I won’t attempt to claim that I am any different than the myriad of television writers out there: I was never going to “like” the outcome of the Emmy Awards. My cynicism was front and center when it came to reacting to the winners, and even the more positive moments were passed off as exceptions to the rule, not a sign of changes to Emmy’s usual stagnation.
But even weighing this predisposed opinion regarding the validity of the ceremony, last night’s award show was perhaps the most emotionally manipulative in some time. By the end, it actually had us cynics doubting the most well-established prediction of the entire evening: The Sopranos winning Best Drama Series. Of course, David Chase’s departing HBO series won that Emmy, but I actually for a second doubted that.
And I don’t know if it’s good or bad: the emotional rollercoaster that the night represented hit so many inversions that anything seemed possible. Perhaps I am simply extremely malleable, but I was right along with them with my own emotional corkscrews and loop-to-loops. And, as such, I use those emotions to feature the highlights and lowlights of the 2007 Emmy Awards.
Disbelief – FOX Pre-Show Uses Britney to Push Ratings
This rumour that Britney Spears would appear and apologize for the VMAs incident fascinated me. Not because I was interested in Britney, of course, but rather I was fascinated that anyone actually believed it. The fact that FOX would prey on that public misconception throughout the pre-show, as if they didn’t know whether she was present, shouldn’t surprise me…but that was the reaction it elicited. [Sidenote: Why was there no actual Countdown on the Countdown to the Emmys?]
Discomfort – Awkward and Inappropriate Jokes and Cuts
Early on, the Emmys hit a rather unfortunate stride: an awkwardly impersonal opening animation act from Brian and Stewie from Family Guy, a questionable cut from a joke about Isaiah Washington to T.R. Knight within said segment, and then Neil Patrick Harris’ unfortunate jailbait joke regarding Hayden Pannetiere – all within about fifteen minutes. It continued on into the rest of the night (Brad Garrett, anyone?), and even Seacrest had some borderline “humour” in his repetoire.
Nostalgia – Emmy Rewards People for the Past
Terry O’Quinn. Jaime Pressley. Katherine Heigl. Conan O’Brien. These four are, amongst others, representing a particular trend: deserving performers who really should have won their respective awards in previous years. O’Quinn was robbed for his turn on Lost’s first season, but remains deserving this year, and the same can be said for Pressley even if my heart was with Jenna Fischer. And Late Night with Conan O’Brien had never won a single Emmy, so its victory in Writing was a long-deserved one.
But Heigl, despite her radiance and grace on stage, really deserved to be recognized for last season’s arc with Denny, as opposed to this season’s whiny George/Izzie period. Her character became one-dimensional and one-note, and even if she remained strong I don’t see that as a worthy winner of this award.
Confusion – The Sopranos go Broadway
I am still trying to decipher just why we had a musical tribute to the Sopranos from the cast of Jersey Boys. The music didn’t particularly relate to the series, and it seemed like a simple video tribute (Maybe asking various stars their thoughts on The Sopranos) and then the curtain call would have been both shorter and more fitting. The theatrical and broad is not, although FOX may disagree, necessary in every single situation.
When a category at an awards show features two actors or actresses from the same show, sometimes logic points towards the two individuals canceling one another out. This would allow another competitor, not competing against someone from their own show, to waltz away with the trophy.
Cultural Learnings 