“Klaus and Greta” and “Black Light Attack!”
January 14th, 2010
When you double up two episodes of 30 Rock, you get a really skewed perception of the series. In some ways, the two hours offers that many more memorable lines, so if you are judging purely based on the sheer volume of laughs chances are that two is, in fact, going to be better than one. However, at the same time, there are two separate episodes which could go wrong at a story level, and the show is not as consistent as it has been at its finest over its four seasons. (You also get the show’s lowest ratings in a very long time, since the show was running without a lead-in from The Office).
The actual content of “Klaus and Greta” and “Black Light Attack” offered a particularly intriguing double dose of comedy, as the character of Liz Lemon went through what seemed like a sudden sexual transformation while normally overtly sexual Tracy Jordan went through a personal transformation in light of his newly conceived daughter. Both episodes were actually quite consistently funny, and the double dose managed to actually feel more strange for Liz than it did for the usually one-dimensional Jenna, creating a sort of fun bizarro world as opposed to a problematic hour of comedy.
“Secret Santa” x 2
December 10th, 2009
It’s not often that two episodes airing back to back have the same title, so it’s a convenient excuse to blog 30 Rock and The Office together tonight.
Christmas is a holiday that has always been a highlight for The Office (“Christmas Party” is one of its finest hour-long episodes), but to be honest I’ve found that 30 Rock is kind of really bad at it. I don’t know what it is, but Christmas seems to be a holiday that just doesn’t work for the show, primarily because its wackiness doesn’t have that sense of heart that The Office taps into during this, the most magical time of the year.
So, accordingly, the best parts of both episodes entitled “Secret Santa” are those which feel like they’re bringing everyone together in celebration of the season’s message of hope and togetherness, and the worst parts of both episodes are those where that spirit is either ignored or crushed beneath a smothering of unpleasantness.
“Dealbreakers Talk Show #0001”
December 3rd, 2009
After writing rather lengthy analysis of the other three NBC comedies, all of which tapped into the emotional recesses of their characters in uncomfortable or telling fashions, it’s refreshing to get to 30 Rock, which tried to do absolutely none of those things.
While it wasn’t an all-time classic, “Dealbreakers Talk Show #0001” was a prime example of what happens when you just let Liz Lemon run free. The episode follows a paper thin plot, rarely taking a story to any unexpected or surprising place, but Tina Fey is so inherently in control of this character that she is able to depict Liz’s downward spiral into a Jekyll/Hyde split persona in a way that makes you laugh so hard you forget just how pointless it all is.
It becomes a series of cleverly executed sight gags at a certain point in the episode, demonstrating that even the simplest of stories (even when that story surrounds an element of the show which could be complicated) can elicit laughs within the universe Fey has created here.
November 19th, 2009
This is “Green Week” on NBC, which means that every show has some sort of environmental sustainability storyline in it. And while the shows did similar episodes a few seasons ago (The Office did its “Survivorman” parody and 30 Rock did the great “Greenzo”), it’s a well that has quite a bit of content in it, depending on how the shows wants to go about it.
While The Office (which I won’t be reviewing tonight, although I’ll probably throw some thoughts onto the end of the page) simply used it as a theme for the cold open (as it did with Halloween), 30 Rock takes a more continuous and as a result scattered approach. Giving Kenneth the task of “greening” 30 Rock felt forced, and while the episode wanted to try to make it seem subversive and clever the show has done too many similar things before.
However, continuing last week’s improvement on the season as a whole, this week had a cohesive point of view if we ignore the environmental side of things, presenting two stories that allowed for both some brilliant absurdity and actions which are driven by character rather than plot. And, just when you think that the environmental story is entirely worthless, the show spins off a few random parts of other scenes into the storyline and helps bring everything full circle in a sequence that actually is as clever as it wants it to be.
Plus, Teddy Ruxpin was a frakkin’ lawyer.
November 5th, 2009
I think that 30 Rock would be far funnier if it wasn’t so annoying.
This likely seems like a derogatory statement, but it’s really not: I thought “Audition Day” was the most enjoyable episode of the season yet, but yet I wouldn’t necessarily say it was that great, which reflects on both the quality of the season so far and the reality of this type of episode. It’s effectively a grab bag of comedy, as by the end of the episode you have plenty of jokes that you remember fondly, and callbacks to previous episodes that make you reminisce, and even some new jokes that really connect. However, while you’re happy with what you’ve received in those arenas, there’s also a bunch of other crap that didn’t connect comically, and that served only to promote business networking tools.
When there’s no real central premise to hold an episode like this one together, you’re left feeling like something was missing even as you gush over the genius of Brian Williams, which is pretty much where I stand with 30 Rock right now. I laughed, I commented on its cleverness, and yet still in the end I can’t help but be annoyed with elements of the episode that didn’t quite work. It’s particularly frustrating in that I actually think “Audition Day” was a pretty solid and funny episode, but there’s just something about the show that’s taking a shotgun approach to comedy that I’m just not responding well to.
At least we’ll always have Moonvest.
and Community, The Office and 30 Rock: Halloween Comedy on NBC
October 29th, 2009
My brother, on his Twitter feed, made a comment that Halloween episodes are always the best holiday episodes. And while I understand that he, being born on Halloween and having taken the holiday as his own, has a particular affinity for the holiday, I don’t. And, perhaps it is such that I do not view Halloween as an immediate symbol of greatness in my television programming.
However, I do agree that Halloween episodes can be very good programming, and what I found interesting about the NBC comedy lineup (so interesting that I’m lumping them into one post) is how differently each show used the holiday. I won’t argue that any of the shows should be judged on whether they integrated Halloween “correctly,” but I think that the current direction of each show is inherent in how they chose to play with All Hallow’s Eve.
It resulted in one great episode which focused in on elements of the holiday which fit its characters perfectly, one very good episode that used Halloween as a variable of existing dynamics, one okay episode which evaded the holiday but for a quick joke, and one weak episode that used the holiday as a boring subplot that didn’t go anywhere, squandering its potential entirely.
“Into the Crevasse”
October 22nd, 2009
When the critics’ reviews started coming out about 30 Rock’s fourth season, there were quite a few skeptical ones that seemed to indicate the show wasn’t quite up to its earlier standard, to the point where some where effectively questioning its standards. I thought “Season 4” was a bit of a weak opener, but nothing offensive, so I was a bit perplexed where people felt that the show was really off its game. And, well, then I saw “Into the Crevasse.”
It isn’t that “Into the Crevasse” is worse than “Season 4” that’s the problem: yes, this is a far less successful episode that feels more like a string of Saturday Night Live skits strung together than it does an actual hour hour of comedy, but the real problem is that it manages to achieve this while in theory sounding like something the show has always been doing. It divides evenly into “Tracy is mad at Liz,” “Jenna is rebellious towards Liz,” and “Will Arnett guest stars to terrorize Jack,” all storylines that the show has done in the past with far more success. As such, it sets off alarm bells: it’s not that the episode is without humour, but rather that it fails despite sounding like it should be right in the show’s wheelhouse.