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Handicapping the 2009 Emmys: Lead Actor in a Comedy Series

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Handicapping the 2009 Emmys

Lead Actor in a Comedy Series

Earlier today, as part of my catchup with The Big Bang Theory’s second season (which I’ll talk about in greater detail once I’m done), I came to the episode that Jim Parsons, nominated for Lead Actor in a Comedy Series at this year’s Emmys, has submitted for consideration. Then, sorting through some shows kicking around, I stumbled upon Alec Baldwin’s submission from 30 Rock in the same category, “Generalissimo.” Considering this crazy random happenstance, I figured it was only fitting that I sit down and rewatch “Broke,” Steve Carell’s submission for his work on The Office, in order to complete the trifecta.

Yes, there are six nominees in this category, but realistically the only three that have a chance are the ones listed above. The only two acting races where I would say there are three or less potential candidates are both comedy lead categories, as a combination of tape quality and prevailing opinion will shut out the other three nominees (Charlie Sheen, Tony Shahloub, Jemaine Clement). Once you get to these three, however, things become quite complicated: each has a fairly compelling narrative for victory, and perhaps more importantly they have three very different submission tapes that cover some diverse territory.

At the end of the day, all three actors deliver funny performances, but I think it’s going to come down to which tape best combines the award show narrative and a performance worthy of the Academy’s attention.

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2009 Emmy Nominations: And the Nominees Are…

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And the Nominees Are…

2009 Emmy Nominations

For analysis of the surprises, the snubs, and everything in between, check out:

Power to the People?: 2009 Emmy Nominations Analysis [Link]

However, in list form, the nominees for the 61st Annual Primetime Emmy Awards are…

Outstanding Drama Series

  • Big Love
  • Breaking Bad
  • Damages
  • Dexter
  • House
  • Lost
  • Mad Men

Lead Actress in a Drama Series

  • Glenn Close (Damages)
  • Mariska Hargitay (Law and Order: SVU)
  • Sally Field (Brothers & Sisters)
  • Elisabeth Moss (Mad Men)
  • Holly Hunter (Saving Grace)
  • Kyra Sedgwick (The Closer)

Lead Actor in a Drama Series

  • Gabriel Byrne (In Treatment)
  • Bryan Cranston (Breaking Bad)
  • Michael C. Hall (Dexter)
  • Jon Hamm (Mad Men)
  • Hugh Laurie (House)
  • Simon Baker (The Mentalist)

Outstanding Comedy Series

  • Entourage
  • Family Guy
  • Flight of the Conchords
  • How I Met Your Mother
  • The Office
  • 30 Rock
  • Weeds

Lead Actor in a Comedy Series

  • Jemaine Clement (Flight of the Conchords)
  • Alec Baldwin (30 Rock)
  • Steve Carell (The Office)
  • Charlie Sheen (Two and a Half Men)
  • Tony Shalhoub (Monk)
  • Jim Parsons (The Big Bang Theory)

Lead Actress in a Comedy Series

  • Christina Applegate (Samantha Who?)
  • Toni Colette (United States of Tara)
  • Tina Fey (30 Rock)
  • Julia Louis-Dreyfus (New Adventures…Christine)
  • Mary-Louise Parker (Weeds)
  • Sarah Silverman (The Sarah Silverman Program)

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2009 Emmy Awards Nominations Predictions: The Tale of the Tape

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The Tale of the Tape

July 15th, 2009

Heading into tomorrow morning’s nominations (5:30 Pacific Time, so 8:30 Eastern and 9:30 for me in the Atlantic time zone), there are a few certainties, and a few question marks. I talked before about the uncertainty of the popular vote, which places a show like Lost somewhere in between an equilibrium of popular shows like House and Grey’s Anatomy and more critical/industry favourites like Mad Men and Breaking Bad. Here, it’s tie to take a look at some of the big stories that could emerge from the nominations, as well as a glimpse at some of the categories that I didn’t get to during the week. So, let’s get the Tale of the Tape.

Mad Men = The New Sopranos?

Last year, Mad Men racked up an Emmy for Drama Series, a nomination for Lead Actor and Best Supporting Actor, and five other statues (including Writing for Matthew Weiner). The question now really comes down to just how much the show’s second season is going to increase those odds. Chances are that one of the show’s two leading women will break through, now much more household names when it comes to the show’s success, and there’s room for more supporting players at well. If it follows the Sopranos pattern, it could break through big – if it, however, gets held back by being on AMC, it could end up with roughly the same nominations.

The Year of CBS?

It may be unlikely, with far more popular shows in terms of Hollwood and the Emmys in the category, but How I Met Your Mother is at the point where its breakout year might be upon us. Neil Patrick Harris is hosting, the show’s ratings have solidified it as a hit in its own right, and it is no longer in fear of cancellation which makes it seem like the kind of show that will be around for a while. It has to compete with stablemate The Big Bang Theory, which has Jim Parsons breaking out in a big way, and Two and a Half Men, but that two more legitimate Emmy contenders than the network had a year ago (and, in my mind, two more than it should have, but that’s neither here nor there). Combine with a chance for The Mentalist’s Simon Baker, and CBS is maybe not just the people’s network anymore.

Breaking Bad Breaking Through?

Last year, Bryan Cranston won in a bit of a shocker in the Lead Actor category for his work on the other AMC drama, Breaking Bad. Many have taken that win and viewed it as a sign that the show, which got even better in its second season, has a chance of breaking through in its own right. I’m of the mind that it will, but Cranston’s win was as much for his lack of a win for Malcolm in the Middle than it was for his brave performance, so it will be interesting to see if the show can join Cranston in the Emmy race. It has the benefit of having aired fairly recently, but it’s yet to be seen if it can break through on the popular vote.

The Final Chance for Battlestar Galactica

A real chance of breaking into the Drama Series race, or the various acting categories, just isn’t in the cards; Battlestar Galactica may have had an amazing finale, and its actors may have stepped up more than ever before, but in a popular vote competition it just isn’t going to get the support it needs. Mary McDonnell is going to get pushed out of her category, although remains a long shot candidate if things get really weird, but the show’s real chance lies in both writing and direction. There’s probably room in those categories for Ronald D. Moore and Michael Rymer, as they’ve been represented before, so it will be interesting to see if they can pick up those nods. They’ll also dominate the special effects categories, with the Visual Effects team easily picking up their third Emmy.

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2009 Emmy Award Predictions: Outstanding Comedy Series

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Outstanding Comedy Series

Predictions

There is very little chance that 30 Rock won’t be running away with this category, which means that the other nominees aren’t going to really matter at the end of the day. However, there are a few shows in a position to make a big splash should they be able to break through into the category, especially for a couple of CBS sitcoms looking for their moment in the spotlight.

One can presume, right off the bat, that 30 Rock, The Office and Two and a Half Men will be garnering nominations based on popular vote, having been clear favourites of voters over the past number of years. The other three spots, however, could go in different directions. Last year, Entourage, and Curb Your Enthusiasm rounded out the category, but with the unpredictability of the popular vote combined with Enthusiasm taking a breather, the door is open for some new faces (especially with an extra nominee).

Only one of them, of course, is actually new: Showtime’s United States of Tara was the only real buzzworthy comedy debut of the year (Parks and Recreation proving too mixed to make an impact), driven by a strong (and likely Emmy-nominated) lead performance from Toni Colette and the Hollywood swagger of Diablo Cody. The show has a shot at making the category, but it will likely have to fight it out with stablemates Weeds, which has been close in the past, and Californication. Still, it feels like there’s room in the category for a new show, and Tara might just be it.

The other two shows with a real shot are How I Met Your Mother and The Big Bang Theory. HIMYM has the rising starpower of Neil Patrick Harris and four strong seasons in its favour, while The Big Bang Theory is slightly more populist and comes from the much revered Chuck Lorre. I’d say that Jim Parsons will be the latter’s breakthrough, so if one of them finds its way into the category my money’s on HIMYM. It’s a definite long shot, but this is around the time that Scrubs broke into the category and I think fears over its premature cancellation are gone, which could allow it to gain some more credibility.

HBO, meanwhile, is likely to stay in the category with stale but apparently popular Entourage, and it’s impossible to discount Family Guy, submitting into the Comedy Series category with a big campaign and trying to overcome the stigma facing animation. ABC would like to think that Ugly Betty and Desperate Housewives could benefit here, but the shows have disconnected from the Emmy base for good outside of their performers. All in all, it’s really going to come down to just how popular the popular vote skews, which is a variable we can’t really predict properly at all.

Predictions for Outstanding Comedy Series

  • 30 Rock
  • Entourage
  • How I Met Your Mother
  • The Office
  • Two and a Half Men
  • United States of Tara

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2009 Emmy Award Predictions: Lead Actor in a Comedy Series

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Lead Actor in a Comedy Series

Predictions

There is no category at the Emmys that will be less contentious in terms of deciding the nominees than this one, where a number of current favourites, a few old favourites, and one newcomer are going to duke it out: there’s six slots available, and I’d tend to argue that there’s really only seven contenders, making for a disappointing wakeup call for one individual.

Returning to the category will be four of five of last year’s nominees: Lee Pace rode a lot of popular support for Pushing Daisies last year, but shows that were canceled in December aren’t going to make it to the Emmys nine months later. This leaves Charlie Sheen, Steve Carell, Tony Shalhoub and winner Alec Baldwin, a competitive group (although my money’s still on Baldwin).

The two remaining spots are really divided between three people. First, you have previous favourites Zach Braff and David Duchovony. In the latter case, Duchovony was expected to get a nomination last year but failed to make the category; if the voters were supportive of him but the panels didn’t like his morally corrupt character on Californication, he could make it in this time around. Braff, meanwhile, got a tearful sendoff on Scrubs this season, and his fame coupled with the show’s return in quality could make him a contender (if not the show itself, which was off the radar for too long).

They’re likely duking it out for one spot, however, since Jim Parsons is the talk of the category. I’m not sure if he’ll be able to beat out Carell and Baldwin, but Parsons has been delivering an absolutely amazing performance on The Big Bang Theory, equally broad and nuanced in a way that indicates a real talent. The show around him is rarely as good as his ability, but the way he manages to bring humanity to this cold and unfeeling character is noticeable even for non-fans of the show, a quality that makes him a definite dark horse and a likely nominee (he’s announcing the nominees, after all).

This all doesn’t leave much room for even any other competitors: while I could cheer for Zachary Levi, Chuck was definitely a critics’ darling more than it was an industry darling, and outside of a left-field guest star nod for Chevy Chase the show won’t connect with voters.

Predictions for Lead Actor in a Comedy

  • Alec Baldwin (“30 Rock”)
  • Steve Carell (“The Office”)
  • David Duchovony (“Californication”)
  • Jim Parsons (“The Big Bang Theory”)
  • Tony Shalhoub (“Monk”)
  • Charlie Sheen (“Two and a Half Men”)

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2009 Emmy Award Predictions: Supporting Actress in a Comedy Series

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Supporting Actress in a Comedy Series

Predictions

There are some years where you expect a lot of turnaround in categories, and this is a fine example of that: Kristin Chenoweth is unlikely to make it back for canceled Pushing Daisies, Vanessa Williams could lose her spot with Ugly Betty’s fall from cultural relevance, Amy Poehler is focusing her efforts on the Lead Actress race, and even last year’s winner Jean Smart could be in trouble with Samantha Who? being canceled. This leaves only Holland Taylor, whose role on Two and a Half Men seems to be pretty safe in terms of garnering another nomination, and thus five spots are potentially open for new entrants into the category.

Chances are that some of those faces will actually be familiar ones, just those which have been out of the category as of late. Elizabeth Perkins has made it here before for her role on Weeds, and there’s every chance that she could return. She could be joined by Conchata Ferrell of Two and a Half Men, who could return depending on the way the popular vote reacts to Two and a Half Men: was its success driven by popularity or by its traditional sitcom familiarity in the panels? Only time will tell, for now.

The one return that feels absolutely necessary is Jenna Fischer, who did some really strong work on The Office and deserves recognition for it after being snubbed last year. Similarly, Jane Krakowski is playing a tough role on 30 Rock, as Jenna is often used in ways that don’t really do the character justice and turn it into a thankless, one-note part of the show. However, when she has strong material (like when she faked her death, or had an epic battle with Tracy resulting in Jenna wearing black face), she’s absolutely fantastic, and deserves to ride the show’s momentum to a nomination.

The new contender in the field, meanwhile, is Rosemarie DeWitt, whose role on United States of Tara showed some nice evolution. While the similarity of this role to her role in Rachel Getting Married (woman jealous of her damaged and thus attention-seeking sister) was at times a detriment to understanding how good she is at it, it’ll work well for voters who know her from that film and who know that she probably deserved a shot at the Oscar with her performance, and likely deserves a shot at the Emmy here.

Predictions for Supporting Actress in a Comedy

  • Rosemarie DeWitt (“United States of Tara”)
  • Jenna Fischer (“The Office”)
  • Jane Krakowski (“30 Rock”)
  • Jean Smart (“Samantha Who?”)
  • Holland Taylor (“Two and a Half Men”)
  • Vanessa Williams (“Ugly Betty”)

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2009 Emmy Award Predictions: Supporting Actor in a Comedy Series

Emmy2009Title

Supporting Actor in a Comedy Series

Predictions

Right now, Emmy’s comedy landscape is at its strongest in the supporting categories, where a number of contenders are in position to break out. The problem, however, in the Supporting Actor category is that this has been the case for a number of years, and yet Jeremy Piven has been dominating the category anyways. The big question this year is whether this will change, and chances are it will be many of the usual suspects trying to start a new trend.

Piven’s getting back into the category, and chances are he will be joined by at least three of last year’s nominees: one can expect Rainn Wilson and Jon Cryer to return, alongside my personal favourite in the category Neil Patrick Harris. Realistically, Harris should have won this award two years ago, or even last year, but the fact remains that he continues to steal entire episodes on what is a fundamentally great show, crafting in Barney a character that has managed to overcome Doogie Howser as his signature role, at least for this generation. NPH is hosting the evening’s festivities, and I’ve got my fingers crossed.

The rest of the category is more than a bit up in the air, primarily because it is unclear just who has been off on the periphery in the category in past years. Kevin Dillon made it into this category the last two years, but his role on Entourage has largely been forgotten as of late so I don’t think he’s quite on the radar to the degree of someone like John Krasinski, whose work on The Office has been particularly impressive as of late (the final scene of the finale being a fine example of that).

The other real contenders here are also from an NBC sitcom, one that fascinatingly has never been nominated for any supporting statues. 30 Rock dominated every Comedy category but the supporting ones last year, as Fey and Baldwin were the only nominees. However, with the show’s status as an Emmy darling all but cemented, we might finally see one or even two of them break through. We know that Jack McBrayer has been close before (he broke into the Top 10 last year, for example), but part of me feels like Tracy Morgan is just as likely – he remains the show’s MVP when it comes to its absurdist tendencies, and you can’t overestimate the importance of his broad comedy to the show.

Predictions for Supporting Actor in a Comedy

  • Jon Cryer (“Two and a Half Men”)
  • John Krasinski (“The Office”)
  • Tracy Morgan (“30 Rock”)
  • Neil Patrick Harris (“How I Met Your Mother”)
  • Jeremy Piven (“Entourage”)
  • Rainn Wilson (“The Office”)

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Upfronts Analysis: NBC 2009-2010 Fall Schedule

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NBC 2009-2010 Schedule

May 19th, 2009

NBC is not a network of surprises: it announced its new shows at its Infront presentation, we’ve known about Jay Leno moving to 10pm for ages, and even Chuck’s renewal was something that was pretty well guaranteed before today’s upfronts presentation. At the same time, the network’s schedule is perhaps the most interesting of the major networks since, with less primetime real estate than CBS or ABC, they are working on a whole new schedule and forced to make some important decisions.

It’s a better schedule than I expected, to be honest: yes, the network has been forced to make some tough decisions (My Name is Earl and Medium cut, but potentially returning on another network – FOX and ABC interested in Earl, CBS likely to pick up Medium), but they’ve been pretty smart in how they’ve scheduled everything else. With smart strategies for launching their new comedies, and one last attempt at seeing whether Heroes’ audience is capable of serving as a lead-in, NBC has at least leveraged what momentum they have going into this year (not much) to try to create a schedule that could keep them out of last place.

Even with all that work, though, ten to one Leno ends up keeping them there.

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Parks and Recreation – “Boys’ Club”

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“Boys’ Club”

April 30th, 2009

We’re now four episodes into the shortened six-episode season for Parks and Recreation, and this week’s episode was another one that isn’t going to change anyone’s mind: if you thought the show was a charming if slight investigation into an interesting work environment, “Boys’ Club” did nothing to change this opinion. However, similarly, if you were amongst those who felt that Amy Poehler’s Leslie Knope hasn’t been given enough of a character to resonate within this environment, there isn’t much in her obliviousness and aloofness in this week’s central storyline that shows that they’re viewing these six episodes as some sort of character arc.

As someone who tends to fall into the former category, I thought the episode was quite solid, providing a tiny bit more nuance to Leslie’s character (even if the comparisons to The Office became even more pronounced with one particular scene) and utilizing the comic talents of Chris Pratt to deliver a really charming B-Story. As someone who understands the second perspective, though, I think I see what part of the problem is.

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Parks and Recreation – “The Reporter” and Other Thoughts

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“The Reporter”

April 26th, 2009

One of the downfalls of my trip to California was that I was away during the period where a number of solid debuts took place: Southland seems like a potential keeper for NBC, The Unusuals is still technically in the mix for ABC, and the long-anticipated Parks and Recreation debuted. So while I took time out of my schedule to take a gander at the first two episodes detailing the adventures of Leslie Knope, I didn’t quite have the time to sit down and wrap my head around what I really thought about it.

“The Reporter,” in many ways, actually makes this out to be a good thing: it isn’t that this week’s episode (the show’s third) was substantially different than the two which preceded it, but it demonstrates that the qualities I saw as potential for the future remain firmly intact, and the ability for the rest of the show to fall in around them remains present. The show’s main problem, that it and its protagonist lean too closely to The Office, isn’t even necessarily a problem as long as the elements it is cribbing from its stepbrother are the ones that you like about the show; for me, thus far at least, this seems to be the case.

In many ways, the show is kind of like the park being proposed within the current main storyline of the series: it has plenty of early media attention, and lots of things going for it, but it needs to keep itself afloat during this key development period in order to survive. And while the verdict may still be “We’ll see,” I think that’s exactly where the show needs to be right now.

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