Tag Archives: Katey Sagal

Handicapping the 2010 Emmys: Drama Acting

Handicapping the 2010 Emmys: Drama Acting

June 3rd, 2010

On the drama side of things, there’s fewer trends that we can follow through to the nominees than there are in comedy. There, we can look at Glee and Modern Family and see some logical directions the awards could take, but in Drama there’s really only one new contender (The Good Wife), and the other variables are much more up in the air in terms of what’s going to connect with viewers. Lost could see a resurgence with voters in its final season, or it could be left in the dust; Mad Men could pick up more acting nominations now that its dynasty is secure, or it could remain underrepresented; Breaking Bad could stick to Cranston/Paul, or it could branch out into the rest of the stellar cast.

That unpredictability isn’t going to make for a shocking set of nominations, but I do think it leaves a lot of room open for voters to engage with a number of series to a degree that we may not have, so it’s an interesting set of races where I’m likely going out on some limbs.

Continue reading

11 Comments

Filed under Emmy Awards

Lost – “The Candidate”

“The Candidate”

May 4th, 2010

For the first half of its running time, “The Candidate” felt like the show was going through a list of the ways in which this season has somewhat struggled with its competing narrative foci. The Flash Sideways structure is thematically interesting, but it feels as if the initial “what’s going on” dynamism has been replaced by a sort of meandering structure as Jack stumbles upon connections that we made weeks ago, and reveals elements of the story which bear emotional weight but which get saved until the episode’s conclusion. This might be fine, perhaps, if there was anything happening on the island to compare it to, but through the first half of the episode the show’s action seemed borderline illogical, leaving me pondering just how cranky this review was doing to sound.

And then, at a certain point in the episode, all hell broke loose, and the stakes of the season went up by roughly ten thousand percent. Life becomes a commodity, trust becomes more important than perhaps life itself, and the show’s poetic style gets turned on its ear like perhaps it’s never been turned on its ear before. “The Candidate” is not an exemplary hour of television, struggling mightily to set up its eventual conclusion, but that conclusion ends up being such a rollercoaster that it leaves the show in perhaps the best shape its been all year while leaving us emotional wrecks.

It’s something the show hasn’t really accomplished thus far this season, which means that we’re officially in the home stretch.

Continue reading

35 Comments

Filed under Lost

Lost – “The Substitute”

“The Substitute”

February 16th, 2010

In Esquire Magazine’s fantastic feature on Roger Ebert’s struggles with cancer and the surgeries which have left him unable to speak, there are a myriad of passages which are emotional and poignant. However, the one that resonated with me most is the section where Chris Jones talks about Ebert’s dreams:

“In his dreams, his voice has never left. In his dreams, he can get out everything he didn’t get out during his waking hours: the thoughts that get trapped in paperless corners, the jokes he wanted to tell, the nuanced stories he can’t quite relate. In his dreams, he yells and chatters and whispers and exclaims. In his dreams, he’s never had cancer. In his dreams, he is whole.”

Ebert’s story is hugely powerful, and while a fictional character can’t possibly compare I feel his story offers valuable perspective on the narrative arc of John Locke. For Locke, the island was like a dream (but not actually a dream, at least we presume), a place where everything he was unable to accomplish confined to a wheelchair became possible. When John Locke woke up on that beach able to move his legs, it was his miracle, and he went forward in the rest of his life as a believer, someone who felt renewed faith towards whoever was responsible for his miraculous recovery. He was “whole” in a way that he had never experienced before, as if his kidney and his legs hadn’t been taken away by his spiteful father.

But John Locke was always scared: he was scared that it would all be taken away from him, desperate to solve the puzzles of the island so that this dream wouldn’t end. Locke became a believer not because he felt safe, but rather because he felt deathly afraid of what would happen if the dream ended, and the tension that defined his life before arriving on the island never truly left him even when he was able to move his legs.

“The Substitute” is about John Locke, who he was and who he might have been, but it is also about what John Locke was searching for. At the end of the day, he wasn’t searching for faith so much as he was searching for a purpose, and we learn in this episode that Locke was no more chosen than anyone else, which in some ways would have given the man a sense of peace before his tragic end.

Continue reading

10 Comments

Filed under Lost

The Best of 2009: Performers of the Year

Performers of the Year

December 19th, 2009

I am not capable of working magic, so I shall not attempt to rank every single amazing television performance of the past year and boil them down to only ten selections. It’s an impossible task that the Emmys are incapable of doing correctly even when they have numerous categories in which to highlight particular nominees, so who am I to try to cover all of my bases with just ten names?

The purpose of this list, rather than trying to represent every great performance, is to highlight those that had an impact on me, and to some degree to highlight those which might not be represented elsewhere on the list in terms of particular episodes or the series themselves (and since I limited it to one performer per show, in some instances I refused to make a decision and chose to represent them elsewhere). In some cases, this means singling out the one part of an ensemble that I enjoyed, and in others it means singling out obvious candidates because there may not have been room for their shows on other lists (although I could just be messing with your heads, who knows?).

Now, in selecting this list, I had two basic rules:

  • If they won an Emmy or some other major award, chances are I didn’t include them.
  • If I didn’t see it (e.g. Breaking Bad), I can’t award them for it.

The second rule is there for an obvious reason, but the first is a bit more complex. I know that someone like Toni Colette gave a great performance in United States of Tara this year, no doubt, but I also know that she already got an Emmy for it – I don’t really need to tell you she gave a great performance, and I am more likely to give her spot to someone who hasn’t won an Emmy, or who should have won an Emmy, or who might some day win an Emmy. This isn’t to say I’m avoiding all buzzworthy individuals, but rather to suggest that I tried to avoid the usual suspects (so, no Tina Fey and Alec Baldwin, for example).

So, without further ado, let’s discuss the Top 10 Performers of the Year (in alphabetical order, by the way).

Continue reading

7 Comments

Filed under Best of 2009

Sons of Anarchy – “Balm”

SonsofAnarchyTitle

“Balm”

November 10th, 2009

I don’t need to tell you that “Balm” was an exceptional hour plus of television: for about two weeks, critics have been waxing poetic about how this could be the show’s defining moment, and how this is the episode that raises Sons of Anarchy from the upper echelon of television drama to the upper upper echelon of television drama. The result is that Sepinwall, Fienberg, Ryan, Poniewozik and every other critic under the sun have already made their position extremely clear, to the point where I don’t really have much to add in terms of singing its praises.

However, that’s never particularly stopped me before, so I still want to talk about how great this episode is, or, more accurately, why this episode manages to be great despite some significant challenges. This is an episode which builds its tension around an action that before last week was almost entirely foreign to its audience (at least those with no deeper knowledge of MCs than what the show offers) and that creates an emotional climax you can see coming by the time the episode gets going, and yet manages to pull it off so brilliantly that it’s as if we as viewers have always known what “going Nomad” refers to and that we could never have expected the kind of emotion the episode’s final moments bring.

It’s an episode that turns the viewer into an active participant in the lives of each and every single character, to the point where we are sitting at the dinner table with the characters in that final scene and responding as they are to the news being delivered.

And that’s some damn fine television.

Continue reading

1 Comment

Filed under Sons of Anarchy

Sons of Anarchy – “Falx Celebri”

SonsofAnarchyTitle

“Falx Celebri”

October 13th, 2009

When I fall behind on a particular show, chances are that it’s not intentional. I don’t “decide” to not get around to watching the most recent episodes of Dexter before the DVR goes kaput, it just sort of happens in the midst of catching up with everything else I didn’t get to post-vacation. With Sons of Anarchy, this is equally true: after simply not getting around to the season’s fourth episode, the fifth was a casualty of the vacation and it was only last night that I caught up with the adventures of SAMCRO.

And they have been adventures this season, one that has been the very definition of rollicking. It’s the season where storylines never sleep: while it and Mad Men are at the top of the serialized drama food chain right now, their approaches this season could not be further apart. While Mad Men likes to isolate its stories on a particular set of characters, the very point of Sons of Anarchy’s second season is that you can’t escape the coming storm, and that no one (not Tara, not Gemma, not Hale) is capable of standing on the sidelines and avoiding the fray. Rather than trying to depict a slow and tragic fall, the season has never shied from the fact that Zobell is not kidding around, and that the Sons are in some serious trouble.

Some general thoughts on the last few episodes and more detailed thoughts on “Falx Celebri” after the jump.

Continue reading

3 Comments

Filed under Sons of Anarchy

Sons of Anarchy – “Fix”

SonsofAnarchyTitle

“Fix”

September 22nd, 2009

In the world of Sons of Anarchy, everyone’s got a problem they’re trying to fix; heck, in every single show on television, people are looking for solutions to problems. Early on in its second season, it’s clear that the real conflict on this show is not within any single problem but rather the inability for various characters to see (either due to ignorance or due to being too traumatized by their situation) that there are two levels of problems. One is the growing threat of the League of American Nationalists against the Sons of Anarchy or, if you’re on the other side of the coin, the ongoing blight of SAMCRO on the town of Charming. However, there is also the internal struggle between Clay and Jax, not to mention Gemma’s own personal tragedy as well as personal struggles for Opie (Donna’s tragic death), Tig (who murdered Donna) and it seems like just about everyone else.

“Fix” represents the episode where three weeks of letting these secrets and struggles linger is catching up with just about everyone, and everyone wants a solution that will make everything better but has no idea how to really find it. The show continues to embrace an almost satirical sense of the genres it plays with, never quite delving wholly into melodrama, and the result is that the show remains a pleasure to watch even as it deals with serious subjects in an emotional fashion.

Continue reading

Leave a comment

Filed under Sons of Anarchy

Sons of Anarchy – “Small Tears”

SonsofAnarchyTitle

“Small Tears”

September 15, 2009

“Another magical day to be alive”

I, like I presume many others, presumed that this week’s episode title was about tiny drops of water falling from one’s eyes, alluding somewhat ironically to Gemma’s enormously emotional moment at the end of the season premiere. But in defying expectations, at least my own, the episode reveals that the real irony is not in falsely downplaying the emotional impact of the event, but rather the dichotomy between physical and emotional repercussions.

It is, in fact, a magical day to be alive, for everyone except for our heroine, Gemma. If there was ever any question about whether we are rooting for Gemma, “Small Tears” put it to rest: the entire fate of SAMCRO and the weight of this moment is placed on her shoulders, an unfair burden for anyone (even our less than ethical matriarch) to bear. We pity Gemma in some respects, and in others we respect her for refusing to allow pity to turn into anger at the Aryans, and more importantly to turn into revenge. It is no coincidence that the fallout from Gemma’s ordeal comes complete with a storyline about the danger of revenge killings, and the bloody mess that comes with it.

And if there’s anything that Sons of Anarchy wants to remind us of as the second season opens, it’s that nothing in the world of SAMCRO heals on its own.

Continue reading

3 Comments

Filed under Sons of Anarchy

Season Premiere: Sons of Anarchy – “Albification”

SonsofAnarchyTitle

“Albification”

September 9th, 2009

On the surface, there is nothing horribly complex about Sons of Anarchy.

I think that’s its appeal, really – the show is about a group who calls themselves the Sons of Anarchy, and who operate as one would expect a motorcycle club to run. They smuggle guns into the country, they sell them in order to make a living, and they operate a front business in order to stay on the up and up (although, of course, no one is buying it). They face threats from rival gangs and law enforcement simultaneously, making their existence a complicated one, but one that people presume when dealing with a show that deals with a criminal organization.

What works about Sons of Anarchy is that this surface level isn’t thrown out the window in order to introduce dramatic elements, but rather subverted from the inside. The basic premise of the show meant that things started off a bit slow in its first season, playing off of the usual tension of having the audience cheer for the “bad guys” and being a bit too on the nose in terms of humanizing Jax (Charlie Hunnam), our “in” to the club, through his newly born, and ill, son. The components were all there, whether it’s Katey Sagal’s blistering portrayal of Gemma or Ron Pearlman’s wisened characterization of Clay, but the story felt too simple.

But then, the machine started to kick into full gear. Law Enforcement evolved from a witless sheriff in the club’s pocket to a psychotic stalker/FBI Agent (played to perfection by Jay Karnes) out to get Jax for stealing away Tara (Maggie Siff) and a manipulative and dangerous ATF presence in the form of Ally Walker. Simultaneously, we started to realize that for all the “anarchy” the Sons claim to perpetrate, what they’ve created instead is an enormously elaborate power structure which begets betrayal and paranoia, a structure that Jax spent much of the first season doubting and that Opie learned has dire consequences as the season progressed. We left the first season with no question that the status quo was not going to keep working, and that something would have to give.

And what I love about “Albification” is that we return to that exact same moment, and the show continues to play subtlely with the show’s premise rather than undermining it entirely. The introduction of a new threat is done with a smooth sense of purpose by Kurt Sutter, demonstrating that the momentum gained at the end of the second season isn’t going to be lost. Instead, the show feels like it has found an entirely new rhythm, one which is still willing to be funny, still able to make you love and hate characters at the same time, and most importantly still capable of shocking the viewer with its brutality.

In short, it’s a damn fine season premiere for a show I’m very much looking forward to spending time with this fall.

Continue reading

2 Comments

Filed under Sons of Anarchy