“Forever”
September 3rd, 2010
You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.
When I reviewed “Into the Woods” earlier this summer, I was admittedly somewhat hard on Marti Noxon, which was probably a bit of bandwagon hopping: I’m aware, perhaps too aware, of the criticisms which face Noxon in regards to the later seasons of the series, and I think that I held her accountable for my issue with the way that episode was structured and executed in a way which was probably unfair. Now, mind you, this isn’t to say that I don’t still have issues with the episodes, nor is it to say that I still don’t find some of Noxon’s writing to be a bit (and often a lot) romantically heavy-handed. Rather, Noxon was but one part of a larger team, and holding her personally accountable is reductive to the collective effort involved.
I raise this point because while watching “Forever,” I realized why Noxon’s somewhat divisive qualities actually work to help this post-tragedy episode feel just the right level of uncomfortable. I have some issues with the way the episode unfolds, and the lack of subtlety across the board is still somewhat unsettling, but the conflict between an emotional explosion waiting to happen and the attempts to carry on with one’s life feels natural. In other words, while I felt as if Noxon was attempting to rewrite Riley and Buffy’s relationship to create a heartwrenching moment, here she is drawing from a situation so filled with heartbreak that her poetry feels purposeful, desired.
Cultural Learnings 