said, Medium has the best shot at renewal.

The Bigger Question:

What is the Fate of Non-procedural Drama at NBC?

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Sci-Futility Challenge: Can Heroes ‘BE Something’ other than Lost?

As some of you may be aware, I’ve been a tiny bit sketpical as to whether shows like Jericho or Heroes can seriously avoid the pitfalls which Lost has found itself dealing with in its second and third seasons. That post didn’t get a huge amount of attention (Although the Elder certainly took it to heart), but it did apparently have one reader who chose to analyze the situation from a different perspective. Matt over at BE Something, you see, has decided that there are six ways in which ‘Heroes’ can avoid becoming Lost and follow the fancy blue line instead of the red. It’s an interesting article, I think, although one that is clearly in direct opposition to my original thesis.

I was going to comment on the article over at BE Something, but I decided to do it here; it’s going to end up being quite extremely long, so I figure I might as well formalize things (Although, admitttedly, these are still relatively unorganized thoughts, I have a head cold). So, as a result, it’s time for the first ever Sci-Futility Challenge. Do Matt’s points hold up? Can they convince me that Heroes is, in fact, not on the same trajectory? Let’s find out.

Argument #1

Stick to the Core Group of Characters

So far, Heroes too has featured a large and rotating cast, with some characters not appearing for episodes at a time. However, they’ve managed to foster good will among their audience for (most of) these characters — some of us still hate Niki. As these characters find themselves continuously entangled with other characters and their back stories get fleshed out and their motivations explained, it’s easy to understand why a writer would rather simply introduce a new character rather than dwell on an ‘old’ one. But just because it’s easy to understand doesn’t make it good writing.

In debating, we like to avoid making purely logistical arguments, but I’m going to start with one of these. Because, in the end, there is absolutely no way that Heroes will be able to avoid falling into this trap for a variety of different reasons.

The creators of the show will want to have fun with new types of superheroes with new types of powers; the creators will run out of things to do with certain people’s powers; contract renegotiations for a cast this large will mean cutting some dead weight at some point, etc.

I think it’s idealistic to assume that the creators of the show will manage to overcome these logistical concerns, as they’re traps which are far too easy to fall into. However, really, Lost didn’t have this problem, outside of contract issues (Maggie Grace); they could have easily managed to continue with just these characters should they have pleased to do so. However, as I feel Matt ignores, characters are often introduced in order to bring new storylines into play.

For Lost, the Tailies may have added to the cast but they also brought tension and diverse experiences into the camp. Things were getting far too complacent for the castaways, and to move the storyline forward they had to introduce new characters.

Won’t Heroes have the same problem? When they go to change storylines, can they seriously expect this group of characters designed to fit this one to magically mould themselves into perfect fits for the new one? That would require a great deal of contrivance, and could in fact compromise those storylines. Whether Lost did a good job of it or not, the problem it faced will be shared by Heroes, and either its characters or its plot will fall as a result.

Argument #2

Continue with the ‘arc’ structure

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Sci-Futility: Why ‘Heroes’ and ‘Jericho’ will end up like ‘Lost’

There’s been a lot of talk over the last few weeks about how shows like NBC’s ‘Heroes’ or CBS’ ‘Jericho’ are attempting to avoid what happened to ABC’s ‘Lost’. Once one of the most buzzworthy shows on television, it has found itself with lower ratings and a great deal of bitterness from one-time fans. In panel discussions at WonderCon and the Paley Festival, executive producers of both ‘Jericho’ and ‘Heroes’ have been attempting to ensure fans that they won’t be heading down the same road.

Jericho Executive Producer Stephen Chbosky:

“One thing we knew from the beginning is we didn’t want to frustrate the audience by not paying off mysteries, by not answering questions, because we know.”

Heroes Executive Producer Jeph Loeb:

“It was very important to us, unlike a lot of serialized shows — and I think some of that has to do with the people who came on the show from places like ‘Lost’ and ‘Alias’ — that we want our audience to know that when Tim [Kring] started out by staying this was chapter one or volume one, that is exactly what it is.”

Now, while I respect that these producers are trying to be successful and all that, I think they’re giving themselves far too much credit in this scenario. Both of them are boasting that they have been able to do what ‘Lost’ has not, that they’ve discovered the magic formula to keeping fans and viewers happy and smiling for many seasons to come.

However, in all honesty, I think these genre producers are missing the point entirely. They speak as if they’ve learned their lesson, that they’ll never do what Lost has done, that their fans have no reason to worry. However, I’d like to inform these producers that they couldn’t be more wrong. Any serial sci-fi drama like Lost, whether it is Heroes or Jericho or Invasion or Surface, is going to eventually elicit bitterness and anger amongst its audience and critics for a simple reason:

TV Viewers are fickle, fickle beings.

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Q&A: Why is [Insert Favourite Show Here] on Hiatus?

Since pretty much everything but 24 and Lost seem to have disappeared from TV schedules, you might be wondering why it is that your favourite show is on hiatus, whether it be Grey’s Anatomy or CSI or Heroes. Well, I’m here to answer your question quite simply, as there are three main reasons:

TV Shows are time consuming, a year is just too bloody long, and Networks are Greedy bastards. Continue reading

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The Superpower Bauer Hour Showdown: Week Seven

Well, here we are in what might well be our final episode of the Superpower Bauer Hour Showdown until late April. While I plan on continuing to analyze 24 as it continues for the next month, it will be kind of hard to compare it to an on hiatus Hereoes, no? I’ll figure things out as we go along as to how we’ll weather this break in new episodes. However, let’s not get ahead of ourselves; we still have a final showdown which will determine the show that grabs the lead as they head down the home stretch.

Round One: Overall Quality
The big problem with 24 right now is that it seems to be back inside its cozy little bubble of international diplomacy and government organizations. Now, don’t get me wrong, I’m as glad as anyone that we didn’t get any extraneous “Morris the Alcoholic” moments; however, it seems as if we’ve forgotten the civilian perspective on things. I almost miss Sandra Palmer, if only because we at least got to see how this affected someone not officially part of a government body.

This episode had some diplomatic tensions between Russia and the U.S., as well as some Jack Bauer moments in the consulate, but it just felt somehow small scale considering its subject matter. Lennox’s moral stand against the VP is admirable, and the framing of Al-Assad is a natural plot development, but yet everything at the White House seems stale (Here’s hoping that Karen’s return picks things up a little).

This episode certainly sent us into some better territory, however, by involving Subarov and the fact that it appears to open the door for the arrival of some other familiar faces next week. With things being so claustrophobic as of late, we need an expansion of the environment ASAP.

 

You all know how much I loved last week’s episode of Heroes, which is why it pains me to admit that it’s downgraded itself slightly once again. With the opposite problem of 24, Heroes needs to go into small-scale mode more often. This week’s episode contained the conclusion of advancement of pretty much every one of the show’s character arcs, and yet I felt as if nothing had been resolved. It ended on a huge cliffhanger, and yet I honestly felt no emotional connection to the proceedings.

Peter’s plight at the end of the episode was lifeless to me because Peter has been lifeless to me for weeks; he didn’t encounter Sylar for a reason, he just randomly walked into Mohinder’s apartment. He spent the episode invisible barely emerging from the woodwork to chat with his brother; this was not Peter’s episode. After last week belonged to Mr. Bennet, I couldn’t help but feel a connection to his character; and, to be honest, why should I care about Peter outside of the show’s desire for me to do so?

Peter has to earn that level of connection, in my view, and the writers haven’t given us a good reason to do so. Sure, he has his scar, and his future dealings with Hiro, but why couldn’t this have been a Peter episode? Honestly, if we had had more of his dealings with Claude, more time spent on his personal psyche, and a proper buildup, Peter’s confrontation with Sylar could have been a moment to remember. Instead, it was just a chunk of hair and droplets of blood on the ground.

The episode was fine, with none of the storylines standing out as particularly offensive, but nothing clicked for me. Malcolm McDowell’s arrival as the mysterious Linderman was well-handled, and the reveal of Grandma Petrelli was certainly interesting, but it just seemed like nothing got a chance to seem final, climactic. Say what you will about that island show, but it never tries to accomplish too much in a single episode; Heroes might attack the senses, but it sells the show’s characters short in the end.

 

Round Two: Ratings

Things aren’t too surprising on this front, the real drama will be how 24 performs in Heroes’ multiple-week absence.

From PIFeedback.com:

NBC’s dominance continued at 9 p.m., with bona fide hit Heroes at 14.90 million viewers and a 6.6/16 among adults 18-49.

24 (Fox)
Viewers: 13.01 million (#3), A18-49: 4.9/12 (#2)

Continued Heroes dominanace, although 24 continues to perform well.

Round Three: The Torturous Truth

So, considering that torture has become a bit of a sore point for 24’s producers in recent weeks, let’s take a look at each show’s depiction of torture. It’s Jack Bauer vs. Sylar in the ultimate battle of evil tactics.

Torturer: Jack Bauer (‘24’)

Torturee: Russian Consul

Weapon(s) of Choice: Gun, Fist, Cigar Cutter

Damage inflicted: Bloody/Broken Nose, severed finger above top knuckle.

It wasn’t one of Jack’s most memorable torture jobs, but he was a bit rushed for time; after all, he wasn’t exactly carrying around anything that could do real damage. The consul wasn’t the most ideal torture victim, as he was winces in pain more than someone with real conviction; the job was almost too easy, in a way.

However, that said, it was still an effective tactic, and he got the information out of him in a satisfactory manner despite the unfortunate blasting open of the door.

Torturer: Sylar (‘Heroes’)

Torturees: Mohinder and Peter

Weapon of Choice: Crazy Super Powers

Damage inflicted: Places captive on ceiling, multiple flesh wounds to first victim, large head wound/hair cut to second victim.

Sylar certainly inflicted more damage than Jack did, but he also has the distinct advantage of crazy powers. He was certainly effective, but let’s consider his subjects: Mohinder is pretty much inept at any task you place in front of him, and Peter was unprepared when he walked into the situation.

While he certainly got the better of the battle, his end purpose of eating Peter’s brain might be tough to accomplish with the healing and all, so his actual effectiveness is all dependent on what happens next.

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Heroes – “Parasite” Spoilers

Yes, as a Canadian I’m lucky enough to get an early shot at this week’s episode of Heroes that is its last until late April. After last week’s fantastic “Company Man”, which I consider to be the best episodes of TV aired last month, how does Heroes move forward in advancing their key storylines? Well, here’s how:

[Note: These are spoilers, and are only slightly vague. You’ve been warned!]

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The Top 10 Episodes of February Sweeps 2007

It’s perhaps the most important non-premiere/finale month in the TV Calendar, the month where shows and networks are made and broken. Now, while I’m enough of a TV Geek to know when these periods are, Wikipedia has actually taught me a whole lot more on the subject. What is a Sweeps Period, you ask?

Link: Wikipedia – Nielsen Ratings System – Sweeps

“Much of the ratings system, however, still consists of the completion by viewers of ratings diaries, in which a viewer records his or her viewing habits, generally for a week, in exchange for being advanced a nominal fee. These diaries play an especially important role during the four sweeps periods conducted in February, May, July and November in an attempt to measure smaller local market audiences in markets that are not covered by People Meter samples already…”

Television networks and other programmers make unusual efforts to attract additional viewers during these periods, including airing mostly first-run programming as opposed to repeats, airing more special broadcasts, and including special content in programming such as guest stars, controversial and unexpected plots or topics, extended episodes, finales, and increased competition in advertising.”

So, during these periods the Nielsen ratings system is gathering data on those areas that are not usually found within their polls of the nation. As a result, this is the time when advertisers are most interested in seeing what people in the entirety of the U.S. are watching, so networks have a vested financial interest: the more different populations watching, the more advertising dollars they may be able to charge in the upcoming season.

So, much like the article says, February is defined by event programming and new episodes of shows. There are guest stars, huge new plot arcs, explosions, premieres, and just about everything else you can imagine. And, it is now my job to go back through this month and television and find out which 10 episodes stood out above all others. It’s a tough task, but I believe I’m up to the challenge.

Honourable Mentions

There are the episodes that were considered for the list, but just didn’t make the cut. Still, they represent some quality television and should be commended. Also, since I limited the final list to one from each show, some of these could have ranked quite easily.

The Amazing Race – “Beauty is Sometimes Skin Deep”
Gilmore Girls – “I’m a Kayak, Hear Me Roar”
Grey’s Anatomy – “Wishin’ and Hopin’”
Heroes – “Unexpected”
Lost – “Flashes Before Your Eyes”
The Office – “Cocktails”
Ugly Betty – “I’m Coming Out”

The Top 10 Episodes

Of February Sweeps 2007

(Episodes must air between January 29th and February 28th)

10. Veronica Mars – “Papa’s Cabin”
Airdate: February 27th, 2007

While not reaching the heights of its first season, the end of the 2nd Season Three arc on “Veronica Mars” felt more satisfying than its first. Things came together in a logical way, the perpetrator (Tim Foyle) didn’t turn into a raving lunatic at the episode’s end, and there were some nice comedic moments along the way to keep things a little bit light. The show will never be as cohesive as it was in its first season, but this episode shows that they’re still capable of ending an arc in a satisfactory manner.

9. Gilmore Girls – “I’m a Kayak, Hear Me Roar”
Airdate: February 19th, 2007

While certainly not the show’s best episode, and one that certainly won’t be remembered as a pivotal episode for the series, the fallout from Lorelai’s breakup with Christopher was incredibly well handled. Lorelai told Rory first, and then painstakingly told her mother while both were a little bit drunk. That level of mother-daughter bonding between Lorelai and Emily is rare for the series, and it was handled extremely well; when Lorelai woke up the next morning to find that her mother was now cold and angry about it all, it seemed even more natural. I’ve stopped thinking about the switch in producers for the show, and episodes like this are not changing that any time soon.

8. The O.C. – “The End’s Not Near, It’s Here”
Airdate: February 22nd, 2007

Although my detailed thoughts about the episode can be found within Thursday Night TV Club, on a simple level it was a satisfactory finale to a show that, a year ago, I had written off. While it was certainly not the simplest finale, and it was plenty contrived, it did its job well enough to deserve a spot on this list. It was an hour of television that made you forget, for just a second, that you sat through two seasons of absolute shit to get to this point; I’d say that’s a successful finale. As it ended with a young Ryan look-alike sitting, clad in his grey hoodie, looking lost, it was fitting; Ryan has turned into Sandy, and the circle continues.

7. The Office – “Business School”
Airdate: February 15th, 2007

While it may not be the show’s best episode of the season, and lacked the drama inherent within the next week’s “Cocktails,” I think that Joss Whedon defeated J.J. Abrams in the battle of the guest directors. From the hilarious “Jim the Vampire” storyline, to the handling of the bat by Dwight, to Michael’s candy bar lecture style, the episode delivered the comedy. However, it also dealt with the relationship between Ryan and Michael, an oft ignored one, and Pam’s art show provided some drama between her and Roy and a nice moment between her and Michael. It wasn’t a perfect episode, but it blended comedy and drama into a quality half hour of television.

6. Battlestar Galactica – “Dirty Hands”
Airdate: February 25th, 2007

Stuck with three filler episodes during the February Sweeps period, Battlestar Galactica managed to make one of them work to great effect. Tyrol’s return to a position of labour boss, as the episode was advertised was predictable, but it was the context which provided a great deal of interest. The idea of Baltar smuggling a book out of his prison cell is another nod to historical events, and its effects on the core storyline were immediate; painting Adama and Roslin as the aristocracy ,and then having them be a little bit crazy, paints a picture that is a fascinating microcosm of true events and one that complicates the fleet’s dynamics. Battlestar may be at its most explosive when dealing with the Cylons, but it’s at its best when it delves into the political drama inherent in their situation.

5. House – “One Day, One Room”
Airdate: January 30th, 2007

An episode so divisive that I felt like blogging about it specifically, it very much redeemed House in my eyes after it had struggled to keep my attention. While I think that the episode featuring Cuddy’s blind date may have been more entertaining, I think that this story of a rape victim that relates to House was far more interesting. The philosophical discussions were not life-changing, but they were necessary to balance out the fairly boring medical cases which had come before it.

House is at its best when it balances these elements, and this episode was something that I needed in order to continue to enjoy the show. While I can understand that some people may disagree with this, and considered the episode too preachy and abstract, I also think that neither of those are overly negative attributes. After the absolutely dreadful Tritter arc, which took the show in circles for a good six episodes, it was good to return to something on a larger scale that could actually change the titular character in some fashion. Divisive or not, the episode was the perfect example of what House needs to do to stay relevant.

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