“Going Down in Flames”
April 22nd, 2010
When we watch reality television, we like to write our own narratives: we like to imagine scenarios where our least favourite team on The Amazing Race gets stranded at an airport, or where the most obnoxious chef on Top Chef Masters fails to make their way into the next round. But I don’t think there has ever been a reality show which simultaneously invites and confounds such narratives as Survivor, a show which crafts such clear heroes and villains that you can’t help but be sucked in even when you know that allegiances and alliances could shift in just a matter of seconds. In reality, we shouldn’t get that sucked into Survivor: we should know that the producers are manipulating the footage, and we should know that it’s a game which depends on the fallibility of social interactions steeped in irrationality, but there is something about the series which has us crafting scenarios to enact justice, punishment and redemption with each passing season.
However, I can honestly say that I do not believe that anyone could have written what went down in tonight’s episode of Survivor. While there were plenty of scenarios that we could write ahead of time to satisfy our perspective on the season, nothing could have been so poetic as what unfolded at the latest in a series of ridiculous tribal councils this season. There’s something in the water in Samoa, as for the second straight year the first episode back from the merge has completely changed the game in ways which confirm why we keep watching this show.
We could write all of the narratives we’d like, but Survivor is ultimately going to be unpredictable, and every now and then something happens which reminds us why we’ve been watching for twenty seasons – tonight was one of those nights.
March 24th, 2010
Survivor has done episodes like this one before: by sending both teams to tribal council, it means that a single hour becomes packed with wall-to-wall strategy, which is usually when the game is at its best. And, accordingly, “Banana Etiquette” delivers shockers from both the Heroes and the Villains, cramming together one of the most ridiculous tribal councils in Survivor history with one of the most low-key of the season.
The difference, though, is that the presence of two tribal councils means that the editing of the episode played a largely role than usual in terms of guiding the audience to particular conclusions. While the “Villains” drama was just a wondrous stage comedy from the word go, and would have been entertaining regardless, the final “shocker” with the “Heroes” was entirely based on keeping the audience out of the loop in regards to their thinking. It was only surprising in that we had been given absolutely no intention of where things were going.
By comparisons, not even the “Villains” knew how their tribal council was going to end, and that’s the kind of drama that Survivor can’t manufacture.
“It’s Getting the Best of Me”
February 18th, 2010
I don’t know if Mark Burnett and his fellow producers are really excited about the direction that Survivor’s twentieth season is heading in, or if they’re actively concerned about it. What’s interesting about the Heroes vs. Villains premise is that, in Survivor, the tribes are only rarely within the same space, so the rivalry the title implies doesn’t really materialize in most of a single episode. Sure, over time the rivalry between the two sides will grow, but in the short term the show shifts away from that narrative to the systematic deconstruction of both tribes.
On that front, I think the show should be glad that early on the titles of hero and villain are slowly shifting away from their typical classifications, as it means that more of each episode will be particularly engaging. However, the clash of various ego has gone so far this time that I don’t know if they’ll ever be able to fully reclaim that broader feud, the internal divisions growing too larger for one side to group together and pretend that they are any sort of team under any sort of pre-determined classification.
And I don’t know if Mark Burnett wanted that part of this game to go off the rails quite so quickly.
Inanity, Intrigue and Inigo Montoya
November 20th, 2009
In the promos for the season finale of Season Six of Project Runway, Lifetime uses dramatic music and a deep-voiced announcer to try to build suspense for the big reveal. However, in their language, they have something wrong: they create anticipation for the reveal of who is “the next big name in fashion,” and my immediate response is “who cares?”
See, what works about Project Runway is that it transfers the aesthetics of the fashion industry into terms that are unrelated to the fashion industry. I know nothing about fashion, but I know a lot about what Nina Garcia likes to see in fashion, or what the series values in terms of creativity. It’s created an audience that, even if they have no knowledge of the fashion industry, have gained knowledge of what Project Runway considers fashion. As such, rather than caring about what these young designers do in the context of the fashion industry, we care about how they situate themselves within the show’s cast of characters from seasons past. For a viewer like me, Bryant Park is the setting of the finale of Project Runway, not a global fashion event, which is why Lifetime language is demonstrative of the season’s failures: I don’t care if they’re a big name in fashion, I want them to be a big name for Project Runway.
And I can confirm that Irina, Althea and Carol Hannah will not be names to remember, a fact which has more to do with the way the show treated them than it does with their individual personalities and talent. And while we’ll never know if this season would have been more interesting if it were in New York, and if the production company hadn’t changed, what we do know is that Season Six failed to provide both the next big name in fashion and a single memorable name for this franchise.
[A few more thoughts on Project Runway, and then some thoughts on both Top Chef and Survivor, with spoilers after the jump…]
“I Trust You but I Trust Me More”
May 17th, 2009
In my time writing here at Cultural Learnings, I’ve blogged through five seasons of Survivor, although there’s a pattern: I might start out with a few posts on specific episodes, or really commit myself to getting to it on a weekly basis, but without fail it falls off my critical radar. I don’t stop watching the show: although episodes are often spoiled for me, I still quite consistently dig into the week’s episode to see what the show will serve up next. It isn’t that I expect there to be something different, but rather there’s a combination of nostalgia (for a show that is highly familiar for me) and curiosity (to see the ways the show is trying to stay fresh in an environment where most other reality shows of the same era have perished).
This season has, for the most part, lacked major drama: other than Coach, one of the most ridiculous players in quite some time, the characters have been fairly under the radar. Outside of the one exception, people have been pretty pleasant to watch, and early season discussion of an Exile Island alliance seemed like it was going to be a potential dealmaker later in the season. Things got more interesting when the Jalapao Three began to work their way into an unlikely position of power in the season’s back half, but it happened so effortlessly that I was more baffled by Timbira’s lack of intelligence than I was entertained by the turn of events.
Survivor, as a show, is all about big moments or little quirks: either there’s a big personality that makes every moment they’re around like a powder keg waiting to explode, which Coach provided to an extent, or it’s just challenges and tribal council, and posturing for those in between. This makes a finale like this one, which cuts down a lot of the meat in the middle and gets right to the point until the final tribal council. Luckily for Mark Burnett and company, in the vein of some previous finales, there’s plenty of drama to rush through to keep things interesting: while the Jalapao Three have managed to stay strong thus far, it wasn’t based on thier own strategic genius, and with the only remaining Timbira member less incompotent than her predecessors it becomes clear that Three’s Company.
And with that comes the unraveling, which always makes for an engaging finale if not, perhaps, the clean ending the Jalapao Three imagined for themselves.