Tag Archives: Episode 10

Survivor: Heroes vs. Villains – “Going Down in Flames”

“Going Down in Flames”

April 22nd, 2010

When we watch reality television, we like to write our own narratives: we like to imagine scenarios where our least favourite team on The Amazing Race gets stranded at an airport, or where the most obnoxious chef on Top Chef Masters fails to make their way into the next round. But I don’t think there has ever been a reality show which simultaneously invites and confounds such narratives as Survivor, a show which crafts such clear heroes and villains that you can’t help but be sucked in even when you know that allegiances and alliances could shift in just a matter of seconds. In reality, we shouldn’t get that sucked into Survivor: we should know that the producers are manipulating the footage, and we should know that it’s a game which depends on the fallibility of social interactions steeped in irrationality, but there is something about the series which has us crafting scenarios to enact justice, punishment and redemption with each passing season.

However, I can honestly say that I do not believe that anyone could have written what went down in tonight’s episode of Survivor. While there were plenty of scenarios that we could write ahead of time to satisfy our perspective on the season, nothing could have been so poetic as what unfolded at the latest in a series of ridiculous tribal councils this season. There’s something in the water in Samoa, as for the second straight year the first episode back from the merge has completely changed the game in ways which confirm why we keep watching this show.

We could write all of the narratives we’d like, but Survivor is ultimately going to be unpredictable, and every now and then something happens which reminds us why we’ve been watching for twenty seasons – tonight was one of those nights.

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Lost – “The Package”

“The Package”

March 30th, 2010

There are plenty of reasons to be apprehensive about “The Package.” It’s coming off of an epic mythology episode of romance and intrigue, it features a vague title that seems to refer to some sort of MacGuffin, and it has the unfortunate task of “filling in the gaps” in its flash sideways as opposed to telling its own story. Because we saw a small glimpse into Jin’s fate in “Sundown,” we can be fairly certain that the show will be colouring in the lines this week, and after a week when the show was willing to go off the page entirely it means that the show is facing an uphill battle.

Like the season’s weaker episodes, “The Package” struggles with a flash-sideways that proves completely inconclusive and an island scenario which feels like pieces moving on a chess board, but it ultimately works because it doesn’t feel like those pieces are being moved. When things stall in the episode, it feels like they’re stalling for a reason, and everyone involved knows why they’re making the choices they are. While things may not be moving as quickly as some fans want them to be, they seem to be moving faster than the characters were prepared for, and there’s a nice tension there which bodes well for the remainder of the season.

And, let’s face it: the reveal of just what “The Package” is was way too good for me to be too cranky.

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Life Unexpected – “Storm Weathered”

“Storm Weathered”

March 29th, 2010

Mark it on your calendars, ladies and gentlemen: today is the day when Life Unexpected finally stopped showing its basic premise in its “Previously on Life Unexpected” clip package.

It’s a momentous occasion, really, a sign that the show might be ready to grow beyond that premise to become something which goes beyond its initial dramatic potential. This is not to say that that initial potential has resulted in a weak television series, as I’ve found the show to be a fun and effective piece of drama thus far in its first season. The problem, though, is that we knew that from the beginning: the show has showed signs of wanting to evolve, but it’s always sort of reverted back to the same drama over and over again to its detriment.

“Storm Weathered” does not signal an entirely new show, and the show somewhat returns to the status quo of showcestual tensions which threaten to explode at any moment, but it does signal that we are at least at the point where the drama is no longer contingent on the pilot, and that the show has the opportunity (if still not the willingness) to move on.

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Chuck – “Chuck vs. the Tic Tac”

“Chuck vs. the Tic Tac”

March 15th, 2010

There have been numerous traces throughout Chuck’s third season that the producers were really working overtime in order to get all of this material into thirteen episodes. This has been a tremendously consistent season from a thematic standpoint, to the point where it’s almost overwhelming: in case you haven’t realized it, the season is about Chuck’s changing identity and notions of trust and belief within our group of individuals.

“Chuck vs. the Tic Tac” is one of the most direct examples of an episode that isn’t about Chuck, perhaps, but is unquestionably part of this ongoing development. This is a Casey episode, and quite a good one, but it is actually probably the most subtle and effective movement in the Chuck/Sarah story that we’ve had in a while. When the show becomes “about” Chuck and Sarah, it sort of slows to a crawl; when it uses other stories to bring to light issues that help offer depth to that whole situation, it seems more natural, comes across as less dominant within the show’s universe.

This is a highly micro-managed episode, one which resists any sort of subtlety in its core story, but it does some nice work where it needs to, and I’ll forgive its bluntness due to its success at setting the show on the right course heading forward.

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Season Finale: Men of a Certain Age – “Back in the Shit”

“Back in the Shit”

February 22nd, 2010

“The grand essentials of happiness are something to do, something to love, something to hope for.”

I took a couple of stabs at making this introduction into a fairly elaborate discussion of how surprising I find Men of a Certain Age’s quality to be at points, and how glad I am that I sat down to watch the pilot despite being far outside of the show’s demographics, but I realized that I wrote about a lot of that the first time I tackled the show. The message, I hope, was received: this is a damn good show, and one that you should be watching.

But I was drawn into trying to recreate those points because the show continues to surprise me, and more importantly it continues to be really compelling. There is an honesty about this show that makes me like it more and more with each passing episode, and even when the show gets a fairly romantic sendoff (out of fear that this would be the show’s one and only season) it feels imminently satisfying because it leaves at least one of its three protagonists lacking in one of the above “grand essentials of happiness,” and leaves its others with work to do before they truly achieve those goals.

“Back in the Shit” is perhaps not the show’s best episode, rushing to take characters to dark places and rushing just as quickly to bring them a bit more good fortune, but it does so while retaining the subtlety that took the show from a middle-aged male version of Sex and the City (as it was once sold) into an adult drama series with heart, humour and good reasons I want to punch Ray Romano in the kidneys – the grand essentials, if you will.

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Burn Notice – “A Dark Road”

“A Dark Road”

January 21st, 2010

Did you remember what happened last year on Burn Notice? Because I didn’t. Luckily, the show offered a nice bit of catchup to remind us about the end of the Strickler arc, and even more importantly the show jumps onto its next story point with vigor so that what happened before is a nice bit of shading as opposed to something we have to remember.

“A Dark Road” is a really compelling hour of television in a lot of ways, but it’s also a lot of fun: the show is at its best when we’re just sort of hanging out in this universe, and I thought that this was a really enjoyable re-entry into that world with both a strong episodic story and some nice hints at the newest initially unseen antagonist to enter Michael Westen’s life, plus the best material that Sharon Gless has been given all season.

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Scrubs’ “Our True Lies” and Better Off Ted’s “Lust in Translation”

“Our True Lies”

and

“Lust in Translation”

January 19th, 2010

There really isn’t a whole lot substantial to say about Scrubs and Better Off Ted right now. The two shows are effectively dead in the water, and while this is an unfortunate circumstance it isn’t going to change any time soon. However, the best possible compliment I can pay the shows right now is that when I watch them, I’m not sitting there stewing with rage over their impending doom, and instead I just sit back and enjoy shows that make me laugh.

And so, after the break, don’t expect much in terms of critical commentary: it may not quite be a list of lines I found funny, but that probably wouldn’t be a terrible way to approach the shows (especially Better Off Ted) at this point.

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30 Rock – “Klaus and Greta” and “Black Light Attack!”

“Klaus and Greta” and “Black Light Attack!”

January 14th, 2010

When you double up two episodes of 30 Rock, you get a really skewed perception of the series. In some ways, the two hours offers that many more memorable lines, so if you are judging purely based on the sheer volume of laughs chances are that two is, in fact, going to be better than one. However, at the same time, there are two separate episodes which could go wrong at a story level, and the show is not as consistent as it has been at its finest over its four seasons. (You also get the show’s lowest ratings in a very long time, since the show was running without a lead-in from The Office).

The actual content of “Klaus and Greta” and “Black Light Attack” offered a particularly intriguing double dose of comedy, as the character of Liz Lemon went through what seemed like a sudden sexual transformation while normally overtly sexual Tracy Jordan went through a personal transformation in light of his newly conceived daughter. Both episodes were actually quite consistently funny, and the double dose managed to actually feel more strange for Liz than it did for the usually one-dimensional Jenna, creating a sort of fun bizarro world as opposed to a problematic hour of comedy.

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Better Off Ted – “The Impertence of Communicationizing” and “The Long and Winding High Road”

“The Importance of Communicationizing” and “The Long and Winding High Road”

January 12th, 2010

It might just be that we’re reaching the home stretch of Better Off Ted’s rushed second season, or that news this morning that ABC isn’t officially cancelling the show just yet has provided a false sense of hope, but tonight was the first set of episodes where I rarely felt myself comparing the show to its finest moments, or feeling like the show was missing opportunities. I don’t think it’s because “The Impertence of Communicationizing” and “The Long and Winding High Road” were perfect episodes, but they had a nice rhythm to them that didn’t create dead zones which could make them feel complacent, and they dealt with concepts (word play and one-upmanship) that the show has always gotten some great mileage out of.

In fact, if you were going to levy a single criticism of the double-header, you could perhaps argue that the episodes were almost too similar to one another, placing Ted as the moral centre amidst an environment more willing to engage with the low road. However, the show never places too much of each story on Ted and Ted alone, which allows the comedy around him to remain the star, and on that front the episodes offer enough diversity and hilarity to come out a winning pair.

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The Big Bang Theory – “The Gorilla Experiment” or “The Athens Recurrence”

“The Gorilla Experiment” or “The Athens Recurrence”

December 7th, 2009

I wasn’t blogging about The Big Bang Theory when the show began, so I’ve never really commented on its titling structure. Each episode becomes a theory, which is totally logical and has resulted in some titles that make episodes seem momentous and potentially life-changing (even if they rarely are). Something like “The Bath Item Gift Hypothesis,” though, really captures what makes that episode work, and especially captures Sheldon’s character and the value the show places on him.

That’s interesting with “The Athens Recurrence” (Edit: which apparently was a title that got changed to “The Gorilla Experiment,” which makes this paragraph either irrelevant OR potentially indicative of why it was changed) is that it simultaneously points out how recurrence is both an overwhelmingly positive thing in this universe (which is almost always improved when supporting characters recur and provide a sense of seriality) and a persistent problem (in that the same storylines keep recurring without any real sense that the show is changing). And while I’ve accepted that the former isn’t going to happen, and that the latter is inherent to the show’s setup, there are some times when the show pushes my button by teasing the former but ultimately accepting the latter.

If I had to place this episode within that paradigm, it’s ultimately a wash. I like that we’re seeing a recurring character like Bernadette sticking around, but at the same time the storyline ends up being distinctly unpleasant. And while I thought Sheldon and Penny’s storyline was as charming as their interactions always are, there was an inherent long-term question (basically, why Penny still feels insecure about her intelligence in her relationship with Leonard, and how it feels to have him so quickly latch onto Bernadette) that gets entirely glossed over. It made for an episode that’s great as a logline, but was actually more of a mixed bag than I would have expected.

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