Category Archives: FOX

Network Upfronts Extravaganza: Thursday Preview

Well, it’s officially the last manic day of the Network Upfronts, and yesterday pretty much brought all the news you’d expect from The CW, who presents at 10:30 EST. The upfront presentation will answer a few key questions, such as what the fate of Veronica Mars is. At this point, rumours place the network in a “wait and see” approach in regards to the FBI spinoff idea being floated, with them waiting until the June 15th deadline to pick up the show for creator Rob Thomas to finish a script for the concept.

Recent The CW Headlines:

The CW News Update (One Tree Hill to Midseason?)

Veronica Mars: Canceled?
Bubble Shows Update

Supernatural, One Tree Hill Renewed

The CW: Network Upfronts 2007/2007 Preview

Meanwhile, there is a bit of news at FOX, as The Hollywood Reporter brings word that law series Canterbury’s Law has a showrunner, so it will be finding the fall schedule, and K-Ville (Post-Katrina New Orleans cop show) might be finding its way into 24’s timeslot for the fall season. Final word from FOX will come at 4pm, or earlier, when their full schedule is revealed.

Recent FOX Headlines:

Network Upfronts 2007/2008 FOX Preview

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Filed under FOX, Television, The CW, Upfronts, Veronica Mars

Network Upfronts Extravaganza: Monday Update

The 2007 Network Upfronts are officially upon us, and it’s NBC that’s first out of the gate.

Cultural Learnings’ Network Upfronts Extravaganza 2007 – ‘NBC’ Preview

However, while NBC presents at 3pm EST today, that doesn’t mean that other networks aren’t making moves and locking down pilot commitments. I spent some time last night updating various of the preview posts, but I figure that I should document some of that news here as a way of keeping everyone informed.

NBC

Exit Laughing: NBC Retreats from Comedy – The Hollywood Reporter

NBC, meanwhile, has made it official: there will be no new comedies on their fall schedule for the first time, well, ever. However, in a move which is sure to make things very interesting for The Office and My Name is Earl, the two shows will be pulling some overtime: a lot of it. The Office will have its normal 24 30-minute episodes during the season…plus six hour-long specials. That’s a total of 30 episodes, while My Name is Earl is getting 28 1/2 hour episodes. This means that NBC is erring on the side of ensuring new episodes of its hit shows. Also, the lineup for Comedy Night Done Right will shift: Earl and 30 Rock will hold down the 8pm fort, while The Office and Scrubs form a solid block at 9pm.

Also, Law & Order WILL be on the schedule, but Criminal Intent is moving to USA Network. Meanwhile, Friday Night Lights might find a home on Friday, and Lipstick Jungle will be held along with The IT Crowd until midseason. This changes my projected schedule, which has been updated. I literally have run out of shows, so they have to either pick up another pilot or…air something? I don’t even know.

The CW

[Cultural Learnings’ Preview]

The CW has nailed down its third drama pilot, an untitled project which features Rutger Hauer (Blade Runner, Batman Begins) as the owner of a wildlife refuge in South Africa and his son-in-law who moves there. Considering how tight my existing CW schedule is, chances are that this show would bump the Veronica Mars revamp (Yes, I’m sad too). However, I have to wonder whether The CW audience is really in tune with the South African wildlife refuge drama. The concept doesn’t sound terrible, but I fail to see where it fits into its image amongst young females especially, at least compared to a female-led FBI program.

ABC

[Cultural Learnings’Preview]

ABC’s lineup remains pretty locked up, although there’s word that According to Jim is still in contention. Dear ABC: do you really hate me that much? They could also be picking up another pilot, Miss/Guided, which the press release describes as:

“Miss/Guided” is a single-camera half-hour about a former ugly duckling (Judy Greer) who becomes a guidance counselor at her old high school.

Sounds decent enough, although only time will tell.

CBS

[Cultural Learnings’ Preview]

Meanwhile, CBS is making the bold move of picking up Swingtown and the Jimmy Smits drama, although no other pilot information is being made available. As a result, the fate of Jericho is still unknown and the status of other pilots (They need other pilots) is not yet known. I’ve added Swingtown to the schedule, and bumped Cold Case in the process…but chances are that it will bump the two extra comedies I placed on the schedule. But I think they need more comedies, so I’m keeping them there.

FOX

[Cultural Learnings’ Preview]

FOX has officially added the Juliana Marguiles-star vehicle Canterbury’s Law to their schedule. Because we needed another lawyer show. Really. Thanks FOX.

I’ll be checking in with the final NBC information later this afternoon with the final news of the schedule, and will probably offer some analysis later.

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Filed under 30 Rock, ABC, FOX, Friday Night Lights, Law & Order, NBC, Scrubs, Television, The CW, The Office, Upfronts

Network Upfronts Extravaganza – ‘FOX’ Preview

It’s going to end up as the #1 network this season due to the American Idol juggernaut. And yet, can we really say that FOX has had a successful year? It’s to the point now where we really can’t even include Idol in the show’s ratings in order to get a decent view into its true success. The reality is that FOX had a rough development season, failing to put together a single new show that was buzzworthy except for the one they gave a shot after American Idol in the second half of the season…and a game show. The network looks to diversify that success yet again this season, and they’ve got a few options on the table which could get them there…and some which are just plain awful.

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Filed under 'Til Death, 24, American Idol, Bones, Drive, FOX, House, Prison Break, Ratings, Reality TV, Sarah Connor Chronicles, Television, The O.C., Upfronts

Cultural Learnings’ Network Upfronts Extravaganza: Preview

So, I realized something last night after posting my 5th Blog Post in 24 hours: I need to blog less. Although each post was informative in its own special way, it just wasn’t necessary. I need to learn to control my urge to blog when it comes time to, you know, write a Thesis next year, so I figure that I should be conditioning over the summer.

Of course, this realization came as we come to one of the most important television weeks of the entire year, so I think it will be put on hold for a little while at least. Starting on Monday, the five major networks (And other smaller networks) will present their Fall lineups to the media and advertisers, and it’s always a fascinating experience. This is called the Network Upfront Presentations. It’s a combination of all sorts of things:

There’s suspense, waiting to see whether your favourite “On the Bubble” show has been renewed (This year I’m holding my breath for ‘Veronica Mars’).

There’s conflict, as when you realize that you’ll have to choose between ‘Grey’s Anatomy’ and ‘CSI’, or that you’ll have to TiVo the new Grey’s Spinoff if they choose to stick it against ‘Heroes’/’24’ (Which would be a nightmare for people who watch pretty well everything, like me).

There’s comedy, in seeing what idiotic pilots are picked up despite not having a hope in hell of being decent (See: ‘Geico Caveman’, the Sitcom! Seriously, ABC? Seriously?)

There’s drama, as certain shows that seemed to be sure things are left cut due to unforeseen circumstances (See: ABC’s high-profile adaptation of the British ‘Footballer’s Wives’).

And, perhaps most of all, there’s speculation. It’s perhaps one of my favourite things, because it allows us to make assumptions about these series and their potential both creatively and financially for the networks involved.

And thus begins the madness that is the Network Upfronts. So, what will Cultural Learnings be doing in order to inform its readers about this chaotic process?

Well, as much as it pains me, I don’t really want to leave little news bytes about everything. Yes, sure, I would have loved to have blogged about ‘Friday Night Lights’ being renewed (Which pretty well made my day yesterday), but I figure that’s best saved for discussing NBC in detail. I want this to be a resource for people wading through hundreds of announcements and news briefings and just about everything else, so I figure there’s a better way of going about it (But Yay Friday Night Lights!).

Over the weekend, I’ll be posting my pre-game thoughts if you will for each network: a brief summary of what they did right and wrong last pilot season, and what they should, theoretically, be looking for. I’ve even made a convenient little schedule, it’s quite exciting.

The Networks in Review

Friday: The CW

Saturday: CBS, FOX

Sunday: ABC, NBC

Then, starting on Monday, I’ll be detailing the upfront presentation of each network with analysis of whether or not they made the right decisions, and how each night of television might fare.

The Upfronts in Review:

Fall Schedule Details

Monday: NBC

Tuesday: CBS

Wednesday: ABC

Thursday: FOX, The CW

At the end of the week, after all the madness is over, I’ll be running down each night of television for the fall season so you’ll get an idea of what your TiVo will be recording in four months’ time, and what shows you might have to cut.

This is one of the most hectic weeks in television history (Okay, that’s an exaggeration, but seriously). You’ve got the ‘Survivor’ finale on Sunday, the penultimate episodes of ‘Heroes’/’24’ on Monday, the Series Finale of ‘Gilmore Girls’ on Tuesday, the penultimate ‘Lost’ on Wednesday, the finales of: ‘The Office’, ‘Scrubs’, ‘Ugly Betty’, ‘Grey’s Anatomy’ AND ‘CSI’ on Thursday, and then even Saturday has the season finale of ‘Saturday Night Live’. And, on top of all of this, there’s the network upfronts?

It is going to be a busy week: stay tuned to Cultural Learnings if you want to see how it all ends up. If you want to get your news as it breaks, though, here’s some links to major resources for all your upfront and Pilot news.

The Hollywood Reporter: Pilot Chart

An extensive collection of every single pilot ordered by all networks, this offers you with the chance to peruse to see which series you might want to see pop up next week.

Variety: Pilot Watch

Variety’s got a newsfeed which is dedicated to news related to pilot season, so check this out for up-to-the-minute updates over the weekend regarding which shows are being staffed and which ones are being put to pasture.

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Filed under ABC, FOX, NBC, Ratings, The CW, Upfronts

Thursday Night TV Club Memo: NBC Supersized, 10pm Guests

This is just a quick note for what promises to be a hectic Thursday evening. Thanks to some unfortunate circumstances, I am faced with a very large dilemma: there’s way too much TV on tonight, and I’m not going to be able to watch it all within the next day since…my “VCR” is out of commission. *Cough* Ahem.

As a result, I’m going to have to choose carefully what I choose to watch.

ABC

ABC’s got a fairly strong lineup, to be honest; Ugly Betty (8pm)is heading towards its finale with some momentum behind the Betty/Henry romance, Grey’s Anatomy (9pm) is certainly dramatic with its George/Izzie issues, and the new drama Traveler is something to consider…but at the same time there’s nothing pressing about watching these particular shows. I already watched Traveler (10:01pm) last summer, Ugly Betty is unlikely to be spoiled for me, and Grey’s has been far too annoying recently considering I still think this George/Izzie thing is just plain stupid.

CBS

CBS has a unique schedule as well, tonight, with a former friend occupying the 10pm slot. However, it starts at 8pm with the penultimate episode of Survivor: Fiji. I’ve been following the season, and feel obligated to see it through to the finale this time (I missed the finale last season). It’s nothing too interesting, but it’s also the most likely to be spoiled for me tomorrow. CBS then loses my interest, but gains the interest of others with a new episode of CSI at 9pm, followed by the return of Without a Trace at 10pm on Thursdays for its 5th Season Finale. Considering that recent timeslot occupant Shark is likely to depart the timeslot, could it be moving back full time? It’s possible.

NBC

Here’s where the real problem lies, because NBC is once again going with a Supersized lineup this evening. My Name is Earl’s 2nd Season Finale runs from 8:00pm EST to 8:40, and then The Office runs from 8:40 to 9:20, followed by Scrubs from 9:20 to 10:00pm. They close the night with the rapidly declining ER (Hitting Grey’s last week was not good for the show), but it’s a real scheduling conundrum regardless of what airs at 10pm.

If I watch the NBC comedies (Well, The Office and Scrubs) I’m watching less TV than I could if I watch Survivor and Grey’s instead. Heck, think about how awful it would be if I was not appalled by FOX’s “Are You Smarter Than a 5th Grader?” and wanted to watch its two back-to-back episodes where someone attempts the Million dollar question? Or, if I was addicted to Supernatural and Smallville, airing new episodes on The CW (I totally almost wrote fresh episodes, damn you The WB! *Shakes Fist*)?

It’s quite a night for the Thursday Night TV Club…I’ll check in later with details on what I watched, but if you have any suggestions please let me know. And, for the love of all things good, don’t forget that The Office is supersized and miss any of it when TiVoing!

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Filed under ABC, FOX, Grey's Anatomy, NBC, Reality TV, Scrubs, Survivor, Television, The Office, Traveler, Ugly Betty

Cultural News Bytes: Law & Order to TNT, ‘Idol’ Blake’s Obscure Bee Gees selection

Cable Bound: Law & Order moving to TNT?

This is the word according to Entertainment Weekly, via some published reports. Considering that TNT is currently simulcasting the hell out of Law & Order, being the home of original episodes wouldn’t exactly be outside of its comfort zone. I’m kind of proud of my 3,000 Word Epic on Law & Order’s fall from grace, and it’s interesting to see this saga continue. This is the 2nd show that NBC is faced with the question of renewal with where another network/cable station is waiting in the wings: the same situation goes for Scrubs, which ABC is interested in. Personally, I think that Law & Order has enough of a fanbase on TNT to make one final season worthwhile, and it would be interesting to see whether they might consider extending the franchise with small-scale original episodes after that point. With a much smaller budget, I think a weekly new episode featuring just some of the cast would be an interesting experiment for the cable network. This is also good new for Criminal Intent, which could get a pickup should the mothership find itself another home. I doubt that NBC is willing to give up to CSI: that easily, no?

Blake Picks A Modern Bee Gees song; Psychiatrist Called In

Let’s face it, even Barry Gibb was surprised by Blake Lewis‘ choice to perform “This is Where I Came In,” the title track from the Bee Gees’ album of the same name, on tonight’s episode of American Idol. It went nowhere as a single (Although I in all my youth actually remember it quite well), but apparently Blake saw an opportunity to turn it into a Ska beatboxing hit. I personally felt that all of Blake’s beatboxing felt tacked on tonight, but the fact remains that it’s at least original compared to LaKisha’s shouting.
But, for all of you who haven’t heard this Bee Gees song, here’s the video via YouTube (Which came in handy tonight, let me tell you).

However, before I go, one more video. Before Melinda’s show opening performance of Love You Inside Out, Barry Gibb said it was a challenge to take a song written for a group and turn it into a solo song. I’ll give him the benefit of the doubt and assume that he is aware of the lovely Leslie Feist’s amazing rendition of the song (Retitled ‘Inside & Out’). She turned it into a hit, Juno-nominated single in Canada, and I think that her version is everything Melinda’s wasn’t: unique, interesting and nuanced. So, to end things, here’s Feist kicking Melinda’s ass.

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Filed under American Idol, FOX, Law & Order, NBC, Reality TV, Television

Cultural News Bytes: Date for final episodes of ‘Drive’, ‘Lost’ Interview

‘Drive’ Drifts to the Finish Line on Independence Day

Yep: on July 4th, while everyone is getting drunk and heading to theatres to catch Transformers, FOX is counterprogramming with the final two episodes of its failed midseason drama ‘Drive’ (According to the show’s official site). Personally, based on the four episodes we saw, I think the series deserves better…but at the very least it fulfills their obligation to the show, and gets the episodes out there. Whether we like it or not, Drive is gone for good, and its return on July 4th is just a fleeting glimpse of what could have been.

‘Lost’ Producers discuss Rattlesnakes and Mailboxes

Entertainment Weekly steps to the table with what is the first formidable interview with Lost producers Damon Lindelof and Carlton Cuse today, and it’s a doozy. There’s the explanation as to the reasoning behind the 3/16 (3 seasons, 16 episodes) scheduling format at the beginning, but tread lightly onwards: there’s some discussion of the final episodes of the season as well. Head to the link to read for yourself, or just click below for a little summary. Spoilers are light if not non-existent.

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Filed under ABC, Drive, FOX, Lost, Television

Changing Perspectives: Television and the Virginia Tech Tragedy

It happens with any tragedy. As the news media begins to cover the story 24/7, as its true ramifications and impact begin to take hold on our minds, it fundamentally changes our perspective. Things which were once innocuous, things which were once seemingly harmless, take on new meanings. And really, I think it’s only human nature; as human beings, we are affected by tragedies which are so relatable, which could happen to anyone. What happened at Virginia Tech is something relatable for me: as an RA who sees people in residence who have issue with anger, issues with violence, I can’t help but become hypothetical. I can’t help but think about these realities in my own life, and thus it’s also impossible to ignore connections between the tragedy at Virginia Tech and the television we watch. As a reflection of our lives, and in many ways an extension of our societal values, television is going to provide unintended context to a tragic event.

The shootings have already resulted in a network reaction from FOX in regards to this week’s episode of ‘Bones,’ which had been about a college student who had been murdered and buried a set of bleachers. And, although I do not believe anything has been made official, there has been some reaction to this weekend’s Saturday Night Live Digital Short, “The Shooting.” I think that the short certainly takes a somewhat different turn when you consider it in the light of the shootings, and NBC agrees. Although they weren’t too quick to take down the short when it aired (NBC was apparently unable to legally clear the song for use on YouTube, but didn’t want to kill the hype), NBC is now making legal claims about anyone posting the video on YouTube themselves.

My opinion on these two reactions is that I think they are both for the best, and both justified, and yet I think it’s important to avoid the types of reactions seen on the Saturday Night Live message boards. This one, an example of the sentiment, in particular is a problem [Highlights are mine]:

“I created an account and I am commenting here on this site for one reason only — to STRONGLY agree [the first poster]. I’m a longterm SNL fan, and I can certainly take a joke, but SNL needs to realize that they are absolutely no different than the Quinten Tarrintino’s of the world, violent video game producers, and all the media outlets that indirectly promote this behavior by showing people shooting other people on TV or on computers. SNL — you all have a responsibility to society as well. Some jokes don’t need to be said, and skits don’t need to be shown. You didn’t cause this event, but it’s shows like yours that slowly make these “nut cases” lose their sensitivity and become enamored with this kind of behavior — and ultimately do it. SNL and NBC — you are partly responsible.

I think we need to draw a major line in the sand in regards to responsibility for the event and responsibility to the public. What SNL did was create a comedy sketch that made light of violence…in order to satirize the dramatization of violence on other television shows. In the end, the sketch was written and presented as comedy. It cannot, in any way, be retroactively declared as a glorification of violence simply because of this terrible event. SNL and NBC are not responsible for anything other than poor timing, and that was out of their control.

Look at Bones, which is dealing with a problem of an episode that has been filmed and completed and yet can’t possibly air considering its subject matter. They are not at fault for producing an episode which featured a college student being killed considering that we’re talking about a forensics procedural drama. We live in a television environment where every CSI, every Law and Order, every Criminal Minds or NCIS, are all dealing with death on a regular basis. I would hate to have the job that those writers have, planning out how they’re going to create a murder for these people to solve every week. And yet, can we hold them responsible for doing their jobs? Can we hold the shows responsible when they have some of the highest ratings on TV? Can we hold us responsible, then, for consuming and demanding this type of programming?

This is the problem with attempting to find blame within the mass media, specifically within television or video games. Consumption of television, of video games, is far too subjective to even consider its effects without opening up a Pandora’s box that is simply impossible to close cleanly. It’s an easy out, a nice story for the media, and yet I don’t think it actually has enough true relevance to consider as an issue of responsibility. What SNL presented, what Bones was planning to present, was a reality of what we as viewers consume, wish to consume, and find funny or dramatic on a regular basis.

FOX and NBC made the right call removing these from air/YouTube, as it is a sign of their own remorse and sensitivity towards these events. However, I want to make it very clear that no one should be blaming any of the parties involved for anything. So, I can only hope that I don’t see a nationwide boycott of SNL, or Shia LaBeouf, or Andy Samberg, or David Boreanaz. This tragedy is not an issue of blame, no matter how much the media wants to find a catchy byline to scroll on the bottom of the screen to sum everything up. The actions of that student were actions that were personal, emotional, contextual, and can never be boiled down to any show, any societal construct. The micro, in this case, is where you begin, not with the macro mass media element of things.

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Filed under Bones, FOX, NBC, Saturday Night Live

Ratings Roadblock: Sunday Failure for ‘Drive’

“Drive can’t get into gear on Sundays”

“Stuck in Traffic: Drive detours into 4th Place”

“Lost in Transmission: Drive Drops Out of Contention”

“Running on Empty: Drive’s All Fumes on Sunday”

“We Need a Jack: Drive Deflates for FOX”

Yes, as my assortment of puns demonstrates (Feel free to add to the pile, it’s really quite fun), Drive failed to garner much attention in the ratings last night. While final ratings are not available, it looks like Drive barely garnered higher ratings than last week’s set of comedy repeats, and was actually lower than the comedy repeats which aired a year earlier. [Source: PIFeedback]

What does this mean? It means that if you watched the pilot through some other means, you better watch Drive tonight if you want the show to continue. 8pm on FOX is the time and place, and the show is currently looking like a 6 and out for FOX unless things really pick up this evening.

If I was FOX, I’d lay the blame on CTV who aired the episode on Friday. This meant that the episodes leaked onto the internet, so a lot of people are sitting around waiting for the third episode to air. Let’s hope they turn out, because otherwise the show is facing some serious engine trouble.

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Filed under Drive, FOX, Ratings

Review: Taking a Sunday ‘Drive’ with FOX

Although later than most midseason premieres, and more of a summer show in the end, FOX is premiering Drive on Sunday, April 15th with a two-hour event designed to mirror 24’s premiere structure. It moves into the 8pm Monday Prison Break timeslot the following night, and I think it’s a far more fitting comparison. In the end, ‘Drive’ is what Prison Break used to be: entertaining television that draws you in with a diverse cast of characters and a premise that keeps you guessing.

The show’s premise is deceptively simple, at its most basic level. 32 teams of two people participate in a cross-country road race from Key West, Florida to an undisclosed location designed in a form of checkpoints, with the winner receiving $32 Million. At each checkpoint, you get a message on a provided phone which sends you in a new direction. This is all of the detail we’re really provided with, as our main character Alex Tully misses the orientation session and the race’s version of Phil Keoghan (Who has a much more dire version of Philimination at the end of the 1st Hour) has already put away his PowerPoint and closed his satchel, robbing us of visual aids. The show, then, follows a rather impressive number of these teams on the race.

It’s a diverse group of characters, and it features enough diversity to promise some interesting things moving forward. For the purpose of organization, I’m going to separate them into distinct teams.

Team Kidnapped

Alex Tully and Corinna Wiles

Alex (Nathan Fillion) is the star here, in the race to rescue his recently Kidnapped wife. Early on in the first episode, Corinna makes her first appearance, and through the two-hour Pilot you will get a sense as to her shady past. Her connection to the race, and to the team name I’ve selected, will be revealed in the show’s second hour. Their biggest challenge is someone connected to the race organizers who seems intent on a) running them off the road, and b) killing Corinna. That would be a problem, no?

Team Mother

Wendy Patrakas

It’s a team with only one official member, as Wendy is all on her lonesome. She gives birth in the episode’s opening act, and is in Key West with a Bjorn strapped to her just a week later. She is the only racer we see who has a run-in with the cops, thanks to some issues with her abusive husband, and she’s provided with the most diverse race experience thus far in the show’s second hour.

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Filed under Drive, FOX, Television