Tag Archives: Tina Fey

30 Rock – “The Natural Order”

30rocktitle2

“The Natural Order”

April 30th, 2009

Having already written my posts on Parks and Recreation and The Office tonight, I’ll admit to be at a bit of a loss at what to say about tonight’s episode of 30 Rock. It isn’t that the episode was bad, but 30 Rock just seems to be in a total holding pattern right now, while Parks and Recreation has the novelty of newness and The Office is transitioning out of a really engaging disription. So when “The Natural Order” finished, I was left with some rambling notes about how the episode featured a few jokes that hit, a few jokes that didn’t, and plots that threatened to come together but never quite did.

One of the problems that can kind of tie the episode together, and give me something to talk about, is how in many ways the show has to deal with what I’ll call leftovers. When there’s a small gibbon introduced into the story, it’s a funny throwaway gag that the writers decide not to throw away, and it results in an unfunny and uninteresting C-story. Similarly, while I love Elaine Stritch and storylines that showcase Jack’s more empathetic side are always welcome, at a certain point Colleen Donaghy feels like a character that was so great in that Season One finale that the writers keep reheating with diminishing returns.

It’s not enough to send the show into the territory of downright unfunny comedies, but it usually results in episodes that feel like the cast-offs in need of rewrites, quite likely because they were cast-offs that needed lots of rewrites.

Continue reading

Leave a comment

Filed under 30 Rock

30 Rock – “The Ones”

30rocktitle2

“The Ones”

April 26th, 2009

While its Thursday night comedy counterpart The Office has been delving into a long-term storyline over my hiatus, which has made not blogging about it a little bit more problematic, 30 Rock has been in a very different sort of place. This isn’t to say that the show isn’t achieving its goals: this is two solid episodes in a row now, so one can’t say the show is necessarily coasting.

In fact, I’d argue that “The Ones” was really on the ball in terms of both its light comedy (which is almost always strong) and its resolution and continuation of some storylines and characters who have been hit and miss. I was less than kind in my analysis of the Elisa storyline, but some time in Puerto Rico seems to have done both the character and the writers well, as the zany but grounded conclusion felt like the ideal sendoff. Combine with the second straight good use of Jenna, a fun little Tracy diversion, and Liz as Jack’s bro? And this was an episode chock full of strong dynamics.

Continue reading

3 Comments

Filed under 30 Rock

30 Rock – “Apollo, Apollo”

30rocktitle2

“Apollo, Apollo”

March 26th, 2009

When Robert Carlock confronted “Apollo, Apollo,” it was if he were taking all of the elements which have made his past episodes (“Jack-Tor,” “Subway Hero,” “Sandwich Day,”) so fantastic and pulling them all together into one rather stunning half-hour. Moving from joke to joke at a breakneck pace, with barely any time for breathing yet alone for truly appreciating the genius on display, the episode achieves the right balance of total absurdity, stunning wit, marvelous delusions and genuine heart in pretty well every single storyline, although to the differing degrees required.

It’s almost unfair to other comedies that 30 Rock can combine all of these things and still feel as if it was cohesive: we have brand new show-specific terminology, one of the show’s best recurring guest stars (Dean Winters), muppets, Adam West, a wonderful viral video, and along the way so many small moments that the episode was without a dead zone.

And after all of that, anyone who isn’t Lizzing or Jacking needs to get themselves checked out by a doctor/trainer…or should that be the opposite? Hmmm.

Continue reading

1 Comment

Filed under 30 Rock

30 Rock – “The Bubble”

30rocktitle2

“The Bubble”

March 19th, 2009

There is something very reminiscent of How I Met Your Mother in “The Bubble,” where we say goodbye to Jon Hamm in a way that makes you wish that he had been around a little bit longer. He and Salma Hayek were really the polar opposites: while she was made too central to the key storylines and fell flat after an episode or two, Hamm was in so few episodes and so far apart that while the individual episodes were quite strong we never really got to know Drew as a character, and we feel like we’ve been robbed of that.

But the strongest part of this week’s episode was, in a very HIMYM way, this term of the “bubble” that attractive people find themselves in, full of perks and salmon cooked with gatorade. But while HIMYM has lately been either expanding the scale of these ideas to the entire cast (“The Naked Man”) or treating them as one-liners as opposed to the foundation of an entire storyline, 30 Rock didn’t know what to do with this one: surrounding it were storylines which never connected, and an episode that fell flat at almost every turn.

Continue reading

21 Comments

Filed under 30 Rock

30 Rock – “The Funcooker”

30rocktitle2

“The Funcooker”

March 12th, 2009

It’s kind of funny that, after an episode of The Office where Michael struggled with the idea of responsibility and blame, that 30 Rock would be so occupied with exactly the same ideas. The episode is all about authority figures who are trying to maintain something approaching order, and their subordinates who are at the same time doing everything they can to subvert all principles of authority.

It’s almost a bit too clean in the end, as all of the storylines come together to a clearly choreographed conclusion, but at the same time each storyline plays to the characters’ strengths. Just as Tracy taking over the financial crisis was funny, so too was Tracy taking over the entire airwaves. Just as Jenna’s last trip to Dr. Spaceman was a comic goldmine, this one at least got us something other than coal if not quite gold. And while Liz and Jack were both a little bit out of their elements (Liz stuck on jury duty and Jack stuck, well, working with subordinates directly), thus not quite giving the episode its potential comic punch, I still think the episode set out a simple and 30 Rock-esque storyline and succeeded in showing its potential.

And while I still want the show to shoot for something better, this is a good piece of complacency in my book.

Continue reading

3 Comments

Filed under 30 Rock

30 Rock – “St. Valentines Day”

30rocktitle2

“St. Valentine’s Day”

February 12th, 2009

After what I thought was a really fun little romp in “Generalissimo,” introducing us to Dr. Drew Baird (Jon Hamm) as Liz’s new love interest, the show continues to rush forward as more or less a romantic comedy. Centering around the most romantic (and commercial) of holidays, the episode investigates what happens when a relationship moves much, much too quickly, or when it is built on false pretenses, or worst of all when even McFlurries can’t keep people together.

It’s nowhere near the quality of last week, somewhat more meandering in its focus, but when it scores it scores: particularly with the amazing work of Tina Fey and Jon Hamm in creating a relationship that manages to become even more bizarre this week while at the same time actually becoming quite believable and engagingLiz agrees to a Valentine’s date. The rest of it felt more than a bit one note by comparison, a problem for the show at the best of times, but it felt connected enough to the idea of the differences between Valentine’s Day and St. Valentine’s Day.

And the dangers of moving from Date 4 to Date 20 (or date Never) too quickly.

Continue reading

4 Comments

Filed under 30 Rock

30 Rock – “Generalissimo”

30rocktitle2

“Generalissimo”

February 5th, 2009

Bravissimo, Tina Fey and company.

With “Generalissimo,” 30 Rock has returned to what I would consider to be, at the very least, its pattern of glory. What works about this episode is not that every one of its storyline is a home run, as I am still extremely bored with Salma Hayek as an actress, but rather that everything connects. Not only do the A and B plots almost entirely intersect with one another, one informing the other, but then the C plot comes out of nowhere to play a convenient but nonetheless clever role in the conclusion.

And with comedies like these, especially ones like 30 Rock which here errs on the side of being a little zany and off the wall, connectivity is their greatest asset: this isn’t the episode where Liz Lemon got a new love interested played by Jon Hamm, or the episode where Jack Donaghy bought a telenovela starring a man who looks like him, or the episode where Tracy Jordan discovered the dangers of placing fire close to his mouth. Instead, it’s the episode where Jack purchasing a telenovela gives Liz terrible advice on dealing with her current crush which eventually is both complicated and then uncomplicated by the crazy antics as Tracy tries to prove his youth.

And that kind of episode? I want to go to there.

Continue reading

5 Comments

Filed under 30 Rock

30 Rock – “Flu Shot”

30rocktitle2

“Flu Shot”

January 15th, 2009

I know that it’s January, which means that we’re smack dab in the middle of two sweeps periods and thus in what would be a creative holding period for most returning shows, but it’s unfortunate for 30 Rock that as it delivers a mostly listless affair there’s all sorts of exciting shows premiering or about to premiere. There’s a lot of excitement swirling around the world of television right now, and this episode just doesn’t capture any part of that.

This isn’t to say that it’s bad, or to say that 30 Rock’s fate is dependent on this one outing: in fact, NBC announced today that the show is getting an unsurprising but still very welcome fourth season renewal. This show was on life support as early as this past October, so to see it thriving in the ratings and the award season enough for NBC to give it that vote of confidence is great to see.

Unfortunately, the show itself isn’t really living up to that reputation in “Flu Shot.”

Continue reading

2 Comments

Filed under 30 Rock

Credit Where It’s Due: The Golden Globes are not (entirely) Irrelevant

globes

Credit Where It’s Due:

The Golden Globes are not (entirely) Irrelevant

It is often very easy to discredit the Golden Globes for being one thing or another, or for not being one thing or another. It is not that these are all false: the Hollywood Foreign Press Association are not cinematic or television authorities, and it is often very clear in their choices that their criteria is both highly erratic and highly suspect on most occasions. The 2009 Golden Globes were in part a testament to this particular part of their mystique, with a variety of winners which felt like they were entirely unrelated to the film or television series beside their name.

But we have to admit that there are certain points where this type of crass favouritism can actually intersect with what we as both award show viewers and as appreciators of good film and television considering to be something approaching justice. While I could easily speak to how Slumdog Millioniare’s numerous wins are a result of its international production (Always a big thing with the HFPA, see Babel defeating The Departed), or how Tina Fey’s victory is only the result of her time in the mainstream as Sarah Palin, does this really override the fact that I loved Slumdog Millionaire and that Tina Fey is a comic sensation on 30 Rock?

While the sheer cynicism with which we view the subjectivity of the Golden Globes is not wholly unique within the major awards circuit, I nonetheless feel like it is sometimes overstated in the case of the Globes for the purpose of focusing on those winners that we don’t like while choosing to view good decisions as the exception to the rule. This isn’t going to stop me from attacking the HFPA for being irrelevant with some of their choices, especially as it relates to nominees, but when it comes to the winners I think it’s safe to say that they might have actually paid attention to what they were watching in the past year.

Even if it was, per usual, for the wrong reasons in some instances.

[For a complete LiveBlog rundown of the show, click here!]

Continue reading

Leave a comment

Filed under Golden Globes

The 2009 Golden Globes LiveBlog

globes

Open Bar. Slavish appreciation of celebrity and the cult therein. The Golden Globes are not about who wins, really, but that doesn’t mean that I would ever miss an opportunity to complain about it. Watch as I discuss the television awards with a false sense of authority, write about the movie awards with an even more false sense of authority, and gossip about celebrities with the exact amount of zero authority almost all internet commentators have on the subject.

I am not live-blogging the pre-show per se, but I have been writing some tweets, so follow me on Twitter for more fun on that front. But, really, we’re here for the judgments of the Hollywood Foreign Press – those guys are crazy.

7:49pm: First word of warning – time might jump forward an hour, I’m adjusting Atlantic Time to Eastern Time for your benefit and might occasionally screw up. Time for the pre-awards ten minutes of pre-show blogging.

7:54pm: Basics of the pre-show – NBC mindbogglingly combining people in a line so that they could get through more people, resulting in some enormously random combinations. Only real moment of any interest was Mark Wahlberg quite hilariously calling Jeremy Piven out on his mercury levels, and then Piven getting gravely serious about it, resulting in a lot of awkwardness. Otherwise, no drama of note, and I won’t attempt discuss anything related to fashion.

7:56pm: Okay, I lied – Kate Winslet looks really, really good. That is all.

7:58pm: Brooke Burke and Tiki Barber aren’t allowed to have opinions, silly Nancy O’Dell – that’s not why they’re there!

8:00pm: And here we go – wait, the Jonas Brothers are there? Oy vey.

Continue reading

4 Comments

Filed under Award Shows